Exhibition dates: 4 November 2017 – 22 April 2018
This exhibition at the Museum of East Asian Art (MEAA) in Bath, held in partnership with the British Museum, explores the intricate accessories worn by Japanese men during the Edo period (1615–1868). Netsuke are a form of miniature Japanese sculpture that were primarily functional, but that evolved into an important art form.
The exhibition features a selection of netsuke, chosen from over 2,300 in the British Museum’s collection, with more pieces added from MEAA’s collection to show the range and beauty of these objects and their excellent craftsmanship. Netsuke come in a variety of forms and materials such as wood, ivory and porcelain. The beauty of these objects is in their individuality, and is reflected in the variety of the netsuke on show: a goldfish, a Chinese boy holding a lion mask and a drum and fox’s mask (pictured above). Also on display will be a number of inro (cases for holding small objects), a sword and smoking accessories.
The exhibition places the netsuke and other objects in context with a sword and bespoke male kimono to demonstrate how they were worn as a complete outfit in the eighteenth century.
For more information, visit the website of the Museum of East Asian Art, Bath, UK.
Event date: Thursday 23 November, 4–6pm
With few young Japanese people choosing to wear the kimono, and fewer still choosing to buy one of these expensive traditional garments, the shops and craftspeople who sell and make kimonos are facing troubled times. Third-generation kimono shop owner Yoshihide Shibakawa is coming to St Cross College, Oxford, next week to deliver a special talk on his vision of the future of the kimono and what it means to be a retailer in the traditional industries in twenty-first century Japan. There will also be a chance to try on real Japanese kimonos in the second half of the event.
For more information, please contact St Cross DPhil student Julie Valk.
Exhibition dates: 22 February – 22 May 2017
Pieces from the collection of the famous Matsuzakaya fashion house are currently being exhibited for the first time outside of Japan, at the Musée Guimet in Paris. When shown together, they offer an opportunity to witness the evolution of Japanese fashion from the Edo period (1603–1868) up to the present day. The exhibition follows the development of the kimono and its accompanying accessories, in order to illustrate the position of women and the way in which women’s bodies are viewed in Japanese society, but also the ways in which these have been reinterpreted in contemporary Japanese and French fashion.
Originally worn as underclothing before being adopted by samurai and courtiers, and eventually becoming everyday wear for all social classes, the kimono, known as ‘kosode’ in the nineteenth century, is the signature item of Japanese dress. It wasn’t until the middle of the nineteenth century that kimonos were worn as indoor dress by elegant women in France, at a time when a taste for ‘japonism’ was in vogue with fashion designers such as Paul Poiret (1879–1944) or Madeleine Vionnet (1876–1975), whose diaphonous creations with flowing sleeves resemble the loose construction of kimonos.
For more information, visit the website of the Musée Guimet, Paris.
Exhibition dates: 10 July 2016 – 15 January 2017
The Baltimore Museum of Art presents an exquisite selection of late nineteenth- and mid-twentieth-century kimonos and obis that have never been shown before. Obi are wide sashes wrapped around the kimono wearer’s waist and tied in an ornate knot at the back. These stunning garments were made after the lifting of sumptuary laws during Japan’s Edo period (1603–1867), when commoners were forbidden to wear showy clothing with colours such as red or purple. The Meiji Era (1868–1912) coincided with increased prosperity as Japan entered the industrial age, and this newfound wealth was often expressed in lavish garments. Many of these kimonos displayed decorative motifs with symbols of the Imperial Court, especially those referring to the Heian Era (794–1185), considered Japan’s golden age, when the court was in its most powerful, refined and romantic period.
The centerpiece of the exhibition is a furisode long-sleeved early twentieth-century kimono that is yuzen-dyed and hand embellished with gold and silver leaf, gold and silver metallic paints and embroidery, and lined in red silk decorated with gold pigments. Six other kimonos, 8–10 obis, and related Japanese objects will also be displayed.
For more information, visit the website of the Baltimore Museum of Art, Baltimore, USA.