Event date: 3 May 2018, 18:00-19:00, London.
This talk by Dr Eva-Maria Troelenberg of the Kunsthistorisches Institut in Florence will trace the history and fate of a prominent Safavid (16th century) medallion carpet. The piece had been traded to Europe probably at some point in Early Modern history. It was purchased in Venice in the late 19th century by Renaissance connoisseur and museum man Wilhelm Bode, was displayed as one of the core pieces of the “Persian-Islamic Department” of the Berlin Museums after 1904, destroyed during the Second World War, and resurrected by means of restoration and publication in the 1950s. The itinerary of this textile on the one hand reflects the central—at times ideological—position of Persian culture within an emerging canon of Islamic arts during the first half of the 20th century. On the other hand, its material history of discovery, display, destruction and reconstruction challenges the teleological notion that is inherent to many cross-cultural museum collections.
Admission to this talk at The Courtauld Institute of Art in the Strand is free but registration is required through the link below.
For more information visit the website of The Courtauld Institute of Art
Event date: Saturday 5 March 2016, 9:15am – 6:30pm
The Courtauld Institute is running a day-long conference next month on eighteenth-century textile design. Although not strictly within the remit of ‘Asian textiles’, there is no doubt that European textile design in the eighteenth century owes a lot to oriental influences, and so I expect this will appeal to a number of OATG members. This conference is organised by Lesley Miller of the V&A Museum, and speakers include Giorgio Riello (Warwick University) and Maximilien Durand (Director of the Musée des tissus et des arts décoratifs de Lyon).
Joubert de la Hiberderie’s Le Dessinateur d’étoffes d’or, d’argent, et de soie (1765) was the first book to be published on textile design in Europe. In preparation for the publication of an English translation and critical edition of the text, this one-day conference will analyse, critique and contextualise Le dessinateur in the light of its themes: production, design, technology, education, botany and art. Joubert’s manual argues for both a liberal and a technological education for the ideal designer. Such a person must, he argues, have detailed knowledge of the materials, technologies and traditions of patterned silk in order successfully to propose new designs; he or she must also have taste and an eye for beauty, which call, he says, for travel in order to see both the beauties of nature and those of art gathered in the gardens and galleries of Paris and the île de France.
For more information, visit the website of the Courtauld Institute, London.