Event: ORTS Film Night

 

 

Event date: Wednesday 20 June 2018 at 6.30pm, St. James Piccadilly 

As part of their summer programme the Oriental Rug and Textile Society (ORTS) will be hosting a film night focussing on the Bakhtiari.

Antony Wynn, who spent many years living in rural Iran, will be showing two films about the migration of the Bakhtiari tribes.  The first one “Grass” is a classic silent film made in 1925 by three Americans who made their way across Turkey and Iraq to meet the Bakhtiari in their winter quarters  and follow them and their flocks over swollen rivers and up over snow-covered mountain passes to reach their summer pastures.  It is a very dramatic film and shows clearly how tough life was for the nomads in those days.

The second film “People of the Wind” was made by the late Shusha Guppy in 1976, following the same route with descendants of the same people, and it shows what had changed and what had stayed the same over those fifty years. This could be a long evening, so there will be an interval between the two films.

The doors open from 6pm with drinks and snacks being served. Non-members are welcome at a charge of £7 (£5 for students).

For details of the location visit the ORTS website

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Article: Portable Storage Bags

Recently I posted about the exhibition on portable storage bags at the Metropolitan Museum in New York – ending 7 June 2018. Even if you can’t make it to the exhibition I highly recommend looking at their website, which has a wealth of information about these bags – how they are used, who made them, the techniques they used etc.

The different types of bags are examined, with examples of their use given. Specific bags were used to store salt, flour, bedding, spindles etc.

The section on the tribes covers the Qashqai, the Shahsevan and the Bakhtiari. It includes a fascinating short documentary about the Bakhtiari, filmed in 1925.

Slit-tapestry rugs from Turkey, called kilims, were woven in a wide range of sizes and formats for a wide variety of uses. Rugs associated with the market town of Reyhanlı, on the Turkish-Syrian border, were produced by nomad groups who moved to upland Taurus mountain pastures in the summer, returning to the Mediterranean littoral during winter months.

Besides the characteristic technique of mainly slit-tapestry (kilim), the splendid double saddlebags from Reyhanlı (called heybe in Turkish) sometimes include metallic-wrapped cotton threads, which the nomadic weavers could not produce themselves but had to acquire, probably in exchange for sheep or goat milk, cheese, or other products from their animals.

One such saddlebag is examined in greater detail by Associate Research Scientist Federico Caro, with particular attention being paid to the use of copper metallic thread that resembled gold.

In another section of the website conservators Julia Carlson and Yael Rosenfield examine the sumak technique, with lots of excellent detailed photographs.

It’s rare to see so much excellent background information for an exhibition – hope you enjoy reading it.