Textiles from Japan, Africa, the Pacific, Asia…….

PLEASE NOTE Subscribers who usually read this blog via their email may need to click on the blue title to access it through our WordPress site instead to enable them to watch the videos.

Tomorrow, 15 October 2020, the Japan House, London will host a panel discussion on the making of the film Ainu – Indigenous People of Japan by director Mizoguchi Naomi.

“Filmed in Biratori, Hokkaido, this documentary follows the everyday life of four elder members of the Ainu community, focussing on their experiences and efforts in the preservation of history and culture through Ainu language classes and participation in several daily activities.” – Japan Society website.

After the panel discussion, registered participants will be able to watch a full screening of the film via a video link. For more information and a link to how to book click here.

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In a previous blog (2 October) I mentioned another Japan Foundation event – an online talk entitled Kimono Crossing the Sea – Its Power to Inspire Imagination and Creativity on Friday 16 October at 1200 BST. 

OATG member Felicity Wood has kindly informed me of another kimono-related talk – The Unbounded Potential of Kimono, Kyoto to Catwalk – this time organised by the Embassy of Japan. This online talk takes place on Tuesday 20 October at 1300 BST.

Kimono, designed by Jotaro Saito for the Fog Empire Collection Show

“Against the backdrop of the ongoing exhibition at the V&A, Kimono: Kyoto to Catwalk, its curator and Keeper of Asian department, Anna Jackson, will be in conversation with Kimono designer Jotaro Saito, who will join from Japan. The two will talk about the exhibition, how they met, and about Jotaro’s convicition that the kimono is an everyday object of fashion that fits into modern life. In following the notion of a total look, in which the designer creates the garment, obi, and all the accessories, the session will explore what this philosophy means in practice for Jotaro Saito’s designs.”

Click here to register for this event.

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A new exhibition entitled Fibres Africaines opened at the Musée de la Toile de Jouy near Paris on 1 October, and this will run until 28 March 2021.

This exhibition will celebrate “the creativity and diversity of African textiles. While some fabrics are made with precious materials such as silk or glass pearls, others have the audacity to be real luxury pieces, yet designed from humble materials. Raffia fabrics, tree bark, cottons colored with natural dyes such as indigo can be regarded as real works of art for the virtuosity of their manufacturing techniques.” – museum website. 

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I found this blog by Sarah Foskett of the University of Glasgow Textile Conservation team really interesting. In it she gives some background to a five year project looking at Pacific barkcloth.

The Hunterian GLAHM E.537. A small section of the outer border of a late 19th century Fijian masi kesa fabric, stencilled in black, red and brown. (© The Hunterian, University of Glasgow)

Last month they held several online workshops and a website has now been launched. This is still being developed, with new information constantly being added.

There are also a series of videos showing some aspects of barkcloth production. The one above focusses on some of the dyes used.

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On Saturday 7 November the Textile Museum, Washington will host another Rug and Textile Appreciation Morning. The presenter will be Alberto Levi, and the subject is Italian Peasant Rugs. “In this illustrated lecture, independent researcher Alberto Boralevi will explore how textiles produced in the Italian folk tradition blend designs and techniques from the East and West……. The term “peasant rugs” generally refers to textiles produced by Italian folk tradition, primarily from the peninsula’s central-southern zones, as well as Sicily and Sardinia. The techniques and patterns of these Italian rural weavings share a striking affinity with the tribal weavings of Anatolia, Persia, and the Caucasus.” – Museum website.

For more information and to register please follow this link.

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On Wednesday 21 October and Thursday 22 October the Textile Museum will host a two-day roundtable to celebrate the creation of the new Cotsen Textile Traces Study Center.

Patchwork trade cloth robe (detail), Indonesia, 18th century. Cotsen Textile Traces Study Collection T-2852. Bruce M. White Photography.

“Beginning with an introduction to Lloyd Cotsen’s collecting and an overview of the collection and study center, the roundtable will feature five one-hour panels highlighting textiles from five continents, including an Indian robe for Indonesia, a Kuba hat, and Captain Cook’s sample book of tapa cloth.” – museum website.

The subjects of the five panels are : Asia, Europe-Central Asia, Africa, Americas and Oceania. Our founder, Ruth Barnes, will look at a patchwork coat (pictured above), created from over 100 small pieces of Indian block-printed textiles. and intended for Indonesia.

In her presentation Hélène Dubied will look at a Central Asian silk weft-faced compound twill, which dates to the seventh to tenth century. This is part of the permanent exhibition of the Abegg Stiftung. The presenter will give details of how this delicate textile was conserved.

I have a particular fascination with Captain James Cook, so will be most interested in Adrienne Kaeppler’s talk on the Alexander Shaw Barkcloth Books. These books are made up of pieces of barkcloth from Cook’s actual voyages!

These are just a few of the highlights of this event – the pdf with the full programme can be accessed here. Please note registration is essential.

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I’ve mentioned the superb videos produced by the Tracing Patterns Foundation in previous blogs. Their latest release is called Kantha Reimagined: From Private to Public . This was co-produced with Kantha Productions LLC.

The presenter this time is Cathy Stevulak, who explains the importance of kantha as a women’s artform in Bengal. I was intrigued to learn of references in the 6th century BCE to kantha being worn by ascetics.

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More exciting online lectures and videos ….

PLEASE NOTE The video referred to in the title is no longer available. I will add it to a future blog when it is.

OATG member Dr Sarah Fee will be giving our first Zoom lecture later this month. Dr Fee is Senior Curator, Global Fashion & Textiles (Asia and Africa) at the Royal Ontario Museum, Toronto.

For the first time in 50 years, the Royal Ontario Museum’s world-renowned collection of Indian chintz is being presented to the public in a new original exhibition. Lead curator Dr. Sarah Fee will share highlights from the exhibition and discuss its wider narrative arc that traces 750 years of global trade in, and desire for, this most-influential of India’s trade textiles, from medieval times to the present. She will also share the challenges of bringing the exhibit to fruition during this time of global pandemic.

This online talk will take place on Wednesday 21 October at 1830 BST. This event is free for OATG members and just £3 (payable by Paypal) for non-members. Please note that registration is essential.

We have another excellent talk lined up for December, and the next edition of Asian Textiles is out later this month so why not consider joining us? Click here for more details.

The Seattle Art Museum will host an online lecture TOMORROW with the intriguing title of Dragon’s Blood and the Blood of Dragons. This is part of their Saturday University Lecture Series: Color in Asian Art – Material and Meaning. The presenter is Jennifer Stager, Associate Professor of Art History, Johns Hopkins University.

As an entry point into attitudes toward color, this talk considers the red pigment identified as cinnabar or dragon’s blood in the ancient Mediterranean. The Roman historian Pliny the Elder attributes this pigment (derived from Socotra tree resin) to the blood of actual dragons living on the Indian subcontinent. His critique of painters for their indulgence and excess in using it—and the persistent idea that colors contaminate—stands against an idealized whiteness constructed in opposition to the materials and geopolitics of other cultures. Prof. Stager examines the afterlives of Pliny’s fantastical slander. Seattle Art Museum website.

This talk will take place on Saturday 3 October at 1000 Seattle time, which is 1800 in the UK. You need to register in advance.

Mrs. George nee Elizabeth Blakeway by Frederic William Burton, private collection

The Japan Foundation are hosting an online talk entitled Kimono Crossing the Sea – Its Power to Inspire Imagination and Creativity on Friday 16 October at 1200 BST.  Renowned fashion historian and curator, Fukai Akiko, will discuss how the kimono was depicted in the latter half of 19th century and the intriguing relationship between the kimono and artists.

For progressive artists such as Manet and Whistler, as well as innovative fashion designers such as Paul Poiret and Madeleine Vionnet, the kimono was not merely a beautiful garment invoking exoticism, but an inspirational source for their creativity and, as a result, we are able to perceive its significant influence in their pieces. – Japan Foundation.

The talk will be preceded by an introduction  by Anna Jackson, the Curator of Kimono: Kyoto to Catwalk, and a brief conversation with Fukai Akiko will follow her lecture. Register for the talk here.

Finally Marilyn Murphy and her team at ClothRoads have put together another great list of textile-related events. Their list is definitely worth subscribing too as they often feature events that I don’t come across elsewhere.

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Textile films

 

The next OATG event – A visit to the Kimono: Kyoto to Catwalk exhibition at the V&A and talk by the curator Anna Jackson – was supposed to take place next week and has obviously had to be cancelled due to the current situation.

©Victoria and Albert Museum, London

However all is not lost! The V&A have produced a series of 5 short films through which Anna guides viewers through the exhibition. Each episode is beautifully filmed and the pace is just right. It’s a wonderful opportunity to learn more about these fascinating textiles and their history. As the V&A point out kimono are sometimes “perceived as traditional, timeless and unchanging” but this exhibition “counters this conception, presenting the garment as a dynamic and constantly evolving icon of fashion.” I highly recommend watching these films in the correct order to gain a better understanding of this evolution.

The Japan Society in New York was due to hold an exhibition entitled Boro Textiles: Sustainable Aesthetics this Spring, the main focus of which was over 50 pieces from the collection of the late Chuzaboro Tanaka. These pieces were previously shown at the Amuse Museum in Tokyo and more background can be found here.

©Amuse Museum, Tokyo

Once again they have turned to the medium of film to ensure that the results of all of the hard work that went into putting this exhibition together can be shared widely. A 5 part video tour narrated by Yukie Kamiya and Assistant Curator Tiffany Lambert guides us through the exhibition. I loved the way the pieces were hung and the section in the first video explaining how and why this method was chosen.

 

Finally, moving away from Japanese textiles, OATG member Dr Chris Buckley has been busy putting together a series of short films  focussing on looms and textiles. Many of you will be aware that Chris is an expert on loom technology. The first of this series looks at a particular Indian saree and the loom technology with which it was produced. We look forward to seeing the rest of the series….

 

Hope you enjoy watching these and may your isolation keep you safe.

 

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Worldwide textile events in February

 

Last month’s AGM heralded big changes for the OATG. Our chair Aimée Payton stood down and Helen Wolfe from the British Museum was elected to the position. Also standing down after many years of service was our webmaster Pamela Cross. Pamela developed the original OATG website from scratch and was responsible for the huge task of ensuring all of the back copies of Asian Textiles were available on it. Over the past few months she has been working with Aimée and Felicitas from our Events team to develop a new website, which was unveiled at the meeting. Please do click here to have a look at it. As you can see our Events page is starting to fill up with a great selection of exhibitions and talks. In fact our first event – a Show and Tell of Manuscript Textiles and an Introduction to the Buddhism exhibition at the British Library – is already fully booked!

 

Woollen tunic from an 8th century tomb in Niger
Institut de Recherches en Sciences Humaines, Université Abdou Moumouni de Niamey, Niger

Just opened at The Met Fifth Avenue is Sahel: Art and Empires on the Shores of the Sahara which focusses on the area today encompassed by Senegal, Mali, Mauritania, and Niger. The history of this region will be illuminated through more than two hundred items. The majority of these will be sculptures, but there are also about 30 textiles including some very rare ancient indigo examples that were preserved in the Tellem Caves in Mali (information from Elena Phipps). Do scroll down the page to the images of the exhibition objects where you are able to click on each one to bring up the full details of the item.

Details
30 January – 10 May 2020
The Met Fifth Avenue, 1000 Fifth Avenue, New York

 

If you plan your visit judiciously you could also attend the first of a new Turkish Centennial lecture series on 7 February. The subject will be Impressions of Ottoman Visual Culture and Art in Europe, 1453-1699. The speaker is Professor Nurhan Atasoy from the Turkish Cultural Foundation. According to the Met website her talk will explore “the rich cross-cultural exchanges between the Ottomans and their European neighbours. Discover the factors that led to the flowering of vibrant and sophisticated artistic production throughout the vast Ottoman Empire in the centuries following the conquest of Constantinople in 1453, and learn how Europe became hungry for visual and artistic representations of their eastern neighbours.” Professor Atasoy has written and contributed to over 100 books on Ottoman and Islamic art.

Details
7 February 2020, 17:00 – 18:00
Bonnie J. Sacerdote Lecture Hall, Uris Center for Education
The Met Fifth Avenue, 1000 Fifth Avenue, New York

 

Bars by Annie Mae Young (c 1965). © Estate of Annie Mae Young

Coming soon to the Turner Contemporary in Margate is an exhibition entitled We Will Walk – Art and Resistance in the American South. It has been curated by Hannah Collins and Paul Goodwin and is the first exhibition of its kind in the UK and reveals a little-known history shaped by the Civil Rights period in the 1950s and 60s. It will bring together sculptural assemblages, paintings and quilts by more than 20 African American artists from Alabama and surrounding states.” – Turner Contemporary website.

Writing for artnet news, Caroline Elbaor elaborates further “A series of quilts sourced from the isolated Alabama enclave of Boykin will also make their UK debut, following a critically lauded presentation at the Whitney Museum of American Art in 2002. Boykin, formerly known as Gee’s Bend, is largely populated by descendents (sic) of people enslaved on the Pettway plantation. The distinctive quilts, typically patched together from a variety of materials, including blue jeans or cornmeal sacks, have taken on a hallowed significance as symbols of resistance and survival.”

Mark Brown’s article for The Guardian on these distinctive quilts is also well worth a read.

Details
7 February – 3 May 2020
Turner Contemporary, Rendezvous, Margate, Kent, CT9 1HG

There will also be a preview on Thursday 6 February when the exhibition will be opened by Bonnie Greer MBE

 

©Chris Buckley

On 11 February OATG member Chris Buckley will be giving a talk to the Hajji Baba Club of New York on Tibetan Rugs: Ancient Problems, Innovative Solutions. Chris will explain how Tibetan rug making traditions evolved as well as examining some unique knotting methods. Having run a carpet weaving workshop in Lhasa for several years he is extremely knowledgeable on this subject. He will give the same talk to members of the International Hajji Baba Society in Washington on 9 February – see below.

9 February 2020
International Hajji Baba Society
Basement of St. Paul’s Lutheran Church, 4900 Connecticut Avenue, NW

For further details email Jeff Krauss

11 February 2020
Hajji Baba Club
The Coffee House Club, Sixth Floor, 20 West 44th St, Manhattan, NY

Contact the Hajji Baba Club for further details.

The next event in the programme of the Oriental Rug and Textile Society is a talk by Markus Voigt, HALI contributing editor, on the subject of Carpets from the Tarim Basin and Tibet: and possible connections thereof. “At a casual glance Tibetan rugs might be mistaken for those from Xinjiang / Uyguristan (Eastern Turkistan). The talk will examine how two neighbouring but very disparate cultures came to have commercial crossover in rugs prior to Chinese conquest of Tibet.” – ORTS website.

Details
19 February 2020 at 19:00
The University Women’s Club, 2 Audley Square, London, W1K 1D8

For further details go to the ORTS website

 

Mantle border, Peru, Nazca culture, early Intermediate Period (2nd–8th century). Cotsen Textile Traces Study Collection T-0093. Photo by Bruce M. White.

This month sees the opening of a new exhibition at the Textile Museum in Washington DC called Delight in Discovery: The Global Collections of Lloyd Cotsen. Over 4000 pieces from the Cotsen Collection were donated to the Textile Museum in 2018 and this new exhibition brings together some of the global treasures he collected over a lifetime. You can read more about Lloyd Cotsen and his collecting in this blog from last year.

Details
22 February – 5 July 2020
The Textile Museum, 701 21st Street, NW, Washington, DC 20052

 

Sarong from Lasem, Java; possibly made for export to Jambi, Sumatra; cotton, batik 19th century. © Tropenmuseum

Over in San Francisco Itie van Hout will be giving a talk on the Indonesian Textiles at the Tropenmuseum. Itie was the former Curator of Textiles at the Tropenmuseum, which houses nearly 12,000 textiles from across Indonesia, collected over a period of 160 years. The majority of these were taken to the Netherlands when Indonesia was a Dutch colony known as the Netherlands East Indies. She has written extensively on Indonesian textiles. For further details visit the website of the Textile Arts Council.

Details
22 February 2020, 10:00am
Koret Auditorium, de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco CA 94118

 

© Chayawat Manasiri

Indonesian textiles are also the subject of another exhibition which has recently undergone a complete change in Bangkok. A Royal Treasure: The Javanese Batik Collection of King Chulalongkorn of Siam opened in November 2018. However this month all of the textiles are being replaced with different examples from the substantial Royal collection. This will also happen again in September, giving visitors the opportunity to see a far greater selection of these batik textiles. “Among the highlights of the latest acquisitions are a few pieces that have never been displayed before, namely, the Mikado pattern from Yogyakarta which reflects the Japanese influence in the various Japanese fans portrayed through the batik printing technique, as well as the blangkon headdress painted with gold known as batik prada, assumed to come from Cirebon, West Java. It was used only on special occasions by male members of the royal family. Only one piece has been found in the entire royal collection.” Sawasdee magazine. For more images and information please click here.

Details
1 November 2018 – 31 May 2021
Queen Sirikit Museum of Textiles, Ratsadakhorn-bhibhathana Building, The Grand Palace, Phra Nakhon, Bangkok, 10200 Thailand

 

Jacket with couched gold thread. ©Michael Backman

The National Museum has recently opened a small textile gallery and is jJust a short distance away from the Grand Palace so you could easily combine a visit to the two collections. Michael Backman has written a short blog about this gallery with some close-ups of a few of the textiles. He says that “Included are pha lai yang textiles – printed cotton fabrics that show thep phanom deity figures, worn as a lower garment by members of the royal family. There is a shawl known as a pha sphak that is of silk woven with gold thread and embellished with fluorescent beetle wings.”

Details
The National Museum Bangkok, Na Phrthat Rd., Phra Borommaharachawang subdistrict, Phra Nakorn, Bangkok

 

Rabari embroidery from Gujarat, a child’s hat from Sindh and a belt from Albania. ©Sally Hutson

Back in the UK a temporary textile exhibition has been curated at the Milton Keynes Museum. Called A Sense of Place and Time, this is an exhibition of textile art set within the history of textiles. Ethnic textiles are on show alongside contemporary examples by Art2Stitch. There will be a changing section on communication through textiles featuring examples from other cultures.

Details
23 November 2019 – 26 April 2020
The New Gallery, Milton Keynes Museum, McConnell Drive, Wolverton, Milton Keynes, MK12 5EL

Please note this museum is staffed by volunteers and has limited opening times.

Kimono for a young woman (furisode), 1905–20, probably Kyoto, Japan. © Khalili Collection, K106

Many members have been looking forward to the V&A’s new blockbuster exhibition Kimono: Kyoto to Catwalk which finally opens in London on 29 February. It is being curated by Anna Jackson, Keeper of the Asian Department, who also wrote the introduction to Thomas Murray’s book (see my December blog). In an interview with Jess Cartner-Morley for The Guardian she says her aim in this exhibition is to “overturn the idea of the kimono as static, atrophied object and show it as a dynamic and constantly evolving icon of fashion”. She also discusses the history of the kimono, and cultural appropriation. This is well worth a read to whet your appetite for the exhibition.

In another interview for LOVE magazine Anna Jackson talks about the difficulty of acquiring some of the pieces, their fragility, and the challenges in displaying them correctly.

The exhibition will be in three sections. “It begins by unpicking the social significance and heritage of the kimono in 17th century Japan, moving to consider the kimono and its position across a more international agenda, finishing with the progressive transformation of its comtemporary (sic) identity.” Scarlett Baker, LOVE magazine.

Details
29 February – 21 June 2020
Gallery 39 and North Court, Victoria and Albert Museum, Cromwell Road, London

The OATG have planned a visit to this exhibition, which will include a talk by Anna Jackson, for 26 May. Booking for the limited number of places available will open for members in mid-April via Eventbrite.

 

 

While at the V&A you should also take a look at the posters in this small exhibition entitled Manners and Modernity: Ukiyo-e and etiquette on the Seibu Railway. These posters convey how to be a well-behaved commuter through humorous messages.

They will be on display in Room 45 of the Toshiba Gallery until 22 March 2020.

 

Conserving Pumpie the elephant

Those who cannot get to the V&A will be interested to know that a new 6 part documentary filmed behind the scenes begins next week on BBC 2. The series is called Secrets of the Museum and looks at the work of the curators and conservators as they handle a wide variety of different objects, ranging from Queen Victoria’s coronet to a stuffed toy elephant! Henry Wong has written a fascinating piece about this series for design week, including an interview with Alastair Pegg (the director of programmes at Blast! Films) who concludes that “It reveals what’s behind the closed doors — there’s an industriousness that visitors don’t see. That’s the pleasure of this series.”

Details
Secrets of the Museum
6 February BBC 2 at 2100

 

Nesyamun’s ornate coffin has been on display in Leeds since the 1820s. © Leeds Museums and Galleries.

Finally, I was fascinated to read of this work by a team from Leeds Museums and Galleries and researchers from various disciplines to recreate the voice of an Egyptian priest called Nesyamun who lived around 1100 BC. The mummified remains of Nesyamun were scanned at the Leeds General Infirmary and a 3D model of his throat was reproduced using a 3D printer. A full and very interesting account of the project is given here in layman’s terms, but if you want to read the scientific paper then click here.

 

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A veritable cornucopia of worldwide textile events!

Later next month a new exhibition entitled Unbound: Visionary Women Collecting Textiles opens at Two Temple Place in London. This exhibition “celebrates seven pioneering women who saw beyond the purely functional, to reveal the extraordinary artistic, social and cultural importance of textiles.” Two Temple Place website. 

This is a very collaborative project, curated by June Hill and Lotte Crawford and involving no less than seven museums and art galleries from different areas of the country. It’s interesting that they are looking at the role of women as collectors, not as makers of textiles.

Embroidered japangi or cloak from Albania

The female collectors discussed include Edith Durham, who first visited the Balkans in 1900. As well as documenting the craft traditions of the area she also became involved with local politics, helping in hospitals and with refugees and campaigning. This blog about her recalls how she came into conflict with the Foreign office who marked her card thus: Durham, Miss M.E.: Inadvisability of corresponding with……

Louisa at the Khyber Pass

Louisa Pesel was the first President of the Embroiderers Guild and in addition to her own stunning designs for Winchester Cathedral she collected textiles from many places including Morocco, Turkestan, Syria and China. Many of these were donated to the University of Leeds. An excellent source of information about her is this blog by Colin Neville.

The other collectors the exhibition features are Olive Matthews, Enid Marx, Muriel Rose, Jennifer Harris and Nima Poovaya-Smith.

“The exhibition looks at how these collections continue to influence us today and asks why textiles still have to fight for their place amongst the more established visual arts” – a question which I often ask myself too.

In many ways the focus of this exhibition reminds me of one held at the Pitt Rivers Museum earlier this year called Intrepid Women. See my earlier blog on this subject.

Details
25 January – 19 April 2020
Two Temple Place, London WC2R 3BD
Admission free

 

 

Also opening late next month at The Met Fifth Avenue is Sahel: Art and Empires on the Shores of the Sahara which focusses on the area today encompassed by Senegal, Mali, Mauritania, and Niger. The history of this region will be illuminated through more than two hundred items. The majority of these will be sculptures, but some textiles are also included. Click here for more details.

Details
30 January – 10 May 2020
The Met Fifth Avenue, 1000 Fifth Avenue, New York

 

The next talk in the programme of the Oriental Rug and Textile Society is by Zara Fleming on the subject of Bhutanese Textiles: Ritualistic and Everyday textiles of Bhutan. Zara will explain how textiles are woven into everyday life and are used as clothing, currency and gifts. They are also used to signify status and are a vital component of Bhutanese festivals, dances and Buddhist rituals.

Details
22 January 2020 at 19:00
The University Women’s Club, 2 Audley Square, London, W1K 1D8

For further details go to the ORTS website

 

Ngatu (decorated bark cloth) with spitfire plane motif c1940s. © Kitmin Lee

Koloa: Women, Art, and Technology is an exhibition which opened recently in Hong Kong. It is presented by Para Site in conjunction with Tunakaimanu Fielakepa who is the “foremost knowledge-holder of ‘koloa‘ or customary women’s arts in Tonga”. This exhibition was previously on show in Tonga earlier in 2019. It “features a rich array of Tongan art practices, focused upon the main categories constituting koloa: ngatu or bark cloth making and fine weaving such as ta’ovala garments and ceremonial mats, as well as kafa or woven rope. The presentation includes prized, heirloom pieces as well as newly produced examples specially commissioned for the exhibition.” Para Site website. Additional works by three women artists – Tanya Edwards, Nikau Hindin and Vaimaila Urale – are also included to showcase aesthetic lineages in the Pacific.

A mixed design Tongan kupesi which was made before the 1930s. Courtesy of Lady Tunakaimanu Fielakepa

Details
7 December 2019 – 23 February 2020.
G/F & 22/F, Wing Wah Ind. Building, 677 King’s Road, Quarry Bay, Hong Kong.

 

Three-layered lined kimono

There are only a couple of weeks left to see the exhibition in Heidelberg called Good Wishes in Silk: Children’s Kimono from the Nakano Collection. Kazuko Nakano has compiled a collection of almost a thousand objects that provide insights into the colourful and symbolic art of kimono design from the Edo period (1603-1868) to the present day.

A selection of around 80 children’s kimonos is now presented in Germany for the first time. Some of these examples are rather sophisticated and are clearly intended to be worn on special occasions, while others are more simple everyday wear. “They are genuine works of art, with a great variety of decorative motifs, and can be perceived as a kind of embroidered wish list with which the parents equip their children for their future lives.”

Details
27 October 2019 – 12 January 2020
Kurpfälzisches Museum Heidelberg, Hauptstrasse 97, 69117 Heidelberg

 

Kaparamip with red cotton fabric border © Textiles of Japan: The Thomas Murray Collection at The Minneapolis Institute of Art

The January programme from the Textile Museum Associates of Southern California (TMASC) is a talk by Thomas Murray – a well-respected researcher, collector, dealer and author of several books, the latest being Textiles of Japan: The Thomas Murray Collection.

This talk, entitled Traditional Textiles of Japan, will explore Japan’s rich tradition of textiles, from firemen’s ceremonial robes and austere rural workwear to colourful, delicately-patterned cotton kimono. “The traditional clothing and fabrics featured in this lecture were made and used in the islands of the Japanese archipelago between the late 18th and the mid-20th century. The Thomas Murray collection includes daily dress, workwear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernisation would leave behind traditional art forms such as the handmade textiles used by country people, farmers, and fishermen. The talk will present subtly patterned cotton fabrics, often indigo-dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fibre, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly coloured cotton kimono of Okinawa to the far south.” – Thomas Murray.

Details
Saturday 25 January 2020 10:00am
Luther Hall, St Bede’s Episcopal Church, 3590 Grand View Blvd., Los Angeles

For further information and to reserve a place please email info@tmasc.org

 

 

A very engaging review of Murray’s book appeared in the Nov-Dec 2019 issue of Arts of Asia, along with several stunning illustrations. This gave a huge amount of background into how the book came into being and really conveyed a sense of the passion for Japanese culture behind it. Those who don’t have access to Arts of Asia should take a look at The fabrics that reveal the ‘other’ Japan written for BBC Future by Andrea Marechal Watson. The images contained in her article should certainly whet your appetite to take a further look at the book from which they are drawn. For further information about the Ainu see my blog from January 2019.

 

Outer kimono for a young woman (uchikake), 1800 – 30, probably Kyoto, Japan. © Image Courtesy of the Joshibi University of Art and Design Art Museum, 2204-36

I don’t usually blog about events far in advance, but the exhibition Kimono: Kyoto to Catwalk at the V&A in London which opens in February is sure to be very popular – in fact the members’ preview day has already sold out. It is being curated by Anna Jackson, Keeper of the Asian Department, who also wrote the introduction to Thomas Murray’s book.

Details
Opens 29 February 2020
Victoria and Albert Museum, Cromwell Road, London

 

Parr (1893–1969); cotton or polyester cotton blend; screen printed. © Dorset Fine Arts

The current exhibition at the Textile Museum of Canada is entitled Printed Textiles from Kinngait Studios and celebrates these textiles which show the traditional way of life. Curated by Roxanne Shaughnessy the exhibition also includes a small selection of clothing and footwear in addition to the examples of printed cloth.

Kate Taylor has written an interesting article on this exhibition for The Globe and Mail. In it she explains that as “the Canadian government forced a people living on the land into permanent settlements, the Inuit began to need cash. The art projects…… were initially introduced by government agents. The idea was that the skills used to carve stone, incise bone and sew clothing could be adapted to produce handicrafts for southern markets. But carving and printmaking were just two possibilities: This show offers a wide selection of rarely seen textiles, startlingly modernist and highly colourful designs created in the 1950s and 60s.”

A full colour catalogue will be available in 2020.

Details
7 December 2019 – 30 August 2020
Textile Museum of Canada, 55 Centre Avenue, Toronto, Ontario, M5G 2H5.

 

John Ang will give a talk on The Influence of Foreign Fashion Trends on Malay Dress to the Textile Enthusiasts Group, which is linked to the Friends of the Museums (Singapore). He will discuss the origins and hybrid nature of Malay clothing. John stresses that “Malay dress is not static but always changing. Rather than seeing particular forms of clothing as Malay dress, he will demonstrate that what really constitutes Malay dress is the manner in which it amalgamated and adapted different fashion styles”.

Details
9 January 2020 at 10:00am
Activity Room, Indian Heritage Centre, 5 Campbell Lane, Singapore

Contact the Textile Enthusiasts Group for further details and to register.

 

Kain panjang with Broken Dagger motif. © Go Tik Swan

Saint Louis Art Museum has a new exhibition, curated by Philip Hu, showcasing a selection of batik textiles from the island of Java dating from the mid-19th to the late 20th century. They include They include pieces “made for royal and aristocratic clientele, ceremonial use, and everyday fabrics worn by men and women.”

The video below gives you some idea of just how much painstaking work is required to complete a piece of batik.

 

Batik of Java: A Centuries Old Tradition; Courtesy of Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture

Details
13 December 2019 – 7 June 2020
Gallery 100, Saint Louis Art Museum, One Fine Arts Drive, Forest Park, St. Louis, Missouri
Admission free

 

Detail of a Qarajeh rug. © Tschebull Antique Carpets.

Next month Raoul “Mike” Tschebull will give a talk at the Hajji Baba Club, New York, on his new book Qarajeh to Quba: Rugs and Flatweaves from East Azarbayjan and the Transcaucasus. “Qarajeh…… is a small, isolated community at the end of a gravel road in eastern Azarbayjan, in northwest Iran. Although some limited weaving still goes on there, this famous weaving village is best known for its striking 19th century kennereh on wool foundations and its beautifully coloured cotton-foundation export rugs and carpets which were woven beginning in about 1900.” Tschebull Antique Carpets website.

Front cover of the book.

The book is published by Hali and showcases 70 pile carpets and flatweaves from his own collection, the majority of which have never previously been published. The images are by the leading textile photographer Don Tuttle.

Details
Tuesday 21 January 2020
The Coffee House Club, Sixth Floor, 20 West 44th St, Manhattan, NY

Contact the Hajji Baba Club for further details.

Imperial dragon insignia roundel with a five-clawed dragon. © David Rosier

A reminder that a series of Arts Society study days will take place at the Ashmolean Museum in Oxford from January to March. These are open to the public as well as members of the Arts Society and are likely to be very popular, hence the advance notice. Subjects include The Visual Art of Power and Rank at the Chinese Imperial Court (David Rosier) and Japanese History, Art and Culture (Suzanne Perrin). Click here for full details.

Finally I hope to see many of you at the Oxford Asian Textile Group AGM on Saturday 18 January at the Ashmolean Museum Education Centre. As usual the official business will be followed by the ever-popular Show and Tell session. Full details will be sent out to members via Eventbrite in January but in the meantime please make a note of the date!

 

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