There are lots of exciting events happening in April – including many in-person rather than on Zoom. I’m therefore splitting them across two blogs.
A new exhibition opens at the Fashion and Textile Museum, London, this Friday 1 April 2022. It is entitled 150 Years of the Royal School of Needlework: Crown to Catwalk, and examines one of the UK’s oldest applied arts organisations.
“In 1872, the Royal School of Needlework (RSN) was founded on two key principles – the first, the preservation of hand embroidery as an art form and the second, the support of women’s independence through work” The exhibition “will explore this historic organisation’s contribution to the world of embroidery. The exhibition will present collaborations with the great names of the Arts and Crafts movement, commissions produced for the British royal family, contemporary works created for top, international designers and pieces by the RSN’s talented students.” – FTM website.
This exhibition runs until 4 September and you can book tickets here. An illustrated talk by the curators, discussing some of the key pieces will take place online on 1 April at 13:00 BST. Tickets cost £7.50 and can be booked by emailing the museum.
Excited to see that the World Textile Day team will be starting their events again this week. Their first venue is at East Horsley near Leatherhead, Surrey on Saturday 2 April 2022. Doors open at 10am and I would strongly advise you to get there early. The market place event is free, however there is a charge of £5 for entry to the talk, which is at 11am. The speaker this time will be Ian Rutherford and the topic Palestinian Dress & Costume. For more information on participating dealers and the venue please click here.
Nine dealers will be participating, including OATG members Chris and Angela Legge. Their exhibition is entitled Tribal Weavings: Bags, Rugs and Carpets from Iran and Central Asia. They will be showing original artefacts, woven by tribal and village women for use in their homes, tents and on migration, and as symbols of identity and status on important occasions such as weddings.
Their Oxford gallery will be open from 2 April through to 9 April, 9.30 am – 5 pm on weekdays and 11 am – 4 pm on the Sunday.
The Pitt Rivers Museum in Oxford is running one-day weaving workshops led by Susan Foulkes, the author of several books on band and braid weaving, on Friday 8 April and Saturday 9 April.
Participants will learn how to make a tubular filled cord using a weaving disc and a backstrap loom. These types of cords were previously used in Indonesia as lamp wicks, but their use has since died out. For more information and booking instructions please click here.
Saturday 9 April sees the World Textile Day team in the East of England at Mundford, near Thetford. Entry to the exhibition and market place is free, and there is a small charge for the talks. The main talk – From Java to West Africa: Travelling Textiles – is at 11am, followed by two short talks in the afternoon. Full details here.
First a quick reminder of a couple of events taking place this week.
The next online meeting of the Hajji Baba Club of New York will be this Wednesday 8 December. Dr Mariachiara Gasparini will talk on the subject From Wool to Silk and Back: Development and Evolution of the Eurasian Roundel Motif.
“In the 6th century, roundel motifs began to appear on wool and silk textiles in Chinese and Iranian territories. Through the spreading of Buddhism and Islam in the 8th century, textiles with beaded, lobed, and flowery roundels spread across Eurasia; they have been found in Christian Cathedral treasuries, Egyptian and Japanese repositories, and various archaeological sites. Often used as money by the Chinese, these textiles mainly crossed the borders of empires and kingdoms as diplomatic gifts.”
The talk begins at 18:00 EST, which is 23:00 GMT and is free, but you do need to register for it.
This Thursday 9 December the Fashion and Textile Museum, London, will host another online talk, this time with Victoria Finlay, the author of Fabric: The Hidden History of the Material World. Victoria looks at how stories of our “relationship with cloth are woven in with questions of how and why people through the ages have made it, worn it, invented it, made symbols out of it, and sometimes why they have fought for it.”
Beating tree bark in Papua and attempting to spin cotton in Guatemala are just two of the textile-related experiences Victoria has had, so this should be an enjoyable talk.
Click here to find out more and to book for this talk which begins at 18:00 GMT.
I mentioned in a previous blog that I had really enjoyed an online talk by Jago Cooper and Cecilia Pardo-Grau, the curators of the current British Museum exhibition Peru: a journey in time. This free talk is being repeated on Thursday 9 December 2021 at 18:15 GMT. Click here for more details.
In early November I blogged about a talk organised by the Korean Cultural Society of Boston. The speaker was Dr Minjee Kim and the subject was Han-bok: Dress of Korean Identity. The KCSB website explained that this talk “will shed light on the inception of the term “hanbok” and the composition of the ensembles for men and women, and its constant transformation in the context of modern Korean fashion history. Then it will overview contemporary hanbok ensembles for new-born babies, children, young and middle age adults, as well as weddings, burials, and funerals.”
Unfortunately the talk began at 23:30 GMT so wasn’t ideal for our UK members. However the recording of this talk is now available here.
Saturday 11 December is a busy one for textile lovers, with at least three talks that I know of. The first is by Roger Pratt as part of the Textile Museum’s regular Rug and Textile Appreciation Mornings. His subject is Hats of the Silk Road. “In this virtual trek along the Silk Road, collector Roger Pratt will show images and discuss examples of a variety of hats from his personal holdings. These include Turkmen hats, Turkmen Tekke hats, Central Asian non-Turkmen hats, Persian conical Dervish hats, Central Asian longtail hats, inscribed religious hats and Ottoman Syrian Aleppo hats. The hats were first displayed in 2018 at the International Conference on Oriental Carpets XIV in Washington, D.C.” – Textile Museum website
The talk begins at 11:00 EST, which is 16:00 GMT and you can register for it here.
Later the same day is the second in a two-part webinar hosted by the New England Rug Society. Unfortunately I forgot to enter the first part, which was on 4 December, in my blog diary – sorry about that. Jim Burns is the author of several books including The Caucasus: Tradition in Weaving and Antique Rugs of Kurdistan. His talk is entitled Caucasian Rugs: Six Decades of Perspective on Design and Taste. He will discuss examples of weavings from the Caucasus from the sixteenth to the nineteenth century. The talk begins at 13:00 Eastern Time, which is 18:00 GMT and you can register for it here.
Also on Saturday 11 December the China Society of Southern California will host a talk by Dr David Hugus on the subject of Chinese Rank Badges. This will be the first in a series of three talks on this subject by David, the author of Chinese Rank Badges: Symbols of Power, Wealth and Intellect in the Ming and Qing Dynasties. These badges were officially worn from 1391 to 1911, and thus illustrate the textile art of China over a span of 600 years. This first talk will focus on identifying the birds and animals that represent the nine civilian and military ranks of the Qing Dynasty. The talk is at 18:00 PST, which is great for our US members, but not for our UK ones as that is 02:00 GMT. Click here to register.
On Wednesday 15 December Jennifer Swope, co-curator of the current exhibition at the Museum of Fine Arts, Boston, will give a talk about Fabric of a Nation: American Quilt Stories. “Spanning more than 300 years, the 50 plus quilts featured in this groundbreaking exhibition express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion. Hear from the curator as she discusses the diverse stories of the American experience told by these artists and makers, from Harriet Powers to Bisa Butler.”
Click here to register for this free webinar, which begins at 14:00 Eastern Time – 19:00 GMT.
Finally OATG members will be delighted to hear that our Website Manager Aimée Payton, has completed her overhaul of the membership section. It’s been a lot of hard work, but I’m sure you will agree it was worth it. Simply go to our website and click on Membership and then Members’ Resources. You will then be asked to enter the current password and will find everything you need in one place – recordings of past talks, recent copies of Asian Textiles etc., plus a new section of Members Profiles – more on that later…..
First a reminder that this Thursday, 26 August 2021, the OATG will host a talk by Dr Dorothy Armstrong, the new May Beattie Visiting Fellow in Carpet Studies at the Ashmolean Museum, Oxford. The talk is entitled Mrs Beattie and Mr Getty: A Carpet Controversy.
In 1969, May Beattie, a British carpet scholar with no academic affiliation, working from her home in Sheffield, was invited by John Paul Getty, one of the world’s richest men, to catalogue his growing collection of carpets. In the following months, the two strong personalities went head-to-head over their provenance. This quarrel had a direct effect on the collecting practices of what became the world’s richest arts institution, The Getty Foundation, and has left open questions about a set of Persian and Indo-Persian carpets. It’s a revealing episode of the interaction of scholarly challenge and market practices around a set of beautiful and luxurious carpets. Dr Armstrong will talk about some of the difficulties faced in answering the questions posed in the slide below, and the particular line that May Beattie took regarding John Paul Getty’s carpet.
This talk begins at 1830 BST and is free for OATG members, and just £3 for non-members. Click here to register for the few remaining place.
On Thursday 2 September 2021 the Fashion and Textile Museum will have another online event related to their current Chintz: Cotton in Bloom exhibition. Their Collections Officer, Gill Cochrane, will “share the secrets hidden within these garments and explore how chintz was used – and re-used – in garment construction in 18th and early 19th centuries. This is a unique opportunity to learn what happens ‘behind the seams’ of a costume exhibition and discover some of the most beautiful fabrics and well-constructed garments of the period.” – FTM.
The talk starts at 18:00 BST and costs just £5. Please click here for more details and to register.
On Saturday 4 September 2021 at 16:00 BST there will be a live online talk by Michael Franses, on carpets from the Orient Stars Collection. This talk is hosted by the Textile Museum, in association with the New England Rug Society and the New York-based Hajji Baba Club. You are strongly advised to watch this very professionally produced one hour video, introducing some of these pieces set out as a virtual exhibition, before attending the online talk. There will be a Q andA session after the talk. For further details and registration please click here.
Also taking place on 4 September 2021 is World Textile Day Wales, which I highlighted in my previous blog. Here is the list of traders:-
Magie and Bob of The African Fabric Shop with fabrics, baskets and beads from all over Africa. Diane and Jim of Textile Traders with batik, ikat, indigo and hemp fabrics, silver hilltribe jewellery and clothes. Susan and Glyn from Susan Briscoe Designs with a huge selection of sashiko, boro and kimono fabrics from Japan. Bronwen of Fabazaar with textiles and clothes from India and Nepal. Tanya of The Running Stitches with kantha work blankets, throws, scarves and jackets from Northern India. Finally, internationally famous but local to Llani – hand knitter Sasha Kagan will be there with her knitting designs and finished pieces.
On 11 September 2021 the World Textile Day team move up to the Bridge of Allan in Scotland for their next event. This will run from 10:00 until 16:00 – but be sure to get there early to get the best selection!
The Zay Initiative aims to “promote an understanding of regional culture, and preserve, collect, document, and conserve Arab historic dress and adornment”. One of the ways they are doing this is through a series of talks called Dialogue on the Art of Arab Fashion. The next in this series takes place on Tuesday 7 September 2021 at 17:00 BST. The Founder of the Zay Initiative, Dr Reem El Mutwali will be in conversation with Shila Desai of EYHO Tours, looking at the tie-dyed head coverings worn by women in Kutch, India. “In the traditional societies of Kutch, tie-dyed head coverings play an important role in every aspect of a woman’s life. They provide protection from the elements, create identity, signify status, express joy or sorrow, and denote inter-religious relations. Over many generations, Kutchi Muslim and Hindu communities have shared a common culture in this harsh desert land and regularly interact with each other. By looking at the ubiquitous odhani, or head covering, this conversation will shed new light on both the intra- and inter-social relationships in these distinct communities. ” – Zay Initiative.
You can register for this event here. Registration will also give you access to a recorded version of this event, so you can watch it at your leisure.
PLEASE NOTE Subscribers who usually read this blog via their email may need to click on the blue title to access it through our WordPress site instead to enable them to watch the video.
There is just so much going on in the textile world at the moment, that this will therefore be quite a long blog,,,,,
OATG member Lesley Pullen is the author of a new book examining the way textiles were presented on eighth to fifteenth century Javanese sculptures. “The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.” Patterned Splendour has a large number of detailed illustrations, which should provide an invaluable resource for the reader.
A new display was revealed at the Fashion and Textiles Gallery of the Asian Civilisations Museum in Singapore on 5 April 2021. It is based around the theme Fashionable in Asia and a good overview of the themes covered and some of the textiles on show can be found here.
According to the museum’s website “Early fashion theorists excluded the non-Western world. They saw dress of “uncivilised” people outside of urban Europe as static and unchanging, hobbled by tradition. Seeking to challenge Eurocentric misconceptions, with the latest display in the Fashion and Textiles gallery, we re-centre on Southeast Asia, where indigenous fashions moved at their own pace and with their own standards – but were no less fashionable!”
The 2020 Textile Society of America Symposium Hidden Stories/Human Lives had, of necessity, to be held online. The advantage of this virtual format is that the TSA were able to record many of the sessions. Those recordings have now been made available. The subjects are incredibly varied – the silk flower industry in Mexico, inscribed textiles from Egyptian burial grounds, the white Haku of Peru, Hmong dress in China and the ‘Mamluk’ quilt cover, to name just a few. There are over seventeen hours of recordings – enough to satisfy even the most devoted textilian! The easiest way to work out which parts may be of most interest to you is to go to the pdf of the full programme here. The programme is listed on pages 19-27, followed by the abstracts for each paper. Simply identify the talks of interest to you and which session they were part of. For example “Materials and Making of Ṭirāz Textiles” was the third paper in session 2A. This should help when deciding which recordings to watch first.
Next Thursday, 6 May 2021, Dr Moya Carey (Curator of Islamic Collections at the Chester Beatty Library in Dublin) will be the speaker for an online event hosted by the Hajji Baba Club of New York. The title of her presentation is Safavid Dynastic Vision: Shah Tahmasp’s Commission of the Ardabil Carpets. The pair of Ardabil carpets were woven for the Safavid dynastic shrine in northwestern Iran. Today they are celebrated as masterpieces of sixteenth-century design and technique,. One of the pair is in the V & A Museum and the other is in the Los Angeles County Museum of Art. “Remembered together, the pair offer a rich context for Safavid Shah Tahmasp’s visionary intentions, for himself and for his dynasty’s sacred tomb complex in Ardabil, northwestern Iran. This talk examines Iran’s political conditions in the year 946H (1539-40, the date woven into each carpet), and the likely dynastic significance of the two hanging lamps that form each carpet’s central axis.” – Hajji Baba website. The talk begins at 11:00 EDT, which is 16:00 BST. To attend the meeting please compete the RSVP here.
On 8 May 2021 a new exhibition entitled The Spirit Wraps Around You: Northern Northwest Coast Native Textiles opens at the Alaska State Museum in Juneau, Alaska. “This exhibit traces the history of the sacred textiles known today as “Ravens Tail” and “Chilkat” robes. Two dozen robes will carry the story of Native weaving among the Tsimshian, Haida, and Tlingit of Alaska and British Columbia, representing both ancient and modern ceremonial robes made by Alaska Natives and First Nations. Woven from the plush white fur of mountain goats, these robes were seen by early Euroamerican visitors to the northern Northwest Coast when they contacted First Nations and Alaska Native people. Their use was confined to sacred ceremonies, where dancers wore them to display the crests of their clans. Robes were also used as diplomatic gifts to other clans and tribes. In the 1900s, only a few weavers carried these unique tradition into the 21st century.” – museum website. The website mentions a couple of lectures. I have checked with the museum and there will be limited attendance with online registration opening soon. The good news is that they also informed me the lectures will be recorded. More information when I have it!
The next OATG talk will take place on Thursday 13 May 2021 at 18:30 BST. The speaker will be Dr Francesca Leoni, Assistant Keeper and Curator of Islamic Art at the Ashmolean Museum in Oxford. The subject will be Drawing with Silk: Greek Island Embroideries in the Ashmolean Museum. This talk will explore the visual richness and technical sophistication of 18th- and 19th century Greek embroideries, as well as their debt to the many artistic traditions that flourished around the Mediterranean. It is based on the exhibition Mediterranean Threads – Greek Embroideries 1700 – 1900 AD, which Dr Leoni curated. An online interactive version of the exhibition is available here.
Dr Leoni has also written a very interesting article for HALI, explaining how a discovery in the Ashmolean Museum’s archives threw fresh light on an important area of British textile collecting – the acquisition of Greek island embroideries – and led to a new exhibition and catalogue.
OATG members should now have received their invitation to this talk, but still need to register for it. It is also open to non-members for a small donation. Click here for more details.
On Saturday 15 May 2021 Andrea Rusnock will give an online talk on Russian Folk Embroidery, hosted by the San Francisco School of Needlework and Design. Andrea is a Professor of Art History and will be discussing “Russian embroidery at the end of the Imperial period, when middle-class women increasingly created their own needlework, aided by a proliferation in pattern books, and, at the same time, there was a renewed interest in folk embroidery.” This talk takes place at 10:00 PDT, which is 18:00 BST, and you can register for it here.
The Chintz: Cotton in Bloom exhibition at the Fashion and Textile Museum, London is due to open on 18 May 2021 subject to government guidelines. This exhibition has been organised by the Fries Museum, Leeuwarden, The Netherlands, where a version of it was on display in 2017. “
The complicated technical craftsmanship required to fix bright dyes to cotton, devised across centuries and using complex chemical formulae, meant that for many years Chintz was a closely guarded secret, or preserve of the elite. However, by the 18th century chintz had become more widely accessible. The lightweight, washable, gaily coloured and boldly patterned cottons eventually became a sensation throughout England and across Europe. These developments resulted in the intricate, colourful flowers of chintz fabric being cherished and preserved by generations.
Chintz: Cotton in Bloom showcases some 150 examples of this treasured textile, originating from all around the world; from mittens to wall hangings and from extravagant 18th-century sun hats to stylish mourning dresses.” – FIT website. For more details and booking please click here. You may also enjoy reading this short blog about chintz by Emma Sweeney.
The buteh/boteh motif often appears on chintz, so I thought it was worth sharing the link to this talk by Gillian Vogelsang-Eastwood of the Textile Research Centre, Leiden. Many thanks to Cheri Hunter of the TMA/SC for this information. Gillian recently did a Zoom lecture for the Fowler Textile Council, examining the global history of the paisley pattern. The recording of this talk can be viewed here. If you want to know more about this motif it is also well worth visiting the website of the TRC Leiden, which has an excellent online exhibition on the subject.
Those with an interest in early textiles will want to sign up for this talk, Cotton & Colour: A Deep History of Indus Valley Textiles, hosted by the Royal Ontario Museum on 18 May 2021 at 16:00 EDT, which is 21:00 BST. From the earliest evidence of cotton (7,000 BCE) to the importance of fibre arts in the emergence of early urban centres, ROM botanist Deborah Metsger and archaeologist J. Mark Kenoyer will explore the rich and diverse history of textiles in the early settlements of the Indian subcontinent. Click here for more details and to register.
The British Museum exhibition Arctic: Culture and Climate has now ended, but the good news is that the museum have now made a virtual tour of it available. You can take your own route, or go to specific sections – the parka above is from the ‘weather proofing’ section. Clicking on the lower case ‘i’ gives additional information. Highly recommended!
Finally, readers will know from my previous blogs of the devastating impact Cyclone Seroja had on the tiny eastern Indonesian island of Savu. I know some of you contributed to the appeal for help, and thought you would like to see that the first load of roofing material has now arrived. This had to be transported ashore by small boats as the jetty is still blocked by a capsized ferry. If you would like to help please go to the Tracing Patterns Foundation website and ensure you click Meet the Makers – Tewuni Rai as the destination for your donation.
OATG member Maria Wronska Friend has just informed me of a two-day online workshop taking place next week, on 11 and 12 March 2021. The subject of the workshop is Dutch Textiles in Global History: Interconnections of Trade, Design, and Labour, 1600-2000.
This free event is jointly organised by the University of Utrecht, Hosei University, Tokyo and Ritsumeikan University, Kyoto and will take place via Zoom. An overview of the programme is available here, and abstracts of the papers can be viewed here. If you would like to attend the workshop please fill in this contact form.
One of the papers that intrigues me is on the subject of Dutch Textile Designs and Japanese African Prints, 1950s-1980s. In it the author, Aya Ueda, looks at the intricate relationships between Dutch textiles and Japanese African prints, focussing on the Dutch company Vlisco and the Japanese company Daido-Maruta.
Several of the papers in this workshop look at different aspects of the printed cloth trade in Japan. Indian chintz that arrived in Japan was known as sarasa. Not surprisingly Japanese craftsmen began to copy these textiles, but in their own unique way. I found this article by the Art Research center, Ritsumeiken University, gave a useful overview.
In 2019 the Kyushu National Museum held an exhibition entitled Sarasa – Exuberant cotton fabrics with vibrant foils and flowers; Masterpieces from the Museum Collection. Although the exhibition has long since ended, this section of their website still gives an overview and shows images of some of the textiles which were exhibited.
At the moment museums in the UK are still closed due to government guidelines. However they will hopefully reopen in mid-May, when we will have a lot to look forward to. This includes the Chintz: Cotton in Bloom exhibition at the Fashion and Textile Museum in London. I will of course add details in this blog when dates are confirmed.
The Field Museum in Chicago currently has an exhibition celebrating the Apsáalooke people. On until 18 July 2021, Apsáalooke Women and Warriorshighlights examples of beadwork, textiles, shields and more from these people of the Northern Plains, who were also known as the Crow. The work of several contemporary Apsáalookeartists is also on show. I found the video of Elias Not Afraid creating a beadwork bag fascinating.
The Art Gallery of South Australia in Adelaide is also currently open to the public. They are hosting an excellent exhibition showcasing the warrior culture of the Japanese Samurai.
“From the austerity of lacquer and tea bowls to the opulence of golden screens and armour, this exhibition demonstrates how the ethos and tastes of the Samurai (a military elite whose name means ‘one who serves’) permeated every aspect of Japanese art and culture from the thirteenth to the nineteenth centuries.” – AGSA website.
This set of armour is definitely one of the highlights of the Samuraiexhibition, which ends on 28 March 2021. It dates to 1699 and is made from iron, copper, gold leaf, wood, silk, cotton, leather and animal fur. The date can be ascribed so precisely as it is written on the inscription on this wonderful breastplate.
The final exhibition is one we can all ‘visit’ as it is a virtual one. Entitled Socks: Between You and Your Feet it takes a look at an item of clothing we probably don’t pay much attention to, but would miss if it wasn’t there.
The Spring issue of Asian Textiles is currently at the printers and should be with members shortly. It includes two major articles – Persian gardens, qanats and the Wagner Carpet (Katherine Swift) and The dress and textile art of the Australian Hmong (Maria Wronska-Friend) – as well as the regular My favourite… feature, book reviews and the minutes of our recent AGM.
Don’t forget that our next OATG lecture will be on 20 March when Geneviève Duggan will talk on People without history in eastern Indonesia, powerful or powerless? There are only a few spaces remaining so if you want to attend don’t delay in reserving one here!
On 22 April Anna Jackson from the V&A will talk about the Kimono: Kyoto to Catwalk exhibition she curated last year which sadly we were unable to visit at the time. Registration will open four weeks before the talk for members and one week later for non-members. Talks are recorded and are available in the member password-protected area of our website.
Finally a plea to members and non-members alike. Many of you have said how useful you have found this blog. However there is a limit to how many talks and exhibitions I am aware of. If you do know of anything that you feel could be included here please email me.
Today’s blog focusses on two exhibitions featuring textiles from South and Central America.
Exhibition dates: 21 June – 8 September 2019
A proto-Nazca culture tapestry. Photo courtesy of Paul Hughes Fine Art.
The first of these is Weavers of the Clouds: Textile Arts of Peru which recently opened at the Fashion and Textile Museum in London. This exhibition has traditional textiles on one floor and those by contemporary designers on another. Running alongside the main exhibition is a display entitled A Thread: Contemporary Art of Peru, which showcases the work of seventeen Peruvian artists.
Hugh Thomson, the author of Cochineal Red, has written a very interesting article about this exhibition for The Design Edit. In it he stresses the importance textiles have always had in Peruvian culture and how when the “conquistadors arrived in 1532, they could not understand why so many Inca warehouses were stocked with textiles rather than gold or silver, which the indigenous people considered less valuable.” Among the many highlights of the exhibition are thirteen pieces from the British Museum, a hat which dates to 600 AD and a tunic made of macaw feathers.
Some of the pieces from Peruvian artists such as Meche Correa and Chiara Macchievello are simply stunning, with intricate embroidery and weaving techniques. A dress that was inspired by Peruvian designs, but was actually part of a Vivienne Westwood collection, also features.
For full details of opening hours and how to book visit the website of the Fashion and Textile Museum.
Location: Fashion and Textile Museum. 83 Bermondsey Street, London SE1 3XF
Exhibition dates: 21 July – 13 October 2019
The second exhibition is on at the San Jose Museum of Quilts & Textiles and looks at Mayan Traje: A Tradition in Transition. This exhibition explores how the clothing of the Maya of Guatemala was once specific to each village, and how and why that is changing over time.
Rachael Myrow has written an article for KQED Arts giving more background to how this exhibition came about and the links to Mayan people who now call San Francisco their home. Many of the textiles on display come from private collections and date to the early twentieth century.
It’s going to be a busy week in London with the Handcrafted Heritage events celebrating Indian textiles at The Bhavan in West Kensington, which is the largest centre for classical Indian arts and culture outside of India. A free exhibition and sale will showcase heritage textiles including Benarasis, Patan Patolas, and Dhakai Jamdanis and vintage silver jewellery.
On Wednesday 26th and Saturday 29th June there will be a workshop devoted to patolas. The tutor for this workshop will be Shri Kanubhai Salvi, a master weaver and holder of the UNESCO Seal of Excellence Award. His family have been producing these double ikat textiles in Patan for many generations.
Photo courtesy of Patan Patola Heritage
Also on 26 June (but in the evening) there will be a screening of the fascinating documentary Legend of the Loom, which tells the story of Bengal muslin and how the trade in it flourished and then declined. The screening will be followed by a conversation session with its producer Saiful Islam. An excellent review of this film by Hannah Sayer can be found here.
21 June- 8 September 2019
Opening shortly at the Fashion and Textile Museum, London, is an exhibition entitled Weavers of the Clouds: Textile Arts of Peru. This exhibition ” explores the processes and practices of both historic and contemporary Peruvian costume via garments, textiles, photographs, tools, illustrations and paintings, dating from pre-Hispanic to present day.”
Photo courtesy of Fashion and Textile Museum
There will be a panel on the opening day discussing Peruvian Fashion with several of the designers whose work is featured in the exhibition along with its curator. Attendance at the panel is free with an exhibition ticket, but places must be booked as numbers are limited.
Contemporary designs by Mozhdeh Matin, who works with artisans and champions Peruvian textiles and techniques
24 – 30 June 2019
HALI London – this is a series of events to celebrate the 200th edition and 40th year of HALI. These include a fair with twenty of the best international dealers in attendance, a 6-day tour of Great British Collections, two symposia – each with twelve lectures, and a whole series of miscellaneous events. Full information can be found on their website. Please note that several of the events have already sold out – so act quickly if you want to book for those that are still available!
The exhibition at Francesca Galloway’s gallery entitled Textile Splendours From The East. “The gallery will present a plethora of textiles from Asia, including a magnificent Sogdian costume, a delicate Ming period needle loop embroidery, Indian chintzes for domestic and export markets, as well as textiles made for spiritual pursuits.”
One of the items featured in Francesca Galloway’s exhibition
The other event that really stands out (of those that are not already sold out) is the visit to the Karun Thakar Collection. Participants will go to Karun’s private residence where they will be able to view his extraordinary collection. This includes Asian textiles ranging from 14th century Indian Trade cloths to folk textiles and costumes from Central Asia, Japan, Bhutan and Afghanistan; African textiles—predominantly narrow loom weavings from Ghana, Nigeria and other West African countries, plus North African embroideries, veils and haiks from Morocco and Tunisia.(Information from Hali website). You can browse through images of some of his collection here.
Winter chuba from Western Tibet
15 June – 15 September 2019
Finally a new exhibition has just opened at the Asian Civilisations Museum in Singapore. Guo Pei: Chinese Art and Couture showcases twenty pieces from the Museum’s own collection along with twenty nine pieces created by the designer.
Image courtesy of the Asian Civilisations Museum.
Curator led tours will be held on 26 June, 31 July and 28 August and can be booked via the museum website. Steven G. Alpert has pulled together a huge amount of information about this exhibition on his excellent website Art of the Ancestors. It has stunning images and information on the links with the Peranakan – the golden bridal dress is simply a work of art! It seems pointless for me to attempt to replicate Steven’s piece so instead I simply recommend you click here to read it.
Explore the work of designer and artist Josef Frank (1885–1967) in the first-ever UK exhibition of his textiles. The Austrian-born architect moved to Sweden in 1933, where he developed his colourful brand of modernism, working with Estrid Ericson on furniture, glassware, lighting and interior design ideas. Together they redefined what is regarded as Swedish Modern. This exhibition in association with Millesgården, Stockholm highlights Frank’s vibrant fabric designs for Svenskt Tenn alongside a number of his previously unknown watercolours.
While this isn’t Asian, by any stretch of the imagination, I saw an exhibition of Josef Frank’s work in Vienna this time last year (possibly the very same one), and I can highly recommend it.
Discover the origins of Liberty & Co. as an importer of exotic goods, and the company’s unique contribution to British art, craft and design. From Japanese silks to ‘Umritzur’ Cashmere and Hello Kitty print collaborations, textiles have been at the heart of Liberty’s success for over 140 years. Drawing on archive material, Dennis Nothdruft examines the key features and different styles of Liberty fashion and textiles, as they evolved.
Arthur Lasenby Liberty’s Oriental Bazaar opened on Regent Street in 1875, close to the current department store, in a building he named the East India House. Liberty’s original offering was imported fabric, and this rapidly expanded to include a variety of imported objects, mainly from Japan. Liberty was quick to anticipate demand for goods from other countries, and he travelled extensively in the Far East and North Africa to source high quality items to sell. Yet Liberty soon began to seek out manufacturers in the UK to produce designs sympathetic to the Liberty style and the influence of the East.
This highly-illustrated talk features illustrations from Liberty catalogues since the nineteenth century which show how the products and promotional styles of the company developed. Learn about the designers and manufacturers who worked with the company, and how their imaginative designs and high-quality production created some of the most beautiful and enduring textiles of the last 140 years.
This talk is free with entry to the exhibition ‘Liberty in Fashion’, currently showing at the Fashion and Textile Museum, London. Exhibition tickets: £9 adults / £7 concessions / £6 students
Numbers are limited for this event, please book early to avoid disappointment.