For subscribers who usually read this blog in their email, may I suggest that instead you access it on our WordPress site by clicking on the blue title. This should ensure you don’t have any problems watching the videos and reading the PDF documents in this blog.
Subscribers can look forward to the next edition of our Asian Textiles Journal landing on their doorsteps in the near future. This issue includes a substantial article by Nick Fielding on the Reverend Dr Henry Lansdell, one of the great Victorian collectors who collected thousands of objects from Central and Northern Asia as well as India and America. The article contains several photographs of textiles held in the reserve collection of the British Museum, located by our Chair, Helen Wolfe. Other features focus on Double warp weaving in Poland (Fiona Kerlogue), Ottoman saddles and saddle cloths, a Chinese child’s tiger hat (Felicity Wood), the OATG tapestry weaving clinic (Jen Gurd) and our Show and Tell from January.
Members can access pdf versions of all past issues by using the password on the back page of the Journal. Non-members can access issues from 1995 to 2017 by clicking here This is a really great resource with articles by many leading scholars and academics.
Parr (1893–1969); cotton or polyester cotton blend; screen printed. © Dorset Fine Arts
Several museums that have been unable to open physically have produced virtual tours of their exhibitions. I blogged about this exhibition at the Textile Museum of Canada last December, but thought it was worth repeating as a video has now been added. It is entitled Printed Textiles from Kinngait Studios and celebrates these textiles which show the traditional way of life. Curated by Roxanne Shaughnessy the exhibition also includes a small selection of clothing and footwear in addition to the examples of printed cloth.
Kate Taylor has written an interesting article on this exhibition for The Globe and Mail. In it she explains that as “the Canadian government forced a people living on the land into permanent settlements, the Inuit began to need cash. The art projects…… were initially introduced by government agents. The idea was that the skills used to carve stone, incise bone and sew clothing could be adapted to produce handicrafts for southern markets. But carving and printmaking were just two possibilities: This show offers a wide selection of rarely seen textiles, startlingly modernist and highly colourful designs created in the 1950s and 60s.”
Utagawa Hiroshige, colour woodblock print showing a view of Edo, 1858. © British Museum
The British Museum has a new series of blogs in the style of historical travel guides. I really enjoyed this guide to 19th century Edo (Tokyo) by Alfred Haft, JTI Project Curator for Japanese Collections. He discusses the best time to visit, how to get there, getting around (sedan chairs can be rented), things to see and do, where to stay and even what to eat. Visitors are reminded that they must bow to every samurai they encounter – they are easily recognised by the two swords that they wear. The blog has lots of excellent woodblocks and paintings so do take a look.
American star quilt, 1840’s (TRC 2018.3119). ©TRC
The Textile Research Centre in Leiden reopened on 2 June, obviously subject to some Covid restrictions. Their current exhibition is on the subject of American Quilts and several are featured in this article on the Selvedge website, including one with a rather heartbreaking back story.
While checking the details on the TRC website this blog by Loren G. Mealey caught my eye. In it she looks at the different types of face coverings that were used during the Spanish Flu Pandemic of 1918. I was amazed to hear that people poked holes in their masks so that they could smoke – hopefully the fabric was flame-retardant! One of the punishments for breaking the masking rules was to have your name printed in the newspaper…..
On Sunday 14 June the British-Uzbek Society will host a Zoom talk by Marinika Babanazarova, the former curator of the Savitsky Museum in Nukus, Qaraqalpaqstan, which many OATG members will be familiar with through the work of Sheila Paine and David and Sue Richardson. This museum is full of fantastic avant-garde paintings, as well as a remarkable collection of textiles and jewellery. This 55 minute talk will take place at 15:00 GMT and costs £5. For more information click here or email Rosa at this address. The number of places are limited so don’t delay!
OATG member Chris Buckley has put together another fascinating short video, filmed and edited by Sandra Sardjono. This one focusses on a blue and white Kerek batik from East Java. Chris looks at the similarities of the technique and materials used with those of mainland Southeast Asia, in particular Chinese blue and white ceramics with marine designs as a possible source of design inspiration. He also examines indigo paste resist in China and the wax resist techniques used by the Hmong in Vietnam.
The Indonesian Heritage Society have supported “Meet the Makers” for many years. This event usually takes place near Jakarta and brings artisans from all over the archipelago together. Keen to continue to spread the word about these artists the Society have put together a set of 10 talks on a variety of subjects. Each webinar will be available for a donation of 5 USD, which can be paid using PayPal. These donations will be used to directly support the craftspeople. The full list of talks and further information is given in the PDF above.
The first talk takes place on 18 June and features Joanna Barrkman, Senior Curator of Southeast Asian and Pacific Arts at the Fowler Museum and Yovita Meta, Director of Tafean Pah – a non-profit organisation which serves 150 weavers in 10 villages. See the PDF above for full details.
Finally, OATG members David and Sue Richardson have added another section to their Asian Textile Studies website. This examines the textiles of the Klon people of the island of Alor in eastern Indonesia, giving information on their history, language, culture and of course their textiles. There are some wonderful images of Klon beadwork as you can see from the image above.