Exhibition dates: 25 April – 13 December 2018, Leeds, UK
‘Resist dyeing’ or ‘resist patterning’ are terms used to encompass a wide variety of techniques through which fabric is decorated by allowing dyestuff to only come into contact with selected areas of either the yarn or the fabric’s surface. Variants of such techniques are found universally, but for this exhibition the emphasis will be on textiles from West Africa, the Indian subcontinent, Japan and Indonesia.
The exhibition will identify the principal resist-dyeing techniques, and the characteristics of the resultant products. Techniques displayed will include batik, ikat, resist block-printing, stencils, tie-dye and other stitched techniques. It will present examples of ajrakh, English Wax, katagami and shibori.
The exhibition will draw from items within the ULITA collection, particularly showcasing two relatively recent significant collections to come to ULITA, including one from OATG member Hywel Coleman. This is a substantial loan collection of batiks, ikats and weaves. Its greatest strengths are textiles from South Sulawesi, Bali, and West and East Nusa Tenggara.
For more information visit the website of ULITA – an Archive of International Textiles
Event Date: 2 May 2018, 11:00-18:00, London
John Gillow, Barbie Campbell Cole and Martin Conlan (Slow Loris Textiles) have a one day only event on Wednesday May 2nd, 11am to 6pm at St James the Less church hall, Thorndike St., off Moreton St., SW1V 2PS. (The venue entrance is opposite No.88 Vauxhall Bridge Road). African & Asian textiles in abundance from these notable collectors and dealers. Free entry.
JOHN GILLOW has traveled the world studying and buying antique textiles from Africa and Asia for over twenty five years. His seven books on antique ethnic textiles have been published by Thames & Hudson and The British Museum Press. Every year he makes at least eight buying/research trips to Africa & Asia, and he stocks a wider range of ethnic textiles than anyone else in the country.
BARBIE CAMPBELL COLE trained as an architect at the Architectural Association, London, then worked for many years as a documentary maker in Africa and Asia for the BBC and C4. For the last 15 years she has been dealing in antique jewellery and textiles from Asia and Africa, selling to museums, collectors, interior and costume designers worldwide. Her academic research into the heirloom beads of Northern Burma and Northeast India has been funded by The Bead Study Trust, ICOMOS, and the Bead Society of Greater Washington, and has been published by the Bead Study Trust and in Beads, the Journal of the Society of Bead Research.
MARTIN CONLAN is an acknowledged expert in the textile arts and crafts of Chinese tribal minorities. He has traveled extensively in China for many years, collecting and trading in antique indigo and vegetable-dyed clothing, as well as modern oriental tribal clothing and textiles, including chic and beautifully cut jackets and coats in a range of subtle vegetable-dyed colours.
Exhibition dates: 25 September 2017 – 7 May 2018, New York
Woven bags carried by nomads in the Middle East were designed to contain all of the necessities of life, from bedding to salt. This exhibition highlights 19 distinctly patterned examples of woven bags from nomadic cultures in Iran, Turkey, and the Caucasus, along with one striking pile-woven saddle cover. Featuring geometric patterns as well as stylised floral and animal motifs, these textiles are both utilitarian and expressive of a highly sophisticated tribal aesthetic. The exhibition also includes an Islamic painting from the Metropolitan Museum’s collection that illustrates bags and trappings in use in traditional society.
For more information visit the website of the Metropolitan Museum
Event dates: 11 May 2018 and 12 May 2018, British Library, London
The Atayal people of Taiwan are known for their ancient textile-weaving traditions. Join weavers Shu-li Lin and Hsiu-yu Chen for workshops and demonstrations exploring Atayal weaving techniques. This event is part of London Craft Week and has been organised in association with the Ministry of Culture, Taiwan.
Weaver Shu-li Lin is based in Miaoli County, Taiwan. She studied the Atayal tradition of dyeing and waving from the elders in her community, preserving their traditional weaving skills and techniques. Combining Atayal dyeing skills with modern design elements in colour, texture and practice, her work explores environmental protection and sustainability.
Hsiu-yu Chen started weaving 12 years ago with hook and loom as a way to connect to her heritage and understand the experiences of the Atayal people, who made clothes and quilts using this method. The process of collecting the raw material, ramie, and then harvesting, cutting and peeling it, was deeply ingrained in her memories from childhood.
For further information on this free event visit the website of the London Craft Week
Event date: 28 April 2018 10:00 – 16:30, London.
The global history of collecting has been profoundly shaped by national and international politics over the past two centuries. Taking geopolitics as its starting point, this symposium will examine the history of collecting Asian art objects in a range of geographical locales, from Britain and continental Europe to East and Southeast Asia.
Topics covered include Competition and Collaboration: Stamford Raffles and Collecting in Java, 1811-1816, The First Private Museum in China? Revisiting Pan Shicheng and His Collecting in Canton, and The Poetics and Politics of Collecting and Displaying Kachin Culture.
Online registration is essential for this SOAS School of Art event and further details can be found here
Event date: 24 April 2018, 5:00pm-6:00pm, M&S Company Archive, University of Leeds
ULITA – The University of Leeds International Textiles Archive – presents an evening talk to celebrate the opening of the Resists: exploring resist-dyed textiles across cultures exhibition.
Researcher, designer and educator Dr Kate Wells discusses the unification of hand, technology and innovation in the history of resist-patterned fabrics across the world. Exploring historical and contemporary resist dye techniques, she will also illustrate the potential of new approaches and procedures to enable the survival and commercial production of resist-patterned fabric.
Following the lecture, an opening reception with refreshments will take place at ULITA (St Wilfred’s Chapel) from 6pm. The reception is drop-in, no need to book.
Further information and the link to book for the lecture can be found at the ULITA website here
Exhibition dates: 29 April – 11 November 2018
Glamorous fashion in the eighteenth century entailed first and foremost wearing lavishly patterned silks. While the cuts of both ladies’ gowns and men’s attire scarcely changed, new fabric pattern collections came out regularly. Several trends developed. Common to all is a preference for strange-looking motifs and extravagant compositions redolent of exotic worlds. The textile designers who created them were clearly inspired by much sought-after wares imported to Europe by sea from the Near and Far East.
The new exhibition at the Abegg-Stiftung, near Bern, Switzerland, presents a selection of these brightly coloured silks decorated with chinoiseries or with “bizarre” motifs, as the fantastical designs defying description are now known. The show also includes silks with exotic fruits and plants that were hardly known in Europe at the time, as well as some with intricate patterns reminiscent of oriental ornamentation. The textiles on view in this special exhibition represent a union of exquisite materials, astonishing creativity and technical accomplishment – a fascinating combination that for several decades held sway over genteel society’s taste in fashion.
For more information visit the website of the Abegg-Stiftung
Event dates: 20th-21st April 2018, London.
This two-day event at the Embassy of Indonesia will begin with the launch of a new book on Indonesian textiles entitled Nusawastra Silang Budaya. In it the author, Quoriena Ginting, shares her love for these pieces, describing 250 textiles from across the archipelago. There will also be discussions on batik, songket and ikat, as well as a guided tour of the textile exhibition. The programme also includes the opportunity to take part in a batik workshop – but places for this are strictly limited.
For more details, including how to register, click here
SAVANNAKHET, Laos: The fashion world loves indigo, but its popularity stretches back for centuries.
In Japan, this deep blue colour was worn by aristocrats and samurais. In India, its paste was dried into cakes and traded along the Silk Route, by which it entered Europe. Indigo was known in ancient Greece as indikon, which literally means ‘Indian’.
Today, indigo is the most popular colour for denim worn by millions of people worldwide. Every year, tens of thousands of tonnes of indigo dye is produced but most of it is synthetic. Its natural version is harder to find as the extraction of colour is done by hand in a complicated and time-consuming process.
In 2008, the Lao government launched a programme called One District One Product (ODOP) with help from the Japan International Cooperation Agency. Focusing on Savannakhet and Saravanh provinces, ODOP is aimed at improving local livelihoods through the promotion of marketable products for export.
“It has helped reducing poverty, improving the lives of the people in the village and creating jobs,”
To read the full article go to the website of CHANNEL NEWSASIA
Event date: Thursday 12th April, Barbican, London
The 3rd London Bengali Film Festival launches at the Barbican with the red carpet UK premiere of the documentary ‘Legend of the Loom,’ focusing on the Muslin cloth, trade and demise of the industry.
Researched and scripted by Saiful Islam, the film covers the story from the first foreigners to come to Bengal in search of its fine textiles, the establishment of empires and the opening of trade routes which began to connect the subcontinent to the wider world. Along the way, weavers, farmers, experts, designers, scientists and artisan’s give their views, add nuggets of information and display techniques which make the story come alive.
The film is introduced by Saiful Islam (CEO-Drik (Bengal Muslin), who is also be leading the Q&A after the film.
For more information and to book visit the website of the Barbican