Exhibition dates: 17 April – 3 Sepember 2017
A partnership exhibition created between Chepstow Museum and the British Museum explores the origins, stories and meanings of woven silk temple textiles from seventeenth-century north-east India. A stunning example is from Monmouthshire Museums’ own collections – an elegant eighteenth-century gentleman’s dressing gown, its magnificent lining made from this rare group of Assamese textiles – only about twenty examples survive today.
They are known as Vrindavani Vastra, which means the cloth of Vrindavan, a forested region in north India where the Hindu god Krishna is believed to have lived as a young cowherd early in his eventful life. Dramatic scenes from Krishna’s life are woven into these vibrant strips of cloth. The same scenes feature in dance dramas performed with elaborate masks that are still distinctive to the region. Masks made by monks and textiles have been loaned by the British Museum, and two beautifully illustrated pages from the finest Assamese manuscript in the British Library are also in the exhibition. The scene is set with some stunning film made in Assam featuring the masked dramas in preparation and performance. (A Textile Society grant made the exhibition of the gentleman’s ‘banyan’ possible.)
This exhibition is taking place at Chepstow Museum, Chepstow, Monmouthshire, NP16 5EZ.
Open: Monday to Sunday, 11–4.
For more information, visit the website of Chepstow Museum.
Event dates: 8–9 July 2016
This two-day conference, to be held at the British Museum, will respond to the current exhibition in Room 91, Krishna in the Garden of Assam: The Cultural Context of an Indian Textile.
It will consider Assamese textiles, trade and contact through the Himalayas from north-east India to Tibet, and the performance traditions that connect the ancient Krishna-related textiles with modern Assamese culture. The conference will include an exhibition viewing and reception.
Among the speakers will be Rosemary Crill, speaking about Indian woven silks in Tibet.
Tickets are £20.
For more information, and to download the conference schedule or book a place, visit the website of the British Museum, London.
Exhibition dates: 21 January – 15 August 2016
Discover a little-known chapter of Indian history through the largest surviving example of an Assamese devotional textile, the ‘Vrindavani Vastra’.
The Vrindavani Vastra (literally ‘the cloth of Vrindavan’) was produced in Assam in north-eastern India sometime in the late seventeenth century. It is made of woven silk and figured with scenes from the life of the Hindu god Krishna during the time he lived in the forest of Vrindavan. It was made to be used in the Krishna cult which developed following the ministry of the Assamese saint Shankaradeva (d. 1568).
At over nine metres long, this Assamese textile is the largest of its type to survive. It is made up of twelve strips, all now sewn together. The Krishna scenes on the textile are from the tenth-century text the Bhagavata Purana, and are elaborated in the dramas of Shankaradeva. A verse from one of these is also woven into the textile, using immensely sophisticated weaving technology, now extinct in India. Following its use in Assam the textile had a second history in Tibet. It was found there by Perceval Landon during the Younghusband Expedition sent from British India to Lhasa in 1903–1904. Landon, a friend of Rudyard Kipling, was the correspondent from The Times on the expedition, and he gave the textile to the British Museum in 1905.
For more information, visit the website of the British Museum, London.