Event: The Seven Thousand Year Conversation – Tracing Ancestry through Weaving Traditions in the Asia Pacific Region

 

A weaver in Bubu village, Solor, Indonesia, weaving warp ikat cloth for a tubeskirt. Copyright Chris Buckley

Event date: 9 February 2019, 10:00am

OATG member Chris Buckley will give an illustrated talk on the migration of Austronesians from mainland Asia via Taiwan and across the Pacific and Indian Oceans.

According to the website of the Textile Arts Council these Austronesians “carried with them a suite of textile techniques that originated on the Asian mainland in the Neolithic period, including yarn preparation, a distinctive body-tensioned loom and the warp ikat technique.

The story told by the distribution of weaving techniques and textile motifs across the Pacific confirms the broad outline discovered by linguists, but it also provides new evidence that the migratory story was not as simple as has been previously supposed. In particular it shows that the “out of Taiwan” story told by linguists is only partly true. Characteristic Austronesian weaving techniques, including the loom and tubeskirt, do not appear to have originated on Taiwan, the supposed homeland of the Austronesian peoples, but seem to have come directly from the Asian mainland. Chris will present evidence for this and discuss the reasons why mainland-derived weaving techniques were important to early migrants.”

Chris will be showing a variety of textiles, particularly ikat weavings, to support these ideas. He will also use a selection of his many photographs of weavers and weaving from the islands of Indonesia.

A thorough discussion of this subject, with excellent maps and illustrations, can be found in a paper written by Chris Buckley and Eric Boudot in 2017.  The evolution of an ancient technology is available through the  Royal Society Open Science website here  4: 170208. http://dx.doi.org/10.1098/rsos.170208

Location: Koret Auditorium,  de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco CA 94118.

Please note: Following this lecture the Twelfth Annual Caroline and H. McCoy Jones Memorial lecture
will be given at 1pm, also in the Koret Auditorium. The subject of this lecture by Anna Beselin is Knots, Art and History – Shifting Perspectives and Perceptions within the Berlin Carpet Collection.

 

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Event: Following The Flow Of Indigo In Africa

Event date: Saturday, November 10, 2018, 10am

For those who crave indigo, a journey to Africa is recommended. This virtual tour, presented by Pamela McClusky, shows how indigo has been adapted to multiple uses across many countries, revealing where this dye has had a pronounced impact.

The journey starts in ancient Egypt, to see a kerchief used by King Tutankhamun that retains the deep hue of a majestic aesthetic. Moving southwest, it follows the path of camels to the Tuareg, or the Blue People, as their clothes and skin are saturated with indigo. From there, a caravan leads to Kano, Nigeria which is renowned for its distinctive dedication to dye pits that are hundreds of years old and still in active use today. Moving south to Abeokuta the unique transformation of white cloth shipped to Nigeria by British colonists is investigated. How the women of this city invented a flourishing vocabulary of designs filled with proverbs, symbols and meanings is an epic chapter of textile history in the 20th century.

For more information visit the website of the Textile Arts Council

Event location: Koret Auditorium, de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco CA 94118

 

Event: Empowering Fabrics – Aboriginal Screen-printed textiles from Australia’s Top End

 

 

Event date: Saturday 20 October 2018, 10am

This lecture by Joanna Barrkman will explore the phenomenon of how artists in remote Aboriginal Australian communities have embraced screen-printing on textiles as a contemporary art practice as they work in locally owned and operated art centres on their traditional lands. Each art centre has developed its own style of printed fabrics as well as distinctive approaches to printed fabric production and distribution. This lecture will convey how, over the past three decades, Indigenous Australian artists have taken command of textile printing designs and technology to a point of mastery. This mastery of technique empowers artists and printers to confidently retell, transmit, revitalise and share ancient iconography, knowledge and connection to land, in contemporary and inventive ways.

The screen-printed textiles featured in this presentation originate from five art centres and demonstrate the resilience of Aboriginal Australian culture and the perseverance of Indigenous artists as they create extraordinary textile art in often harsh and remote environments using the simplest of facilities. Examples of printed textiles from public and private collections will be featured.

Location: Koret Auditorium, de Young Museum, San Francisco

For further details visit the website of the Textile Arts Council