Event date: Saturday 18 August 2018, 10am
Throughout history, textiles have always been one of the most valued components of international trade. Therefore, both individuals and states have sought to profit from this trade in both illegal and immoral ways. The problem of counterfeit products is not new, but was already an issue centuries ago, when British traders flooded the Venetian market with their products labelled “Made in Venice.” When cochineal was the most valuable product out of the New World, many pirates and traders sought to acquire cochineal and break the Spanish monopoly. The photo above shows strands from Persian rugs from Iran which had heroin woven into them.
This survey of illicit trade will discuss the abuses of the textile trade for both commercial and political objectives. Dr. Louise Shelley will reveal a largely unknown story of crime and often state-sponsored criminal trade. Dr Shelley is a University Professor at George Mason University, and Director of the Terrorism, Transnational Crime and Corruption Center (TraCCC), Washington, D.C. and a board member of the DC Hajji Baba Society.
This event is part of the regular programme of interesting talks hosted by the Textile Museum Associates of Southern California, Inc and will be held at
Luther Hall, Lower Level St. Bede’s Episcopal Church
3590 Grand View Blvd. Los Angeles, CA 90066-1904
This is just south of the 10 freeway, and west of the 405, near the intersection of Centinela and Palms and there is free parking. This event is free for members and $10 for non-members.
Exhibition dates: 17 September 2017 – 8 July 2018
Dating to the first half of the sixteenth century, LACMA’s two spectacular Persian carpets, both the gift of J. Paul Getty, have only rarely been exhibited due in part to their size and sensitivity to light. Now, these large and sumptuous carpets will be shown sequentially, affording visitors the opportunity to see two of the world’s most renowned Persian carpets and to learn of their fascinating history before and after they left Iran. The Ardabil carpet will be on view from 17 September 2017 – 19 February 2018, and the Coronation carpet will be exhibited from 24 February – 8 July 2018.
The large number of carpets surviving from sixteenth-century Iran compared to earlier periods reflects not only a high level of carpet production but also perhaps a change in the nature of their manufacture. During this period, carpet weaving evolved from a rural, nomadic craft to a national industry and an internationally acclaimed art form, as the first shahs of the Safavid dynasty (1501–1732) established royal factories in cities such as Tabriz, Kashan, Kirman and Isfahan. The two great Persian carpets presented here belong to this period of cultural, political and religious flowering.
For more information, visit the website of LACMA, Los Angeles, USA.
Event date: Monday 18 July 2016
Oxford Asian Textile Group have organised a show and tell evening in Oxford with Angela and Christopher Legge of tribal and village weavings from Iran and Central Asia. There are 15 places available for this event. If you would like to attend, please RSVP to firstname.lastname@example.org to confirm your place.
Location: Legge Carpets & Textiles, 25 Oakthorpe Road, Summertown, Oxford, OX2 7BD.
Time: Arrival from 7.15pm to start at 7.30pm.
Free for members, £3 for non-members.
For more information about Legge Carpets, please visit their website.
Exhibition dates: 26 July 2015 – 26 June 2016
The Cleveland Museum of Art has acquired a spectacular imperial tent created for Muhammad Shah, who ruled Iran from 1834–1848 during the Qajar dynasty. The interior of the round tent is lavishly decorated with inlaid brilliantly coloured woollen cloth embellished with silk thread embroidery. The tent is the centerpiece of a special focus exhibition in the museum’s Arlene M. and Arthur S. Textile Gallery, which began this week.
The tent retains its complete ceiling; seven of the original fourteen wall panels form a semicircle so that visitors can see and be surrounded by the ornate interior. Each wall panel is decorated with a single large vase of exuberant blossoms set between robust birds on a rocky mound under a niche with blossoming vines. The roof panels display similar birds flanking the base of two blossoming branches. The exterior, in contrast, is typically covered with a plain cotton cloth.
At Islamic courts, tents were symbols of royal power and wealth – pitched for imperial ceremonies, travel and military campaigns and presented as luxurious gifts. Wealthy dynasties owned thousands of tents in various sizes and shapes. The exhibition will not only be the first time the tent has been publicly displayed, it will also include portraits of the owner and royal family and images of courtly life that will give visitors a sense of the rich context in which tents like this were commissioned and used.
For more information, visit the website of the Cleveland Museum of Art, Ohio, USA.