Exhibition dates: opens 30 August 2016
For centuries, people all over Europe have been decorating their clothing with what are often highly intricate forms of ornamental needlework. The Textile Research Centre (TRC) in the Netherlands is therefore very pleased about their recent acquisition of about sixty embroidered Hungarian garments and over 1,400 items of European regional dress, many of which are embroidered. The TRC now has one of the largest collections of traditional European clothing in Europe. Over the next few years they plan to highlight various aspects of this stunning array of European material culture, in both actual and digital exhibitions.
To celebrate the recent acquisitions, and to draw attention to regional European decorative needlework, the latest TRC gallery exhibition – opening today – will show needlework from many parts of Europe. The exhibition includes a wide variety of colourful, subtle, marvellous outfits and individual garments, as well as many women’s lace and embroidered caps. They derive from all over Europe, including the Czech Republic, Denmark, France, Germany, Hungary, Italy, Norway, Poland, Sweden, and of course the Netherlands, to name just a few countries. Emphasis is laid on the many different forms and techniques of decoration that have been used, and which are often still used by people all over Europe in order to indicate their region’s particular character.
For more information, visit the website of the Textile Research Centre, Leiden, Netherlands.
Event date: Saturday 5 March 2016, 9:15am – 6:30pm
The Courtauld Institute is running a day-long conference next month on eighteenth-century textile design. Although not strictly within the remit of ‘Asian textiles’, there is no doubt that European textile design in the eighteenth century owes a lot to oriental influences, and so I expect this will appeal to a number of OATG members. This conference is organised by Lesley Miller of the V&A Museum, and speakers include Giorgio Riello (Warwick University) and Maximilien Durand (Director of the Musée des tissus et des arts décoratifs de Lyon).
Joubert de la Hiberderie’s Le Dessinateur d’étoffes d’or, d’argent, et de soie (1765) was the first book to be published on textile design in Europe. In preparation for the publication of an English translation and critical edition of the text, this one-day conference will analyse, critique and contextualise Le dessinateur in the light of its themes: production, design, technology, education, botany and art. Joubert’s manual argues for both a liberal and a technological education for the ideal designer. Such a person must, he argues, have detailed knowledge of the materials, technologies and traditions of patterned silk in order successfully to propose new designs; he or she must also have taste and an eye for beauty, which call, he says, for travel in order to see both the beauties of nature and those of art gathered in the gardens and galleries of Paris and the île de France.
For more information, visit the website of the Courtauld Institute, London.