Shortly after posting my most recent blog I was contacted by designer and anthropologist Charlotte Linton with an update on her research into textile production on the Japanese island of Amami Ōshima. Along with several other OATG members I attended an excellent presentation and workshop by Charlotte at Wolfson College in Oxford last year.
Charlotte spent one year in Amami Ōshima, during which she explored “how traditional craft industries navigate the paradox between preservation and innovation”. The main cloth produced there is tsumugi for kimono. This is dyed using a process known as dorozome, which involves mud (as a mordant) and the boiled wood of the local hawthorn tree. The production of these cloths is very labour-intensive as it involves at least 28 separate processes. In her new paper Charlotte discusses the future of these textiles from her experiences working in Kanai Kougei – a traditional family business there. She looks at the implications the conferring of Mukei Bunkazai (Intangible Cultural Property) status would bring to these textiles, and the fact that it may mean stagnation rather than innovation. This is examined in the context of the current interest in sustainable fashion. “Making It For Our Country”: An Ethnography of Mud-Dyeing on Amami Ōshima Island appeared in the journal Textile: Cloth and Culture and is available here. I highly recommend taking the time to read this. The OATG are hoping to persuade Charlotte to come and talk to us about her findings in the future. Watch this space for details!
Below I am reproducing some of a blog I wrote on this subject last summer, simply so that readers can have all of the information in one place:
An excellent article by Martin Fackler on the economic issues facing the kimono producers of Amami Oshima appeared in The New York Times in 2015. He describes how 20,000 people were once employed in this profession, but that number has now shrank to 500. His article ends with the following words from Yukihito Kanai:
“We need to become more like artisans in Europe or artists in New York,” said the younger Mr. Kanai, 35, who said he is one of the few “young successors” in the island’s kimono industry. “Even traditions have to evolve.”
The production of a kimono on the island of Amami Oshima is so meticulous that a single mistake could squander the efforts of every artisan in the process. The BBC series Handmade in Japan tracked the year-long transformation of the island’s famous mud-dyed silk into an exquisite garment. Although the full-length programmes are no longer available online, short video clips still are. These cover the various people involved in making a kimono – the starcher, the designer, the binder, the mud-dyer, the weaver, the inspector and the tailor. They can be viewed on the BBC website under the title Mud, Sweat and Fears
For more information on mud dyeing (more correctly mud-mordanting as it is the tannin which produces the dye) see the work of OATG members David and Sue Richardson on their Asian Textile Studies website. David and Sue have now also documented the process of mud-dyeing used by the last major practitioner of this craft on the Indonesian island of Sumba.
A new 6 part documentary series on the V&A called Secrets of the Museum began on BBC2 last night. The series looks at the work of the curators and conservators as they handle a wide variety of different objects, ranging from Queen Victoria’s coronet to a Dior gown. The star of last night’s episode for me was Pumpie the Victorian elephant. It was fascinating to see just how much work went into his conservation, right down to dyeing lots of samples with which to repair his trunk. Looking forward to future episodes….
Secrets of the Museum
6 February BBC 2 at 2100
Also on the subject of conservation is this interesting blog by Staphany Cheng, Andrew W. Mellon Fellow, Textiles, Conservation Center, Los Angeles County Museum of Art., in which she shares her experience of participating in the Workshops on the Conservation of Japanese Textiles, held in Taiwan. Much of the emphasis seems to have been on kimono. I had no idea there were three particular ways to fold these garments!
Dragon medallion, China, 16th century, silk and metallic-thread tapestry (kesi), 15 x 15 in., Metropolitan Museum of Art, New York.
The Seattle Asian Art Museum finally reopens this weekend after a major project to renovate and expand it. The next event in their Saturday University series is a talk entitled The Dragon and the Pearl: Explorations of a Eurasian Motif by Joel Walker of the University of Washington.
“The art and literature of medieval Eurasia abound with stories of precious jewels guarded by monstrous serpents or dragons. This presentation will investigate iterations of this motif in the Syrian Christian tradition, including a famous stele from the Tang-dynasty capital of Xi’an in northern China and a silver reliquary fragment from Roman Syria. Taken together, these artworks reveal the powerful symbolism of pearls as markers of spiritual excellence.” Seattle Asian Art Museum website.
15 February 2020,10:00 – 11:30
Emma Baillargeon Stimson Auditorium, Asian Art Museum, Volunteer Park, 1400 East Prospect Street, Seattle
Last month’s AGM heralded big changes for the OATG. Our chair Aimée Payton stood down and Helen Wolfe from the British Museum was elected to the position. Also standing down after many years of service was our webmaster Pamela Cross. Pamela developed the original OATG website from scratch and was responsible for the huge task of ensuring all of the back copies of Asian Textiles were available on it. Over the past few months she has been working with Aimée and Felicitas from our Events team to develop a new website, which was unveiled at the meeting. Please do click here to have a look at it. As you can see our Events page is starting to fill up with a great selection of exhibitions and talks. In fact our first event – a Show and Tell of Manuscript Textiles and an Introduction to the Buddhism exhibition at the British Library – is already fully booked!
Woollen tunic from an 8th century tomb in Niger
Institut de Recherches en Sciences Humaines, Université Abdou Moumouni de Niamey, Niger
Just opened at The Met Fifth Avenue is Sahel: Art and Empires on the Shores of the Sahara which focusses on the area today encompassed by Senegal, Mali, Mauritania, and Niger. The history of this region will be illuminated through more than two hundred items. The majority of these will be sculptures, but there are also about 30 textiles including some very rare ancient indigo examples that were preserved in the Tellem Caves in Mali (information from Elena Phipps). Do scroll down the page to the images of the exhibition objects where you are able to click on each one to bring up the full details of the item.
30 January – 10 May 2020
The Met Fifth Avenue, 1000 Fifth Avenue, New York
If you plan your visit judiciously you could also attend the first of a new Turkish Centennial lecture series on 7 February. The subject will be Impressions of Ottoman Visual Culture and Art in Europe, 1453-1699. The speaker is Professor Nurhan Atasoy from the Turkish Cultural Foundation. According to the Met website her talk will explore “the rich cross-cultural exchanges between the Ottomans and their European neighbours. Discover the factors that led to the flowering of vibrant and sophisticated artistic production throughout the vast Ottoman Empire in the centuries following the conquest of Constantinople in 1453, and learn how Europe became hungry for visual and artistic representations of their eastern neighbours.” Professor Atasoy has written and contributed to over 100 books on Ottoman and Islamic art.
7 February 2020, 17:00 – 18:00
Bonnie J. Sacerdote Lecture Hall, Uris Center for Education
The Met Fifth Avenue, 1000 Fifth Avenue, New York
Coming soon to the Turner Contemporary in Margate is an exhibition entitled We Will Walk – Art and Resistance in the American South. It has been curated by Hannah Collins and Paul Goodwin and “is the first exhibition of its kind in the UK and reveals a little-known history shaped by the Civil Rights period in the 1950s and 60s. It will bring together sculptural assemblages, paintings and quilts by more than 20 African American artists from Alabama and surrounding states.” – Turner Contemporary website.
Writing for artnet news, Caroline Elbaor elaborates further “A series of quilts sourced from the isolated Alabama enclave of Boykin will also make their UK debut, following a critically lauded presentation at the Whitney Museum of American Art in 2002. Boykin, formerly known as Gee’s Bend, is largely populated by descendents (sic) of people enslaved on the Pettway plantation. The distinctive quilts, typically patched together from a variety of materials, including blue jeans or cornmeal sacks, have taken on a hallowed significance as symbols of resistance and survival.”
Mark Brown’s articlefor The Guardian on these distinctive quilts is also well worth a read.
7 February – 3 May 2020
Turner Contemporary, Rendezvous, Margate, Kent, CT9 1HG
There will also be a preview on Thursday 6 February when the exhibition will be opened by Bonnie Greer MBE
On 11 February OATG member Chris Buckley will be giving a talk to the Hajji Baba Club of New York on Tibetan Rugs: Ancient Problems, Innovative Solutions. Chris will explain how Tibetan rug making traditions evolved as well as examining some unique knotting methods. Having run a carpet weaving workshop in Lhasa for several years he is extremely knowledgeable on this subject. He will give the same talk to members of the International Hajji Baba Society in Washington on 9 February – see below.
9 February 2020
International Hajji Baba Society
Basement of St. Paul’s Lutheran Church, 4900 Connecticut Avenue, NW
The next event in the programme of the Oriental Rug and Textile Society is a talk by Markus Voigt, HALI contributing editor, on the subject of Carpets from the Tarim Basin and Tibet: and possible connections thereof. “At a casual glance Tibetan rugs might be mistaken for those from Xinjiang / Uyguristan (Eastern Turkistan). The talk will examine how two neighbouring but very disparate cultures came to have commercial crossover in rugs prior to Chinese conquest of Tibet.” – ORTS website.
19 February 2020 at 19:00
The University Women’s Club, 2 Audley Square, London, W1K 1D8
Mantle border, Peru, Nazca culture, early Intermediate Period (2nd–8th century). Cotsen Textile Traces Study Collection T-0093. Photo by Bruce M. White.
This month sees the opening of a new exhibition at the Textile Museum in Washington DC called Delight in Discovery: The Global Collections of Lloyd Cotsen. Over 4000 pieces from the Cotsen Collection were donated to the Textile Museum in 2018 and this new exhibition brings together some of the global treasures he collected over a lifetime. You can read more about Lloyd Cotsen and his collecting in this blog from last year.
22 February – 5 July 2020
The Textile Museum, 701 21st Street, NW, Washington, DC 20052
Over in San Francisco Itie van Hout will be giving a talk on the Indonesian Textiles at the Tropenmuseum. Itie was the former Curator of Textiles at the Tropenmuseum, which houses nearly 12,000 textiles from across Indonesia, collected over a period of 160 years. The majority of these were taken to the Netherlands when Indonesia was a Dutch colony known as the Netherlands East Indies. She has written extensively on Indonesian textiles. For further details visit the website of the Textile Arts Council.
22 February 2020, 10:00am
Koret Auditorium, de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco CA 94118
Indonesian textiles are also the subject of another exhibition which has recently undergone a complete change in Bangkok. A Royal Treasure: The Javanese Batik Collection of King Chulalongkorn of Siam opened in November 2018. However this month all of the textiles are being replaced with different examples from the substantial Royal collection. This will also happen again in September, giving visitors the opportunity to see a far greater selection of these batik textiles. “Among the highlights of the latest acquisitions are a few pieces that have never been displayed before, namely, the Mikado pattern from Yogyakarta which reflects the Japanese influence in the various Japanese fans portrayed through the batik printing technique, as well as the blangkon headdress painted with gold known as batik prada, assumed to come from Cirebon, West Java. It was used only on special occasions by male members of the royal family. Only one piece has been found in the entire royal collection.” Sawasdee magazine. For more images and information please click here.
1 November 2018 – 31 May 2021
Queen Sirikit Museum of Textiles, Ratsadakhorn-bhibhathana Building, The Grand Palace, Phra Nakhon, Bangkok, 10200 Thailand
The National Museum has recently opened a small textile gallery and is jJust a short distance away from the Grand Palace so you could easily combine a visit to the two collections. Michael Backman has written a short blog about this gallery with some close-ups of a few of the textiles. He says that “Included are pha lai yang textiles – printed cotton fabrics that show thep phanom deity figures, worn as a lower garment by members of the royal family. There is a shawl known as a pha sphak that is of silk woven with gold thread and embellished with fluorescent beetle wings.”
The National Museum Bangkok, Na Phrthat Rd., Phra Borommaharachawang subdistrict, Phra Nakorn, Bangkok
Back in the UK a temporary textile exhibition has been curated at the Milton Keynes Museum. Called A Sense of Place and Time, this is an exhibition of textile art set within the history of textiles. Ethnic textiles are on show alongside contemporary examples by Art2Stitch. There will be a changing section on communication through textiles featuring examples from other cultures.
23 November 2019 – 26 April 2020
The New Gallery, Milton Keynes Museum, McConnell Drive, Wolverton, Milton Keynes, MK12 5EL
Please note this museum is staffed by volunteers and has limited opening times.
Many members have been looking forward to the V&A’s new blockbuster exhibition Kimono: Kyoto to Catwalk which finally opens in London on 29 February. It is being curated by Anna Jackson, Keeper of the Asian Department, who also wrote the introduction to Thomas Murray’s book (see my December blog). In an interview with Jess Cartner-Morley for The Guardian she says her aim in this exhibition is to “overturn the idea of the kimono as static, atrophied object and show it as a dynamic and constantly evolving icon of fashion”. She also discusses the history of the kimono, and cultural appropriation. This is well worth a read to whet your appetite for the exhibition.
In another interview for LOVE magazine Anna Jackson talks about the difficulty of acquiring some of the pieces, their fragility, and the challenges in displaying them correctly.
The exhibition will be in three sections. “It begins by unpicking the social significance and heritage of the kimono in 17th century Japan, moving to consider the kimono and its position across a more international agenda, finishing with the progressive transformation of its comtemporary (sic) identity.” Scarlett Baker, LOVE magazine.
29 February – 21 June 2020
Gallery 39 and North Court, Victoria and Albert Museum, Cromwell Road, London
The OATG have planned a visit to this exhibition, which will include a talk by Anna Jackson, for 26 May. Booking for the limited number of places available will open for members in mid-April via Eventbrite.
While at the V&A you should also take a look at the posters in this small exhibition entitled Manners and Modernity: Ukiyo-e and etiquette on the Seibu Railway. These posters convey how to be a well-behaved commuter through humorous messages.
They will be on display in Room 45 of the Toshiba Gallery until 22 March 2020.
Conserving Pumpie the elephant
Those who cannot get to the V&A will be interested to know that a new 6 part documentary filmed behind the scenes begins next week on BBC 2. The series is called Secrets of the Museum and looks at the work of the curators and conservators as they handle a wide variety of different objects, ranging from Queen Victoria’s coronet to a stuffed toy elephant! Henry Wong has written a fascinating piece about this series for design week, including an interview with Alastair Pegg (the director of programmes at Blast! Films) who concludes that “It reveals what’s behind the closed doors — there’s an industriousness that visitors don’t see. That’s the pleasure of this series.”
Secrets of the Museum
6 February BBC 2 at 2100
Finally, I was fascinated to read of this work by a team from Leeds Museums and Galleries and researchers from various disciplines to recreate the voice of an Egyptian priest called Nesyamun who lived around 1100 BC. The mummified remains of Nesyamun were scanned at the Leeds General Infirmary and a 3D model of his throat was reproduced using a 3D printer. A full and very interesting account of the project is given here in layman’s terms, but if you want to read the scientific paper then click here.
Later next month a new exhibition entitled Unbound: Visionary Women Collecting Textiles opens at Two Temple Place in London. This exhibition “celebrates seven pioneering women who saw beyond the purely functional, to reveal the extraordinary artistic, social and cultural importance of textiles.” Two Temple Place website.
This is a very collaborative project, curated by June Hill and Lotte Crawford and involving no less than seven museums and art galleries from different areas of the country. It’s interesting that they are looking at the role of women as collectors, not as makers of textiles.
Embroidered japangi or cloak from Albania
The female collectors discussed include Edith Durham, who first visited the Balkans in 1900. As well as documenting the craft traditions of the area she also became involved with local politics, helping in hospitals and with refugees and campaigning. This blog about her recalls how she came into conflict with the Foreign office who marked her card thus: Durham, Miss M.E.: Inadvisability of corresponding with……
Louisa at the Khyber Pass
Louisa Pesel was the first President of the Embroiderers Guild and in addition to her own stunning designs for Winchester Cathedral she collected textiles from many places including Morocco, Turkestan, Syria and China. Many of these were donated to the University of Leeds. An excellent source of information about her is this blog by Colin Neville.
The other collectors the exhibition features are Olive Matthews, Enid Marx, Muriel Rose, Jennifer Harris and Nima Poovaya-Smith.
“The exhibition looks at how these collections continue to influence us today and asks why textiles still have to fight for their place amongst the more established visual arts” – a question which I often ask myself too.
In many ways the focus of this exhibition reminds me of one held at the Pitt Rivers Museum earlier this year called Intrepid Women. See my earlier blog on this subject.
25 January – 19 April 2020
Two Temple Place, London WC2R 3BD
Also opening late next month at The Met Fifth Avenue is Sahel: Art and Empires on the Shores of the Sahara which focusses on the area today encompassed by Senegal, Mali, Mauritania, and Niger. The history of this region will be illuminated through more than two hundred items. The majority of these will be sculptures, but some textiles are also included. Click here for more details.
30 January – 10 May 2020
The Met Fifth Avenue, 1000 Fifth Avenue, New York
The next talk in the programme of the Oriental Rug and Textile Society is by Zara Fleming on the subject of Bhutanese Textiles: Ritualistic and Everyday textiles of Bhutan. Zara will explain how textiles are woven into everyday life and are used as clothing, currency and gifts. They are also used to signify status and are a vital component of Bhutanese festivals, dances and Buddhist rituals.
22 January 2020 at 19:00
The University Women’s Club, 2 Audley Square, London, W1K 1D8
Koloa: Women, Art, and Technology is an exhibition which opened recently in Hong Kong. It is presented by Para Site in conjunction with Tunakaimanu Fielakepa who is the “foremost knowledge-holder of ‘koloa‘ or customary women’s arts in Tonga”. This exhibition was previously on show in Tonga earlier in 2019. It “features a rich array of Tongan art practices, focused upon the main categories constituting koloa: ngatu or bark cloth making and fine weaving such as ta’ovala garments and ceremonial mats, as well as kafa or woven rope. The presentation includes prized, heirloom pieces as well as newly produced examples specially commissioned for the exhibition.” Para Site website. Additional works by three women artists – Tanya Edwards, Nikau Hindin and Vaimaila Urale – are also included to showcase aesthetic lineages in the Pacific.
A mixed design Tongan kupesi which was made before the 1930s. Courtesy of Lady Tunakaimanu Fielakepa
7 December 2019 – 23 February 2020.
G/F & 22/F, Wing Wah Ind. Building, 677 King’s Road, Quarry Bay, Hong Kong.
Three-layered lined kimono
There are only a couple of weeks left to see the exhibition in Heidelberg called Good Wishes in Silk: Children’s Kimono from the Nakano Collection. Kazuko Nakano has compiled a collection of almost a thousand objects that provide insights into the colourful and symbolic art of kimono design from the Edo period (1603-1868) to the present day.
A selection of around 80 children’s kimonos is now presented in Germany for the first time. Some of these examples are rather sophisticated and are clearly intended to be worn on special occasions, while others are more simple everyday wear. “They are genuine works of art, with a great variety of decorative motifs, and can be perceived as a kind of embroidered wish list with which the parents equip their children for their future lives.”
27 October 2019 – 12 January 2020
Kurpfälzisches Museum Heidelberg, Hauptstrasse 97, 69117 Heidelberg
The January programme from the Textile Museum Associates of Southern California (TMASC) is a talk by Thomas Murray – a well-respected researcher, collector, dealer and author of several books, the latest being Textiles of Japan: The Thomas Murray Collection.
This talk, entitled Traditional Textiles of Japan, will explore Japan’s rich tradition of textiles, from firemen’s ceremonial robes and austere rural workwear to colourful, delicately-patterned cotton kimono. “The traditional clothing and fabrics featured in this lecture were made and used in the islands of the Japanese archipelago between the late 18th and the mid-20th century. The Thomas Murray collection includes daily dress, workwear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernisation would leave behind traditional art forms such as the handmade textiles used by country people, farmers, and fishermen. The talk will present subtly patterned cotton fabrics, often indigo-dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fibre, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly coloured cotton kimono of Okinawa to the far south.” – Thomas Murray.
Saturday 25 January 2020 10:00am
Luther Hall, St Bede’s Episcopal Church, 3590 Grand View Blvd., Los Angeles
For further information and to reserve a place please email email@example.com
A very engaging review of Murray’s book appeared in the Nov-Dec 2019 issue of Arts of Asia, along with several stunning illustrations. This gave a huge amount of background into how the book came into being and really conveyed a sense of the passion for Japanese culture behind it. Those who don’t have access to Arts of Asia should take a look at The fabrics that reveal the ‘other’ Japan written for BBC Future by Andrea Marechal Watson. The images contained in her article should certainly whet your appetite to take a further look at the book from which they are drawn. For further information about the Ainu see my blog from January 2019.
I don’t usually blog about events far in advance, but the exhibition Kimono: Kyoto to Catwalk at the V&A in London which opens in February is sure to be very popular – in fact the members’ preview day has already sold out. It is being curated by Anna Jackson, Keeper of the Asian Department, who also wrote the introduction to Thomas Murray’s book.
Opens 29 February 2020
Victoria and Albert Museum, Cromwell Road, London
The current exhibition at the Textile Museum of Canada is entitled Printed Textiles from Kinngait Studios and celebrates these textiles which show the traditional way of life. Curated by Roxanne Shaughnessy the exhibition also includes a small selection of clothing and footwear in addition to the examples of printed cloth.
Kate Taylor has written an interesting article on this exhibition for The Globe and Mail. In it she explains that as “the Canadian government forced a people living on the land into permanent settlements, the Inuit began to need cash. The art projects…… were initially introduced by government agents. The idea was that the skills used to carve stone, incise bone and sew clothing could be adapted to produce handicrafts for southern markets. But carving and printmaking were just two possibilities: This show offers a wide selection of rarely seen textiles, startlingly modernist and highly colourful designs created in the 1950s and 60s.”
A full colour catalogue will be available in 2020.
7 December 2019 – 30 August 2020
Textile Museum of Canada, 55 Centre Avenue, Toronto, Ontario, M5G 2H5.
John Ang will give a talk on The Influence of Foreign Fashion Trends on Malay Dress to the Textile Enthusiasts Group, which is linked to the Friends of the Museums (Singapore). He will discuss the origins and hybrid nature of Malay clothing. John stresses that “Malay dress is not static but always changing. Rather than seeing particular forms of clothing as Malay dress, he will demonstrate that what really constitutes Malay dress is the manner in which it amalgamated and adapted different fashion styles”.
9 January 2020 at 10:00am
Activity Room, Indian Heritage Centre, 5 Campbell Lane, Singapore
Saint Louis Art Museum has a new exhibition, curated by Philip Hu, showcasing a selection of batik textiles from the island of Java dating from the mid-19th to the late 20th century. They include They include pieces “made for royal and aristocratic clientele, ceremonial use, and everyday fabrics worn by men and women.”
The video below gives you some idea of just how much painstaking work is required to complete a piece of batik.
Batik of Java: A Centuries Old Tradition; Courtesy of Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture
13 December 2019 – 7 June 2020
Gallery 100, Saint Louis Art Museum, One Fine Arts Drive, Forest Park, St. Louis, Missouri
Next month Raoul “Mike” Tschebull will give a talk at the Hajji Baba Club, New York, on his new bookQarajeh to Quba: Rugs and Flatweaves from East Azarbayjan and the Transcaucasus. “Qarajeh…… is a small, isolated community at the end of a gravel road in eastern Azarbayjan, in northwest Iran. Although some limited weaving still goes on there, this famous weaving village is best known for its striking 19th century kennereh on wool foundations and its beautifully coloured cotton-foundation export rugs and carpets which were woven beginning in about 1900.” Tschebull Antique Carpets website.
Front cover of the book.
The book is published by Hali and showcases 70 pile carpets and flatweaves from his own collection, the majority of which have never previously been published. The images are by the leading textile photographer Don Tuttle.
Tuesday 21 January 2020
The Coffee House Club, Sixth Floor, 20 West 44th St, Manhattan, NY
A reminder that a series of Arts Society study days will take place at the Ashmolean Museum in Oxford from January to March. These are open to the public as well as members of the Arts Society and are likely to be very popular, hence the advance notice. Subjects include The Visual Art of Power and Rank at the Chinese Imperial Court (David Rosier) and Japanese History, Art and Culture (Suzanne Perrin). Click here for full details.
Finally I hope to see many of you at the Oxford Asian Textile Group AGM on Saturday 18 January at the Ashmolean Museum Education Centre. As usual the official business will be followed by the ever-popular Show and Tell session. Full details will be sent out to members via Eventbrite in January but in the meantime please make a note of the date!
This week saw the opening of a new exhibition by Patricia Cheesman at Studio Naenna in Chiang Mai, Thailand. Entitled Over the Cordillera it showcases textiles from either side of the Annamite Range between Laos and Vietnam, examining similarities in their motifs. Patricia is the author of several books on the textile of this area. A brief overview of the exhibition, with many extra images featured in City Life Chiang Mai – thanks to Susan Stem for informing me of this.
Patricia Cheesman Gallery
138/8 Soi Chang Khian,
T. Changpeuak, A. Muang Chiang Mai
On 11 December indigo expert Jenny Balfour-Paul will be giving a talk in Paris on England and Holland, explorers of the indigo of the Indies.
Although indigo had been introduced into Italy in the Middle Ages it was “the English and Dutch East Indian companies that led to its expansion into the textiles of Europe of the seventeenth and eighteenth centuries, allowing considerable production of blue or black woollen cloth. In the nineteenth century, English settlers largely expanded the plantation and indigo production in India, dominating the world market until the advent of synthetic indigo.” (website of the National Institute of Art History).
The talk will be in English and there will be time for questions and viewing some textiles afterwards. Click here to read an interesting interview with Jenny Balfour-Paul on Thomas Machell – the subject of her most recent book Deeper Than Indigo.
December 11, 2019 – 18:00 -20:00
National Institute of Art History, auditorium
6, rue des Petits-Champs or 2, rue Vivienne
Also on in Paris is an exhibition at the Musée de Cluny entitled The Art of Embroidery in the Middle Ages. According to the museum’s website “Embroidery with silk thread, gold and silver is one of the most precious and prestigious arts of the Middle Ages. And yet, today, these works are not at all well known.” This exhibition seeks to rectify that situation by looking at the main embroidery centres, from the Germanic regions to Italy, Flanders, England and France. It also provides an overview of the role medieval embroidery played from an artistic and social point of view, covering techniques, manufacturing processes and the relationships between sponsors, embroiderers, painters and merchants.” (museum website)
24 October 2019 – 20 January 2020 Wednesday to Monday.
Musée de Cluny
entrance is via 28 rue Du Sommerard, 75005 Paris
Outerwear for women made of pineapple fibre, Panay Island, Philippines
Photo: Shinpei Shibuya
In complete contrast to all of the silver and gold in Paris, is an exhibition on Bast Fibers of the World which has just opened at the Iwatate Folk Museum in Tokyo. The range of bast fibres is incredible: raffia palm, hemp, ramie, banana were all used before we discovered cotton.
Iwatate Folk Museum
1-25-13 Jiyugaoka, Meguro-ku, Tokyo 152-0035
28 November 2019 – 14 March 2020
Open Thursday, Friday and Saturday
Image courtesy of Takashima Gallery
While in Tokyo do not miss this small exhibition of Textiles of the Ancient Andes at the Takashima Gallery, which ends on 15 December 2019. Fifty textiles dating from 900BC to 1400AD are currently on show. The intensity of their colours is truly amazing! Click here to see great images of more of these textiles.
One of the techniques in which the creators of Andean textiles excelled was cross looping. In this blog for the Cooper Hewitt Elena Phipps examines this fragment of a border (probably for a simple shoulder mantle) made by Nasca needleworkers from the South Coast of Peru at some time between 100BC and 100AD. The yarns used are from various camelids – llamas, alpacas and possibly vicunas.
Recently an attempt has been made to revive this ancient technique. You can read more about the progress made in this blog by Marilyn Murphy of ClothRoads.
Film showing some of the fans on display and the conservation methods used.
Back in the UK the Fitzwilliam Museum in Cambridge has an exhibition of fans from their extensive collection. “The collection of over 600 objects ranges in date from the 18th to the 20th centuries and in type from bejewelled and hand-painted court and wedding fans, to printed mass-produced advertising fans, aide-memoire fans, mourning fans and children’s fans.” (Fitzwilliam Museum website)
I found the accompanying film fascinating, especially the glimpses it gave into the various methods of conservation that were used. I had no idea that fans could be so fascinating!
5 March 2019 – 12 January 2020
The Fitzwilliam Museum
Trumpington St, Cambridge CB2 1RB
Finally I really enjoyed reading this blog by Sara Clugage on the Cooper Hewitt website. In it she examines this portrait of Karl Marx which was woven in silk in Hangzhou at the East is Red factory.
According to Clugage this “woven portrait of Marx is especially poignant, given Marx’s unrelenting criticism of the textile industry. In his early manuscripts of 1844, he quotes at length the capitalist abuses of laborers at textile mills……. Interestingly, Marx points to textile workers as the first to have their skills subsumed to wage labor, erasing the specificity of skilled work and turning it into a laborer’s saleable commodity. This portrait is a deft piece of propaganda, turning from the alienated labor of textile production under capital to its reclamation by workers in a communist society. It successfully encodes communist economic values with nationalist party values.”
Hangzhou is now the home of the China National Silk Museum where research into the history of Chinese silk production is undertaken.
I usually list the events that I am aware of in date order but sometimes, as is the case this month, a theme jumps out and it makes more sense to group those events together.
Tents set up for a Fair, 1907. Barratt, Reginald, 1861-1917 Creative Commons
Several exhibitions and talks are on the subject of Egypt, the first of these being the talk by Professor Sam Bowker to the Textile Museum Associates of Southern California on 16 November looking at The Tentmakers of Cairo and Egyptian Tentmaker Appliqué in American Collections.
“In the crowded centre of historic Cairo lies a covered market with wonderful textiles sewn by hand in brilliant colours and intricate patterns. This is the Street of the Tentmakers, the home of the spectacular cotton-on-canvas Egyptian appliqué technique art known as khayamiya. Their breathtaking urban pavilions connect the splendour of the Fatimids and Mamluks, the cut-outs of Henri Matisse, and the souvenirs of world wars. A co-author of the book The Tentmakers of Cairo, Sam Bowker brings together the stories of the tentmakers and their extraordinary creations, from the huge tent pavilions, or suradiq, of the streets of Egypt, to the souvenirs of WWI. Tracing the origins and aesthetics of these textiles, Sam will explore the ways in which they challenged conventions, and continue to preserve a skilled handicraft in an age of mass production.” TMA/SC Newsletter.
Saturday 16 November 10:30. Luther Hall, Lower Level St. Bede’s Episcopal Church, 3590 Grand View Blvd. Los Angeles. Members free, guests $10. Please note reservations to attend this talk are required by Wednesday 13 November. Please email firstname.lastname@example.org.
Fragment with head and duck in a jewelled trellis, Egypt, early 5th century. Dumbarton Oaks Research Library and Collection
Continuing the theme is the current exhibition at the Textile Museum in Washington DC entitled Woven Interiors: Furnishing Early Medieval Egypt. The exhibition showcases 45 exceptional interior textiles from the villas, palaces, churches, mosques, and homes of late antique and early medieval Egypt. A gallery guide can be accessed here.
Hanging with erotes, animals, heads, and garlands (detail), eastern Mediterranean, 4th–5th century. The Textile Museum.
In addition to the exhibition a colloquium entitled New Threads: Recent Research on Egyptian Textiles will take place on Saturday 9 November.
“Inspired by new exhibitions on the fashion and furnishings of early medieval Egypt, this colloquium features new research from five distinguished scholars that will challenge your concepts of these ancient textile artworks. The program also includes curator-led tours of both exhibitions and a first look at the new Cotsen Textile Traces Study Center.” Textile Museum website. Registration details and a list of topics and speakers can be found here.
Lori Kartchner will give a gallery talk on the use of flax in these textiles on Thursday 21 November – details here.
The final exhibition relating to Egypt is in Ljubljana, Slovenia. Entitled Coptic Textiles from the Collection of the National Museum of Slovenia it presents 53 textiles made by the Christian population in Egypt from the 3rd to the late 7th century.
National Museum of Slovenia – Metelkova, Museum Quarter Metelkova, Maistrova ulica 1, Ljubljana. Closed Mondays.
Duccio di Buoninsegna, Rucellai Madonna, ca. 1285, Uffizi Gallery, Florence
The next theme is Islamic textiles. OATG member Dr Federica Gigante will be giving a talk on Islamic textiles in Medieval Europe: Trade, Circulation and Use. Islamic textiles were common in Medieval Europe. Imported by pilgrims returning from the Holy Land and traded across the Mediterranean, Islamic textiles became the staple of luxury furnishing and clothing. They adorned kings, saints, churches and palaces. Dr Gigante’s talk will address the presence and use and of such textiles, particularly in the 13th to 15th centuries, and explore their traces in fresco decorations, icon paintings, and decorative objects. Please click here to book.
Details: Thursday 14 November, 18:00 – 19:45. The Pauling Centre, 58a Banbury Road, Oxford, OX2 6QS
Part of the exhibition at the Minneapolis Institute of Art
Another take on the trade in Islamic textiles comes from the exhibition currently taking place at the Minneapolis Institute of Art. Entitled Turkish Rugs on Tudor Walls: 16th-Century Trade between England and the Islamic World this exhibition examines the fundamental attraction and ambivalence between the English admiration of these sumptuous wares, and the idea of doing business with a people they deemed to be “heathen”.
Additional background to the exhibition is given in this post by the MIA. It points out that carpets were originally used as table covers and wall hangings – not floor coverings – and discusses the relationship between the Protestant Queen Elizabeth 1 and the Ottoman Empire.
Minneapolis Institute of Art, 2400 Third Avenue South, Minneapolis. Ends 7 June 2020.
The final item on this theme is the current exhibition at the British Museum on the subject Inspired by the East: How the Islamic World Influenced Western Art. For more details see my previous blog.
Also taking place in London but on a quite different topic is the exhibition at the Brunei Gallery, SOAS, of African Textiles from the Karun Thakar Collection. This exhibition is supported by Hali who state that the “high quality material on show highlights the sophistication of historical African textiles, which have been little understood and appreciated. The exhibition examines the links between West and North African textile traditions through a selection of important and rare examples of textile art, being shown here for the first time.” Having seen many photos of this exhibition it really does look like a must see! Karun will be leading two tours of the exhibition in November. The first will be this Saturday 2 November 13:00 – 15:00 and the second on Wednesday 27 November 13:00 – 14:00.
Brunei Gallery, SOAS University of London, 10 Thornhaugh Street, Russell Square, London WC1H 0XG. Ends 14 December.
The British Library in London currently have an exhibition on Buddhism. Visitors are invited to follow the life of the Buddha by examining sacred texts written on tree bark, palm leaves, gold plates and exquisite silk scrolls of major sutras. This blog by Jana Igunma, lead curator, gives a very good overview of the exhibition.
The British Library, 96 Euston Road. London, NW1 2DB. Ends 23 February 2020.
Detail of Mandala Chandar, Kashmir circa 1840.
From 31 October until 9 November Asian Art will be celebrated in London. “Asian Art in London, founded in 1998, is an annual event held over ten days in early November, which takes place within participating galleries and auction houses. It has a global reputation uniting leading Asian art dealers, auction houses, museums and societies in a series of gallery selling exhibitions, auctions, receptions and lectures. Together they celebrate the expertise and excellence of Asian art on view in London each November, with a wide range of Asian art from the antique to contemporary and in a price range designed to suit all pockets. Participant events are complemented by exhibitions and seminars at satellite events around London and at leading London academic institutions.” – Asian Art website.
According to Hali, textile lovers should head to Ryder Street to see Jacqueline Simcox’s exhibition which features a rare kesi panel and other Chinese silk textiles. Another highlight is the Kashmir shawl (shown above) which can be seen at Simon Ray’s gallery on King Street. Read this Hali article for more details.
A new book on Pakistani textiles has just been published. The Flowering Desert: Textiles of Sindh was written by Nasreen and Hasan Askari and celebrates these vibrant textiles through 150 colour illustrations. Nasreen mounted the first major exhibition of textiles from this area, Colours of the Indus, which was held at the V&A in 1997 and then moved to the National Museum of Scotland.
The Guardian has an excellent article on how Nasreen’s passion for these textiles developed, describing her 50 years of collecting and her understanding of the place of textiles in society – well worth a read!
An exhibition celebrating the art of the Dayak is now on in Lugano, Switzerland. Dayak: the art of the headhunters of Borneo has been curated by Paolo Maiullari and is reputed to be one of the largest exhibitions in the world ever made on this subject and certainly the most extensive in the last few decades, filling 14 rooms of the museum.
Gavin Strachan has written a wonderful article for the forthcoming edition of Asian Textiles with his impressions of this exhibition and some great photos to whet your appetites. He highlights some fantastic woven mats and jackets decorated with cowries, beads and bronze pendants. Asian Textiles is produced three times per year and sent out to all members of the Oxford Asian Textile Group – a major incentive to join us!
Museum of Cultures, Villa Malpensata, Riva A. Caccia 5 / via G. Mazzini 5, 6900 Lugano. Closed Tuesdays. Ends 17 May 2020.
The 7th ASEAN Traditional Textile Symposium will be held in Yogyakarta, Java, next week and has lots of OATG involvement. One of the organisers, Mariah Waworuntu is a member, as are several speakers including Chris Buckley who will give one of the keynote lectures on the subject of Weaving in ASEAN: Shared Histories, Common Themes. The talks are grouped under the following themes: “Sustainable Traditional Textiles : Design & Fashion”, “Traditional Textile Innovations” , “Traditional Textile Preservations”, “Textiles in Past-and Present-day History”, “Traditional Textiles : Motifs and Meanings”, “Trans-national Textile Connections over the Course of Time”, “Traditional Textiles: Conservation, Looms and Fibers”, and “Empowering Women through Weaving”. A full programme can be viewed here.
Finally OATG member Felicity Wood has kindly informed me of some Arts Society study days taking place at the Ashmolean Museum in Oxford in January. These are open to the public as well as members of the Arts Society and are likely to be very popular, hence the advance notice. Subjects include The Visual Art of Power and Rank at the Chinese Imperial Court (David Rosier) and Japanese History, Art and Culture (Suzanne Perrin). Click here for full details.
Several new textile-related events have caught my eye this month.
The first of these is the exhibition of over 100 pieces collected over a period of forty years by Silke and Roland Weise that will take place in Traunstein, Bavaria, from 14 September to 6 October 2019. According to Hali “The Weise collection comprises an eclectic mix of knotted carpets from court and town workshops, flatweaves and bags of nomadic origin, and antique woven silks, silk embroideries, velvets and ikats. In provenance, its range extends to almost every country of the Near and Far East with any historic importance for the textile arts, including the classic sources for carpets and rugs in Persia, Turkey, the Caucasus and the Silk Road lands of Turkmenistan and Uzbekistan, as well as India, Tibet, China, Morocco and Egypt. Pieces span a time frame of more than 2000 years, from the 1st century BCE to around 1900. Some 120-140 items will be on show in Traunstein, with a focus on early fragments and carpets from around 1800. Many are of museum quality or of international importance, and almost 60 of them have already appeared in HALI and other international publications.”
Three of the exhibits have a radiocarbon dating from the 1st century BC, but the main focus is on early fragments from the 14th-17th centuries and rugs from around 1800.
Details: 14/09 – 06/10
Ludwig Straße 10, 83278 Traunstein
Wed, Thu, Fri 13:00 to 18:00
Sat, Sun 11:00 to 17:00
The Weise exhibition is linked to the upcoming ICOC Alpine Tour, as is this new exhibition at the Museum der Völker in Schwaz. Entitled Richter Guter Stoff (True Good Fabric) – Woven and Embroidered Stories this runs from 7 September 2019 to the end of February 2020. Ten German collectors have brought together examples from India, Greece, Albania, Indonesia, Central Asia – the list goes on…
Details: 07/09/19 – end of February 2020.
Museum der Völker
St. Martin 16, A-6130 Schwaz
Thu-Sun 10:00 to 17:00
Moving now to India, this month the National Museum in Delhi are showcasing the work of the Asha workshop in Varanasi. This workshop has been producing top quality silks for over 25 years, using a wide variety of techniques. Examples will be shown alongside textiles, jewellery and paintings from the National Museum’s own collection. The Asha workshop was established in the 1990s by Rahul Jain and Ruth Clifford has a very interesting interview with him on her Travels in Textiles blog.
Details: 10/09/19 – 08/10/19
The India theme continues with an upcoming talk entitled Chasing Tensions: A lifelong pursuit of an understanding of stitch and textile by Professor Anne Morrell as part of the Oriental Rug and Textile Society (ORTS) programme in London. She is a respected artist and some images from a recent exhibition of her work can be found on the Selvedge websitehere. Anne is also consultant to the Calico Museum at Ahmedabad and has written many books on Indian embroidery.
Details: 18 September 2019
St James Piccadilly Conference Room
London W1J 9LL
Over in the US on 21 September Martha Bluming will give a talk to the Textile Museum Associates of Southern California entitled The Octopus Enigma. In 2017 Hali published an article of the same name by Martha (Issue 193, pp76-85) in which she described how she and her husband Avrum had acquired a beaded sarong, known as a lawo butu, in an auction two years earlier.
Fascinated by this unusual textile Martha set out to discover more about how it was used and what the motifs on it signified. Its two main uses were in the muré rain dance – performed in periods of extended drought – and during the reroofing of a clan house. She pursued many different avenues of research into this textile – consulting experts on ancient beads, specialists in marine biology, and perhaps most significantly, having threads from the sarong carbon 14 dated. The results gave quite a wide range of dates, with Roy Hamilton of the Fowler Museum being fairly confident it dated to the period 1650-1800.
A beaded lawo butu sarong being worn over another longer sarong in the village of Nggela, on the Indonesian island of Flores.
Much of Martha’s Hali article – and presumably her upcoming talk – focused on the motif which local people referred to as an octopus. Was this simply an octopus, or did it convey other meanings associated with female fertility? More background on Martha’s textile can be found here.
Saturday, September 21, 2019, Refreshments 10 a.m., Programme 10:30 a.m.
Luther Hall, Lower Level St. Bede’s Episcopal Church
3590 Grand View Blvd. Los Angeles, CA 90066-1904
There is a charge of $10 for non-members
A three yuan cloth note from 1933
Last but certainly not least, back in the UK on 26 September Dr Paul Bevan will give a talk to the OATG in Oxford on Chinese Cloth Banknotes. In China the Communist revolution began in the 1920s and many base areas were set up known as “Soviets”. The largest of these was the Jianxi Soviet, set up by Mao Zedong in 1931. Many of these Soviets issued their own currency – both coins and paper money. In at least one area, due to a shortage of paper, money was printed onto cotton cloth. Examples can be found in many museums, including the British Museum and the Ashmolean.
Dr Bevan will examine the iconography used in these banknotes. This one shows the hammer and sickle, clenched fist, and the slogan Workers of the World, Unite. He will discuss how this imitates Russian Constructivist design and modern Art Deco. According to him “It is this aspect of Soviet Russian art and design, adopted by the creators of the cloth banknote in this remote area of China in 1933, that makes it so important in the fields of numismatics, textile history, and the history of art and design in China.”
A five FEN paper note with similar design features
Many of these notes had slogans such as “Uphold the soviet economic policies, break through the enemy’s financial blockade”, “Guarantee active trade and unify the currency standard”, “Land to the farmers, jurisdiction to the soviet. Eight hours work!”. An interesting article by John E. Sandrock with lots more examples and images can be found here. More details can be found on the Eventbrite page here. Do join us for what is sure to be a fascinating talk – who knew that a simple banknote could tell us so much?
Thursday, 26th of September 2019, 6 pm for a 6.15 pm start
The Pauling Centre, 58a Banbury Road, Oxford OX2 6QS
Free for members and £3 for non-members
Lloyd Cotsen died in 2017 but his legacy lives on in his textiles. This talk by Lyssa Stapleton is part of the Textile Museum Associates of Southern California (TMA/SC) regular programme of events. Lyssa is the Curator of The Cotsen Collection, Los Angeles and Consulting Curator for the Cotsen Textile Traces Collection at The Textile Museum in Washington, D.C.
“For more than 70 years Lloyd Cotsen collected experiences, objects, and knowledge that mirrored and exemplified his profound interest in the world around him. As the CEO of Neutrogena Corporation, he began to assemble several world-class collections including folk art, textiles, Japanese bamboo baskets, and children’s books. His nearly comprehensive textile study collection, known as Textile Traces, has recently been donated to the George Washington University Museum and The Textile Museum. An exploration of this collection reveals how his extraordinary appreciation for human creativity led him to become an inquisitive and acquisitive collector, and illustrate how his life experiences contributed to his deep commitment to children’s literature, the history of weaving technology, to the support of declining artistic traditions and living artists and to the stewardship of the objects he acquired.” TMA/SC newsletter.
In 2018 the George Washington University and The Textile Museum was gifted over 4000 textiles along with an endowment to support further study. A study centre with state of the art equipment also forms part of this bequest. You can read more on this, as well as viewing a great selection of images of textiles from the collection here.
Luther Hall, Lower Level St. Bede’s Episcopal Church
3590 Grand View Blvd. Los Angeles, CA 90066-1904
Refreshments will be available from 10;00 and the programme will begin at 10:30. This is free for members of the TMA/SC, guests are welcome for an admission charge of $10.
Fresh from giving a paper at the HALI Symposium we are delighted that Professor Dr Irina Koshoridze will give a talk to the OATG on the subject of Caucasian Textiles and Carpets in the Georgian National Museum.In it she will present the richness and variety of Caucasian textiles, carpets, and traditional costumes found in the museums of Tbilisi. She will explore how traditional arts and crafts techniques changed and developed against the background of different political circumstances in Georgia. Products of a thoroughfare between East and West, Caucasian textiles from the Georgian region reveal the influences of the Persians and Ottomans who variously ruled over the region and much of the Orthodox Christian world.
Dr Irina Koshoridze is Professor of Art History and Theory at the State University in Tbilisi and Chief Curator of the Georgian National Museum, as well as Director of the State Museum of Folk and Applied Arts of Georgia. She has co-authored several books including Stars of the Caucasus: Antique Azerbaijan Silk Embroideries, Flat-Woven Rugs & Textiles from the Caucasus, Treasures of the Georgian National Museum, and the Oriental Collections of the Georgian National Museum.
Unfortunately the future direction of one of these museums seems to now be under threat. Earlier this year the Museum of Folk and Applied Arts was put under the care of the Georgian Museum of Cinema, Theatre, Choreography and Music – clearly not a suitable fit for it. William Dunbar, journalist and long-time Georgia resident, wrote an article about this for HALI – see image below – describing how the Folk and Applied Arts museum traces its roots to an attempt in the late nineteenth century by the Russians to encourage handicraft enterprises in this area. They made a detailed record of all of the textiles they could find at that time, which included taking photographs of classic Caucasian rugs in the places where they were originally found.
It’s going to be a busy week in London with the Handcrafted Heritage events celebrating Indian textiles at The Bhavan in West Kensington, which is the largest centre for classical Indian arts and culture outside of India. A free exhibition and sale will showcase heritage textiles including Benarasis, Patan Patolas, and Dhakai Jamdanis and vintage silver jewellery.
On Wednesday 26th and Saturday 29th June there will be a workshop devoted to patolas. The tutor for this workshop will be Shri Kanubhai Salvi, a master weaver and holder of the UNESCO Seal of Excellence Award. His family have been producing these double ikat textiles in Patan for many generations.
Photo courtesy of Patan Patola Heritage
Also on 26 June (but in the evening) there will be a screening of the fascinating documentary Legend of the Loom, which tells the story of Bengal muslin and how the trade in it flourished and then declined. The screening will be followed by a conversation session with its producer Saiful Islam. An excellent review of this film by Hannah Sayer can be found here.
21 June- 8 September 2019
Opening shortly at the Fashion and Textile Museum, London, is an exhibition entitled Weavers of the Clouds: Textile Arts of Peru. This exhibition ” explores the processes and practices of both historic and contemporary Peruvian costume via garments, textiles, photographs, tools, illustrations and paintings, dating from pre-Hispanic to present day.”
Photo courtesy of Fashion and Textile Museum
There will be a panel on the opening day discussing Peruvian Fashion with several of the designers whose work is featured in the exhibition along with its curator. Attendance at the panel is free with an exhibition ticket, but places must be booked as numbers are limited.
Contemporary designs by Mozhdeh Matin, who works with artisans and champions Peruvian textiles and techniques
24 – 30 June 2019
HALI London – this is a series of events to celebrate the 200th edition and 40th year of HALI. These include a fair with twenty of the best international dealers in attendance, a 6-day tour of Great British Collections, two symposia – each with twelve lectures, and a whole series of miscellaneous events. Full information can be found on their website. Please note that several of the events have already sold out – so act quickly if you want to book for those that are still available!
The exhibition at Francesca Galloway’s gallery entitled Textile Splendours From The East. “The gallery will present a plethora of textiles from Asia, including a magnificent Sogdian costume, a delicate Ming period needle loop embroidery, Indian chintzes for domestic and export markets, as well as textiles made for spiritual pursuits.”
One of the items featured in Francesca Galloway’s exhibition
The other event that really stands out (of those that are not already sold out) is the visit to the Karun Thakar Collection. Participants will go to Karun’s private residence where they will be able to view his extraordinary collection. This includes Asian textiles ranging from 14th century Indian Trade cloths to folk textiles and costumes from Central Asia, Japan, Bhutan and Afghanistan; African textiles—predominantly narrow loom weavings from Ghana, Nigeria and other West African countries, plus North African embroideries, veils and haiks from Morocco and Tunisia.(Information from Hali website). You can browse through images of some of his collection here.
Winter chuba from Western Tibet
15 June – 15 September 2019
Finally a new exhibition has just opened at the Asian Civilisations Museum in Singapore. Guo Pei: Chinese Art and Couture showcases twenty pieces from the Museum’s own collection along with twenty nine pieces created by the designer.
Image courtesy of the Asian Civilisations Museum.
Curator led tours will be held on 26 June, 31 July and 28 August and can be booked via the museum website. Steven G. Alpert has pulled together a huge amount of information about this exhibition on his excellent website Art of the Ancestors. It has stunning images and information on the links with the Peranakan – the golden bridal dress is simply a work of art! It seems pointless for me to attempt to replicate Steven’s piece so instead I simply recommend you click here to read it.
There are a wide range of textile-related events happening over the next couple of weeks; here are just a few of them.
At 10:00am on 1 June Shiv Sikri will give a presentation entitled Hidden in Plain Sight: Irregularities and Variations in Oriental Rug Designs to the Textile Museum Associates of Southern California. Their invitation state that ” Irregularities and variations in oriental rugs have been ‘explained away’ in an ad hoc, case by case basis here in the west, far from the places they were woven and without any explanations from those that wove them. These explanations include notions of individual variations, mistakes, or indeed change of weavers. However, many such irregularities can be seen to be quite specific and articulate. This raises the possibility, one that should be given appropriate weight, that these are traditional practices and may signify something more than individual improvisations. By comparing many examples, we hope to persuade old timers and new enthusiasts to look at oriental weaving traditions anew, one that is coherent over several millennia and across a broad geography, and one that consciously incorporates specific variations.”
St. Bede’s Episcopal Church
3590 Grand View Blvd. Los Angeles
As their website is currently undergoing renovation you will need to visit their Facebook page for further details.
A silk screen featuring Su embroidery
The Bowers Museum at Santa Ana is the location for what should be a fascinating talk on Haute Couture Techniques and Fashion Embroidery with Maxwell Barr. Topics covered will include Haute Couture construction techniques, Goldwork hand embroidery embellishment – particularly the history and art of Su embroidery – and the work of Royal Court embroiderers up to the present. Su embroidery comes from Suzhou in Jiansu province and is one of the four main types of Chinese embroidery. Very fine silk threads are used, with the strands being split several times to make the threads even thinner. Read more about the history and development of this embroidery here.
Maxwell is an authority on period costume and this article gives an insight into his painstaking on recreating some of them.
Location: Bowers Museum, 2002 North Main Street, Santa Ana, CA 92706
A beautifully produced video with English subtitles showing the mud-dyeing process.
Please note that for reasons I have yet to understand the video may not work if you are reading the email version of this blog. However if you click the blue title link and read the blog online, it will then work.
Finally in Oxford Charlotte Linton will be running a mud dyeing event at Wolfson College on Thursday 13th June. Specialists from the Kanai Kougei dyeing workshop on the island of Amami Oshima will be involved in a presentation on traditional Amami textiles. There will also be an opportunity for a small number of people to participate in a workshop to dye a furoshiki wrapping cloth using mud dyeing materials and a technique known as dorozome. Although the number able to participate will be necessarily restricted, tall lecture attendees are welcome to watch the process.
Please note that this particular event is ONLY OPEN to members of Oxford University. For more information contact the organiser email@example.com
Although this event is restricted to members of the University, there will be a second event a few days later at the Horniman Museum in London which will be open to the public. This will be on Saturday 15th June, but no details are yet available – I will post more as soon as the information becomes available.