Event dates: 11 May 2018 and 12 May 2018, British Library, London
The Atayal people of Taiwan are known for their ancient textile-weaving traditions. Join weavers Shu-li Lin and Hsiu-yu Chen for workshops and demonstrations exploring Atayal weaving techniques. This event is part of London Craft Week and has been organised in association with the Ministry of Culture, Taiwan.
Weaver Shu-li Lin is based in Miaoli County, Taiwan. She studied the Atayal tradition of dyeing and waving from the elders in her community, preserving their traditional weaving skills and techniques. Combining Atayal dyeing skills with modern design elements in colour, texture and practice, her work explores environmental protection and sustainability.
Hsiu-yu Chen started weaving 12 years ago with hook and loom as a way to connect to her heritage and understand the experiences of the Atayal people, who made clothes and quilts using this method. The process of collecting the raw material, ramie, and then harvesting, cutting and peeling it, was deeply ingrained in her memories from childhood.
For further information on this free event visit the website of the London Craft Week
Event date: 28 April 2018 10:00 – 16:30, London.
The global history of collecting has been profoundly shaped by national and international politics over the past two centuries. Taking geopolitics as its starting point, this symposium will examine the history of collecting Asian art objects in a range of geographical locales, from Britain and continental Europe to East and Southeast Asia.
Topics covered include Competition and Collaboration: Stamford Raffles and Collecting in Java, 1811-1816, The First Private Museum in China? Revisiting Pan Shicheng and His Collecting in Canton, and The Poetics and Politics of Collecting and Displaying Kachin Culture.
Online registration is essential for this SOAS School of Art event and further details can be found here
Event date: 24 April 2018, 5:00pm-6:00pm, M&S Company Archive, University of Leeds
ULITA – The University of Leeds International Textiles Archive – presents an evening talk to celebrate the opening of the Resists: exploring resist-dyed textiles across cultures exhibition.
Researcher, designer and educator Dr Kate Wells discusses the unification of hand, technology and innovation in the history of resist-patterned fabrics across the world. Exploring historical and contemporary resist dye techniques, she will also illustrate the potential of new approaches and procedures to enable the survival and commercial production of resist-patterned fabric.
Following the lecture, an opening reception with refreshments will take place at ULITA (St Wilfred’s Chapel) from 6pm. The reception is drop-in, no need to book.
Further information and the link to book for the lecture can be found at the ULITA website here
Exhibition dates: 29 April – 11 November 2018
Glamorous fashion in the eighteenth century entailed first and foremost wearing lavishly patterned silks. While the cuts of both ladies’ gowns and men’s attire scarcely changed, new fabric pattern collections came out regularly. Several trends developed. Common to all is a preference for strange-looking motifs and extravagant compositions redolent of exotic worlds. The textile designers who created them were clearly inspired by much sought-after wares imported to Europe by sea from the Near and Far East.
The new exhibition at the Abegg-Stiftung, near Bern, Switzerland, presents a selection of these brightly coloured silks decorated with chinoiseries or with “bizarre” motifs, as the fantastical designs defying description are now known. The show also includes silks with exotic fruits and plants that were hardly known in Europe at the time, as well as some with intricate patterns reminiscent of oriental ornamentation. The textiles on view in this special exhibition represent a union of exquisite materials, astonishing creativity and technical accomplishment – a fascinating combination that for several decades held sway over genteel society’s taste in fashion.
For more information visit the website of the Abegg-Stiftung
Event dates: 20th-21st April 2018, London.
This two-day event at the Embassy of Indonesia will begin with the launch of a new book on Indonesian textiles entitled Nusawastra Silang Budaya. In it the author, Quoriena Ginting, shares her love for these pieces, describing 250 textiles from across the archipelago. There will also be discussions on batik, songket and ikat, as well as a guided tour of the textile exhibition. The programme also includes the opportunity to take part in a batik workshop – but places for this are strictly limited.
For more details, including how to register, click here
SAVANNAKHET, Laos: The fashion world loves indigo, but its popularity stretches back for centuries.
In Japan, this deep blue colour was worn by aristocrats and samurais. In India, its paste was dried into cakes and traded along the Silk Route, by which it entered Europe. Indigo was known in ancient Greece as indikon, which literally means ‘Indian’.
Today, indigo is the most popular colour for denim worn by millions of people worldwide. Every year, tens of thousands of tonnes of indigo dye is produced but most of it is synthetic. Its natural version is harder to find as the extraction of colour is done by hand in a complicated and time-consuming process.
In 2008, the Lao government launched a programme called One District One Product (ODOP) with help from the Japan International Cooperation Agency. Focusing on Savannakhet and Saravanh provinces, ODOP is aimed at improving local livelihoods through the promotion of marketable products for export.
“It has helped reducing poverty, improving the lives of the people in the village and creating jobs,”
To read the full article go to the website of CHANNEL NEWSASIA
Event date: Thursday 12th April, Barbican, London
The 3rd London Bengali Film Festival launches at the Barbican with the red carpet UK premiere of the documentary ‘Legend of the Loom,’ focusing on the Muslin cloth, trade and demise of the industry.
Researched and scripted by Saiful Islam, the film covers the story from the first foreigners to come to Bengal in search of its fine textiles, the establishment of empires and the opening of trade routes which began to connect the subcontinent to the wider world. Along the way, weavers, farmers, experts, designers, scientists and artisan’s give their views, add nuggets of information and display techniques which make the story come alive.
The film is introduced by Saiful Islam (CEO-Drik (Bengal Muslin), who is also be leading the Q&A after the film.
For more information and to book visit the website of the Barbican
The Textile Society of America hold a highly regarded biennial symposium, the proceedings of which are eventually made available online. The papers from the 2016 symposium were recently uploaded and cover such diverse topics as Indian block-prints, phulkari, Japanese shibori and many more. The papers available date right back to 1988, making this an invaluable free resource.
Click here to access the papers – but be warned, it’s addictive and you may be there some time!
Javanese batik, the pride of Indonesia, has been the subject of research by many historians from around the world. It is so exceptional that in 2009 it was placed on UNESCO’s List of Intangible Heritage.
Historical records and archaeological findings suggest that the wax-resist dyeing technique or batik may not be unique to Indonesia because for thousands of years it was practised in countries like China, Greece, India and South America.
This article looks at the work of OATG member Maria Wronska-Friend on the impact of Javanese batik on textile traditions outside Indonesia. Her 2016 book Batik Jawa bagi Dunia (Javanese Batik to the World), was reviewed in Asian Textiles 67 in June 2017.
The credit for introducing Javanese batik to Europe in the last decade of the 19th century belonged to the Dutch, the then-colonial rulers of Indonesia. From Holland it spread to other countries, especially France, Germany and Poland.
However, the adaptation of the Javanese technique in Poland has a very interesting history. In Eastern Europe there is an ancient tradition of decorating eggs with wax-resist dyeing — a technique very similar to Javanese batik.
Editor’s note: this tradition must have been quite widespread as we saw wax-resist decorated eggs in the Museum of Ethnography in Dubrovnik, Croatia. See images below.
According to Wronska-Friend “The interest in Javanese batik technique was immense across Europe. In the 1920s, thousands of artists, some of them very famous, practised the batik technique. It also became a fashionable female hobby”.
To read the full article visit the website of The Jakarta Post
Exhibition dates: 30 May – 15 September 2018, Hangzhou, China
This is the first exhibition in China to present the rich cultural heritage of looms and weaving technologies from around the world. It celebrates the marches of textile innovations in not only China, but also in a broader context of textile traditions over vast geographical areas. The exhibition will be divided into three galleries – China, Eurasia, Americas and Africa – each featuring a representative selection of looms. These range from recently excavated archaeological findings, through to Jacquard looms and multi-shaft looms.
Conference: 31 May 2018
A one-day conference runs concurrently with the exhibition A World of Looms and features many distinguished textile scholars including OATG member Chris Buckley. The presentations are very diverse and cover loom technology from China, Japan, Laos, Indonesia, Iran, Africa, and the Andes. Admission is free, but reservations are recommended.
For more information on both the exhibition and the conference click here