Exhibition dates: 25 April – 13 December 2018, Leeds, UK
‘Resist dyeing’ or ‘resist patterning’ are terms used to encompass a wide variety of techniques through which fabric is decorated by allowing dyestuff to only come into contact with selected areas of either the yarn or the fabric’s surface. Variants of such techniques are found universally, but for this exhibition the emphasis will be on textiles from West Africa, the Indian subcontinent, Japan and Indonesia.
The exhibition will identify the principal resist-dyeing techniques, and the characteristics of the resultant products. Techniques displayed will include batik, ikat, resist block-printing, stencils, tie-dye and other stitched techniques. It will present examples of ajrakh, English Wax, katagami and shibori.
The exhibition will draw from items within the ULITA collection, particularly showcasing two relatively recent significant collections to come to ULITA, including one from OATG member Hywel Coleman. This is a substantial loan collection of batiks, ikats and weaves. Its greatest strengths are textiles from South Sulawesi, Bali, and West and East Nusa Tenggara.
For more information visit the website of ULITA – an Archive of International Textiles
Event dates: 11 May 2018 and 12 May 2018, British Library, London
The Atayal people of Taiwan are known for their ancient textile-weaving traditions. Join weavers Shu-li Lin and Hsiu-yu Chen for workshops and demonstrations exploring Atayal weaving techniques. This event is part of London Craft Week and has been organised in association with the Ministry of Culture, Taiwan.
Weaver Shu-li Lin is based in Miaoli County, Taiwan. She studied the Atayal tradition of dyeing and waving from the elders in her community, preserving their traditional weaving skills and techniques. Combining Atayal dyeing skills with modern design elements in colour, texture and practice, her work explores environmental protection and sustainability.
Hsiu-yu Chen started weaving 12 years ago with hook and loom as a way to connect to her heritage and understand the experiences of the Atayal people, who made clothes and quilts using this method. The process of collecting the raw material, ramie, and then harvesting, cutting and peeling it, was deeply ingrained in her memories from childhood.
For further information on this free event visit the website of the London Craft Week
Event date: 28 April 2018 10:00 – 16:30, London.
The global history of collecting has been profoundly shaped by national and international politics over the past two centuries. Taking geopolitics as its starting point, this symposium will examine the history of collecting Asian art objects in a range of geographical locales, from Britain and continental Europe to East and Southeast Asia.
Topics covered include Competition and Collaboration: Stamford Raffles and Collecting in Java, 1811-1816, The First Private Museum in China? Revisiting Pan Shicheng and His Collecting in Canton, and The Poetics and Politics of Collecting and Displaying Kachin Culture.
Online registration is essential for this SOAS School of Art event and further details can be found here
Event date: 24 April 2018, 5:00pm-6:00pm, M&S Company Archive, University of Leeds
ULITA – The University of Leeds International Textiles Archive – presents an evening talk to celebrate the opening of the Resists: exploring resist-dyed textiles across cultures exhibition.
Researcher, designer and educator Dr Kate Wells discusses the unification of hand, technology and innovation in the history of resist-patterned fabrics across the world. Exploring historical and contemporary resist dye techniques, she will also illustrate the potential of new approaches and procedures to enable the survival and commercial production of resist-patterned fabric.
Following the lecture, an opening reception with refreshments will take place at ULITA (St Wilfred’s Chapel) from 6pm. The reception is drop-in, no need to book.
Further information and the link to book for the lecture can be found at the ULITA website here
Exhibition dates: 29 April – 11 November 2018
Glamorous fashion in the eighteenth century entailed first and foremost wearing lavishly patterned silks. While the cuts of both ladies’ gowns and men’s attire scarcely changed, new fabric pattern collections came out regularly. Several trends developed. Common to all is a preference for strange-looking motifs and extravagant compositions redolent of exotic worlds. The textile designers who created them were clearly inspired by much sought-after wares imported to Europe by sea from the Near and Far East.
The new exhibition at the Abegg-Stiftung, near Bern, Switzerland, presents a selection of these brightly coloured silks decorated with chinoiseries or with “bizarre” motifs, as the fantastical designs defying description are now known. The show also includes silks with exotic fruits and plants that were hardly known in Europe at the time, as well as some with intricate patterns reminiscent of oriental ornamentation. The textiles on view in this special exhibition represent a union of exquisite materials, astonishing creativity and technical accomplishment – a fascinating combination that for several decades held sway over genteel society’s taste in fashion.
For more information visit the website of the Abegg-Stiftung
Exhibition dates: 23 February – 8 July 2018
Western scholars and artists converged on the tropical island of Bali, Indonesia, in the first half of the 20th century attracted by its unique culture and vibrant artistic practices. This exhibition considers the making and use of textiles as ceremonial objects that operate within a unique Balinese Hindu cosmology while exploring the role of textiles as symbols of cultural resilience and continuity.
On view will be exquisite and rare pieces assembled from collections in the United States, including examples from the American Museum of Natural History that were collected by anthropologists Margaret Mead and Gregory Bateson during their fieldwork in Bali. Deriving their aesthetic and ritual powers from techniques of fabrication and use in various lifecycle ceremonies, these textiles also serve as records of an important period in Balinese history.
Drawing on information from the 1930s and recent research, the exhibition presents an overview of Balinese textiles and encourages visitors to consider the value of these objects as they are made and used today.
For more information visit the website of the Bard Gallery, New York
OATG members David and Sue Richardson have just uploaded a new section on Lau Wuti Kau – tubeskirts from the island of Sumba decorated with shells – to their website, Asian Textile Studies.
This is very comprehensive and covers the history and distribution of shell decoration throughout the area, how they were used, and of course the fascinating motifs created using shells. They hope you enjoy reading it here
“For a Dong family, having a loom is just as important as having a cow,” said Lai Lei, the founder of a weaving and dyeing co-op in a nearby village. “As children, we grow up listening to the sound of the loom.”
This article looks at the attempts to keep the tradition of indigo dyeing and polishing alive in Guizhou province, southern China. The cloth is dyed evry day for two weeks and then has an application of either cowhide extract or egg whites. The shine is achieved by hitting the cloth repeatedly with a wooden mallet. Deep indigo-stained hands are a badge of honour.
To read the full article please visit the website of The New York Times
Exhibition dates 7 February – 13 May 2018
Artistry in Silk celebrates the work of Itchiku Kubota (1917–2003), an innovative artist whose spectacular creations gave new meaning to the art of kimono. He brought new life to a 16th -century decorative technique known as tsujigahana, a combination of resist-dyeing techniques and ink-drawing that was once thought lost forever. In his subsequent production of sumptuously beautiful kimono that featured ‘Itchiku tsujigahana,’ the artist’s adaptation of this art form expanded contemporary ideas of surface design and assured Kubota a legacy as an out-of-the-ordinary artist and artisan whose work stimulated the mind and delighted the eye.
The exhibition presents 41 kimono designed and produced by the artist over three decades, from 1976 to his death in 2003.
There are some stunning high-resolution images on the museum website which load very slowly – your patience will be rewarded!
For more information visit the website of the Textile Museum of Canada, Toronto.