From Indonesia to Persia, India to Peru, the Golden Triangle to Egypt – something for everyone!

We have just been informed (by the curators) that the exhibition Ships and Passages, which was shown last year at the Ethnographic Museum of the University of Zurich, can now be experienced virtually, through the wonders of technology.

Make sure you click EN on the bottom blue menu, unless of course you speak fluent German. If you use the zoom function you also have the option to see the back of the textiles, which I found really useful.

Asian Textiles has published two articles relevant to this exhibition. The first, entitled Alfred Steinmann and the ship motif, was co-authored by Georges Breguet and Gaspard de Marval and appeared in number 79. The second appeared in our most recent edition (number 81) and was entitled Alfred Steinmann’s ship tapis inuh. It was co-authored by the curators Andreas Isler and Paola von Wyss-Giacosa, along with OATG members Richard Isaacson and Louise Shelley.

Asian Textiles is a great searchable resource and all issues, apart from the past three years which are password-protected for members, can be freely accessed here.

On Saturday 9 April 2022 the New England Rug Society (NERS) will host an online presentation by Michael Rothberg entitled Saddlebags from Persia and the Caucasus: An Examination of Selected Design Motifs.

Michael’s presentation will focus on aspects of design in nineteenth century knotted-pile transport bags woven by tribal women. He will draw most of his examples, including Shahsevan, Kurdish, Afshar, Khamseh Confederation, Qashq’ai, Luri, and Baluch bags, from his book, Nomadic Visions, which was published by HALI and the Near Eastern Art Research Center in 2021. He will also discuss examples from the Transcaucasus, Persian Azerbaijan, and Varamin.

Registration is free for this programme, which begins at 13:00 Eastern Time, which is 18:00 BST. If you have any questions please email Jean Hoffman.

Khorjin front, Northeast Transcaucasia, Dagestan region.

An online exhibition by Hali of sixteen knotted pile bags from the Michael and Amy Rothberg Collection can be viewed here. The exhibition also includes several wonderful textiles from the collection of the late Neville Kingston, who was a member of the OATG for many years.

Also happening on Saturday 9 April is an in-person talk by Thomas Murray for the Textile Museum Associates of Southern California. His subject will be Archetypes, Aesthetics and Agency: Adat Textiles of Early Indonesian Cultures.

“Indonesian textiles are known to convey messages across time and space by means of an archetypal iconography that includes human figures, trees, boats, reptiles, birds and geometric patterns. These encoded images follow ancestral traditions and customary laws known as adat; cloth becomes sacred through a combination of fine spinning, dying, and weaving that creates a sense of aesthetic wonder……. This lecture will follow the themes presented in the newly published book, Textiles of Indonesia, and will focus on some of the finest cloths to come out of the archipelago, presenting each object with impeccable photographs.” – Thomas Murray

The programme begins at 10:00 PDT in Santa Monica, California and entry is limited to those with reservations. These must be received by 17:00 PDT on Thursday 7 April, so act now if you want to attend.

Don’t live in Southern California but would love to see this presentation? Then you just need to wait a little longer. The TMA/SC have arranged for two Zoom presentations later this month. The first is intended for participants living in Southeast Asia and Australasia and starts at 19:00 PDT on Friday 22 April. This is therefore 09:00 on Saturday morning for those in Jakarta and Bangkok as an example. Register here.

The second is timed for those in Europe and the Middle East. It will take place on Saturday 23 April at 10:00 PDT, which is 18:00 BST. You can register for it here.

Please ensure you register for the programme that best suits your time zone. Thomas Murray will be live at both Zoom presentations for the Q&A sessions.

Patola-inspired ‘Cepuk’ cloth used as protection in a tooth-filing ceremony in Ubud, Bali. © Urmila Mohan

On Sunday 10 April the Society for Art and Cultural Heritage of India will host an online talk by Urmila Mohan on Patola-inspired textiles in Indonesia as Forms of Spiritual Power. Dr Mohan is an anthropologist of material culture with a focus on clothing.

“While some of us know double-ikat as luxury textiles and handwoven traditions, based on Patola’s history as a trade commodity, we may be less familiar with the local ways in which Patola-inspired textiles are used in parts of Southeast Asia. This talk focuses on how these textiles acquire a new and different life in the Indonesian archipelago based on the creativity of weavers and dyers, and the ritual context of usage. While we can certainly admire these clothes for their artisanry and aesthetics, it is valuable to recognize that those very same qualities have real and tangible spiritual and cosmological effects in the societies within which they are embedded.” – SACHI website

This talk begins at 22:00 BST and you can register for it here.

On Tuesday 12 April Andean Textile Arts are hosting an intriguing Zoom presentation by Juan Antonio Murro entitled Written in Knots: What We Know Today About Khipus.

“Peru’s long-lived Wari and vast Inca empires employed sophisticated devices called khipu to record information, such as census data and labor obligations……. Made of cords, both Inca and Wari khipu seem to have recorded not only quantitative or statistical content, but narrative information as well. The variation in cord structures, colors, wrapping patterns, and knots encoded and conveyed information, while the basic elements—flexible knotted cords—offered a lightweight and compact means of transporting information across distances.” Andean Textile Arts

The talk begins at 19:00 Eastern Time, which is midnight in the UK – one for the nightowls. Click here for more details and registration.

Late nineteenth century jacket for a woman in a glazed and block printed cotton, Iran.

On Tuesday 12 April the New York based Hajji Baba Club will host a Zoom presentation by Augusta de Gunzbourg on From Buteh to Paisley: The History of a Global Icon.

“This curved, drop-like shape is one of the rare forms that features on textiles from all around the world and on clothing worn by all genders or ages. The motif has many names and meanings according to the different cultures that have all adopted it. Seen on Indian saris or on the Queen of England’s clothing, the questions we ask are: where and when did this motif originate and how did it become such a global icon?

The way the motif traveled historically and geographically will be illustrated with a wide range of items with Paisley from the TRC’s exhibition such as Iranian Qajar jackets, 19th century British ladies’ shawls or even a modern Japanese kimono.”

Augusta’s talk will feature the exhibition held at the Textile Research Centre, Leiden in 2021, on the history of the Paisley motif. It is well worth delving into this online resource here.

The talk will begin at 11:00 Eastern, which is 16:00 BST. Places do need to be reserved by 8 April so send your RSVP now!

The next OATG event takes place on Thursday 21 April when we will have a presentation by Victoria Vorreiter on Hmong Threads of Life: Traditional Hmong Textiles of the Golden Triangle. Victoria is a violinist and music teacher who began documenting the ceremonies and music of indigenous people several decades ago. She moved to Thailand 17 years ago and now spends her time trekking to remote villages in Laos, Myanmar, China and Thailand. Her photographs are incredible – just take a look at her website!

Victoria’s online presentation begins at 13:00 BST. It’s an afternoon event as she is based in Chiang Mai in Thailand. It will of course be recorded and the recording will be made available to members. Non-members are welcome to attend for a small fee. More details and registration here.

In 2016 Victoria wrote a long, beautifully illustrated article for our OATG journal Asian Textiles, which you can read here.

On Saturday 23 April the Textile Museum of Canada, Toronto, has an in-person event – still something of a novelty for many of us. Egyptian artist Lamis Haggag and professional khayamiya craftsman Mostafa El-Lathy will host a presentation and workshop on the traditional Egyptian appliqué craft of khayamiya, used to decorate tents. This event will run from 14:00 – 16:00. Click here for more details.

Next an event that is definitely in-person! It’s the Textile Society’s annual Antique and Vintage Textile Fair in Manchester on Sunday 24 April. This is always such an eclectic mix, with textiles from around the world and across several centuries. It’s always very busy and the car park fills fast so get there early!

Full details and ticket booking via this link.

Sari (detail), Patan, Gujarat, 19th century. The Textile Museum Collection 6.63. Acquired by George Hewitt Myers in 1931.

On Wednesday 27 April the Textile Museum in DC will host a virtual programme linked to their current exhibition Indian Textiles: 1,000 Years of Art and Design. Textile specialist Rosemary Crill (ex V&A) will discuss Abstract Patterns in Indian Textiles.

“The abstract and geometric patterns of Indian textiles are as varied as the innumerable techniques used to produce them, encompassing woven, surface and embellished cloths of all kinds. Geometric structures form the basis of all cloth with intersecting warps and wefts, and as such stripes and checks are found in the oldest textiles known from South Asia.” 

This event takes place at 12:00 EDT, which is 17:00 BST . You can find out more and register for it here.

Don’t forget to let me know if you are aware of textile-related events that could be shared!

A couple of reminders and some new textile events happening soon!

PLEASE NOTE Subscribers who usually read this blog via their email may need to click on the blue title to access it through our WordPress site instead to enable them to watch the videos further down the blog.

First a final reminder of the next OATG talk, which takes place this Thursday 21 October. Members Chris Buckley and Sandra Sardjono of the Tracing Patterns Foundation will give an online talk on the subject of Fiber Arts from Papua.

Young girl in a Dani village. © Tracing Patterns Foundation

“The Dani people of the Baliem Valley in Papua possess no looms, but fiber forms an essential part of their lives, so much so that the explorer Karl Heider called theirs a ‘culture of string’. “ – Tracing Patterns Foundation.

Tracing Patterns Foundation is currently cataloguing and conserving a huge number of Dani items, collected by the late Dr O W Hampton in the 1980s. Chris and Sandra will discuss how techniques such as plaiting and knotless netting were used to produce a wide variety of objects. “Large head-nets were important items of dress for women, as well as practical carrying containers. Some of the most interesting and unusual artifacts are stone tools and sacred objects, bound with fibres, feathers from birds of paradise, and other materials. “

This talk will take place at 18:30 BST and those who have registered will already have received their Zoom link. If you do still wish to attend please register as soon as possible. Registration is also open for non-members for a small (£3) donation. This should be a fascinating talk so do join us!

Cybele Tom sharing her work on the Seated Guanyin, Song Dynasty (960-1279)

On Saturday 23 October there will be a Zoom talk hosted by one of the Textile Society of America Affinity Groups, Textiles x Science. Four conservators will share highlights of their work. “Few people get to engage with works of art directly, yet this is a key feature and privilege of conservation work. Through close looking, intimate interaction, consultation, collaboration, and scientific analysis, conservators and scientists piece together the evidence of what remains to give insight into an object’s complex narrative.” – TSA website

This talk will begin at 13:00 EDT, which is 18:00 BST. Please email for the Zoom link to what sounds like a fascinating talk.

Three generations of Qashqa’i women. Photo courtesy of Vedat Karadag.

Also taking place on Saturday 23 October is another of the regular series of Rug and Textile Appreciation mornings, hosted by the Textile Museum. The speaker this time will be Vedat Karadag and his subject is Traveling the Textile Lands of Greater Anatolia, Persia, Central Asia and Beyond. For the past four decades Vedat has been involved with textiles, both as a dealer and leading cultural and textile-oriented trips. In this virtual talk Vedat will share some of the highlights of his textile travels. More information can be found here. Click on this link to register for this event which begins at 11:00 EDT, which is 16:00 BST.

The most recent edition of our Asian Textiles journal contained an article by Georges Breguet and Gaspard de Marval on Alfred Steinmann and the Ship Motif. This provided an excellent overview of the work of Steinmann, as well as a review of the current exhibition on the subject at the Ethnographic Museum of the University of Zurich.

On Sunday 24 October the Washington-based International Hajji Baba Society will host a programme on Steinmann’s research into the use of the ship motif in Indonesia.

“For many centuries, the people of southern Sumatra saw themselves as living on a ship floating between the sea and the heavens. This idea was woven into fascinating textiles featuring elaborate depictions of ships carrying humans and animal-like beings. These ship cloths were used in ceremonial and ritual contexts. 

Alfred Steinmann, one of the former directors of the Ethnographic Museum of the University of Zurich, was one of the first scientists to study these textiles in depth and to try to interpret them. In several writings that appeared from 1937 to the 1960s, he examined the ship’s motif from a cultural and historical perspective, from the Bronze Age to the present day. He interpreted the elaborately patterned ship cloths as depictions of the passage of dead souls into a land of ancestors. Although later researchers added other layers of interpretation to Steinmann’s, to this day his contribution remains essential for understanding these textiles. “ – IHBS website.

This programme will involve not only a PowerPoint presentation by Paola von Wyss-Giacosa and Andreas Isler, but also a virtual guided tour of the Zurich exhibition – a real treat! Please note that spaces for this virtual event are limited and are filling fast so register now. A catalogue to accompany the exhibition is also now available (German text).

Chair Cover with Crane Design, Chinese, 17th century Ming Dynasty (1368–1644). Silk tapestry (kesi) woven with silk and metallic threads, Overall: 20 3/8 x 63 3/4 in. Gift of Mr. and Mrs. Earl Morse, 59-18/5.

On Saturday 30 October the Textile Museum Associates of Southern California will host a Zoom programme looking at some of the textiles featured in the  current exhibition at the Nelson-Atkins Museum of Art in Kansas City. Weaving Splendor: Treasures of Asian Textiles opened in late September and runs until 6 March 2022. “For the first time in decades, rarely seen Chinese, Indian, Japanese, Persian, and Turkish clothing and textiles from the collection of The Nelson-Atkins Museum of Art are assembled for an extraordinary exhibition. Made with fine materials, exemplary techniques, and superb artistry, Asian luxury textiles were prized domestically and were central to global trade.” – museum website

One Hundred Cranes Imperial Robe, Chinese, Late 17th-early 18th century Qing Dynasty (1644–1911). Embroidered damask, 91 × 57 7/8 in. Purchase: William Rockhill Nelson Trust, 35-275.

Covering the highlights of the exhibition from the 1500s to today, this talk will include two outstanding and historically important classical Persian carpets; velvet tent hunting fragments and some Kashmir shawls and hangings; several Chinese court robes and interior furnishings; and Japanese theatre robes and Meiji-era tapestries. The Zoom talk begins at 10:00 PDT, which is 18:00 BST and is free, but registration is required.