There is some good news and some bad news, for today’s Textile Tidbit. The bad news is that for this post I had actually wanted to share an event with you: an illustrated talk from Japanese artist Satoru Aoyama, about his medium and method, at the Institute of Contemporary Arts, London. But unfortunately it got booked up so fast that there’s now little point in doing so. However, I thought that readers might be interested in finding out about the work of this artist, and the good news is that I can still share something about Aoyama with you here in spite of the event being fully booked.
Building up layer upon layer of intricate coloured thread, Japanese contemporary artist Satoru Aoyama creates photo-realistic interpretations of his subject matter entirely constructed through the art of embroidery. Like pixels on a monitor, Aoyama reproduces modern media images through an assemblage of fine stitches to disguise his craft and any evidence that his efforts are handmade and thus tricking the eye. Aoyama explores and re-values craft art forms and technology rendered archaic in modern art with his highly original ideas and methods.
To see more examples of his work, visit the art blog Faith is Torment.
If you would like to register for the waiting list for tickets for this event anyway, it’s still possible to do so via Eventbrite, here. The talk is free to attend, but booking is essential. It will take place on Monday 25 April at 7pm, at the Institute of Contemporary Arts Studio, London. For more information, visit the website of the Japan Foundation, London.