Exhibition dates: 14 April – 16 July 2017
Best known for her textiles, Lucienne Day (1917–2010) is recognised as a virtuoso pattern designer and colourist. Lucienne Day was also an enthusiastic gardener, and plant forms inspired many of her textile designs. This exhibition was opened as part of the nationwide Lucienne Day centenary celebrations.
The show is part of the Whitworth’s GROW project that promotes the benefits of engaging in horticultural activities to improve mental wellbeing. Groups and individuals within the local community who are experiencing social isolation or dealing with issues around mental health will work with Paula Day from the Robin and Lucienne Day Foundation to select works to display from the Whitworth’s extensive archive of Lucienne Day designs.
For more information, visit the website of the Whitworth Gallery, Manchester, UK.
Event date: Tuesday 9 May 2017, 6–8 pm
This talk will discuss the ingenious patterning systems that Tai weavers use, and will show how their influence has been felt from imperial Chinese silk workshops in the east to the development of computing in the west. It will be illustrated with outstanding Tai textiles from China, Vietnam, Laos and Thailand.
Chris Buckley was educated at Balliol and Wolfson Colleges in Oxford. He has spent the last two decades living in Asia, and now lives in Oxfordshire. He is the co-author of The Roots of Asian Weaving (Oxbow Books, 2015) with Eric Boudot.
Location: The Pauling Centre, 58a Banbury Road, Oxford OX2 6QS.
Admission is free for members, £3 for non-members.
For more information, and to register for your place, visit the Eventbrite page.
Exhibition dates: 28 January – 7 May 2017
Explore the work of designer and artist Josef Frank (1885–1967) in the first-ever UK exhibition of his textiles. The Austrian-born architect moved to Sweden in 1933, where he developed his colourful brand of modernism, working with Estrid Ericson on furniture, glassware, lighting and interior design ideas. Together they redefined what is regarded as Swedish Modern. This exhibition in association with Millesgården, Stockholm highlights Frank’s vibrant fabric designs for Svenskt Tenn alongside a number of his previously unknown watercolours.
While this isn’t Asian, by any stretch of the imagination, I saw an exhibition of Josef Frank’s work in Vienna this time last year (possibly the very same one), and I can highly recommend it.
For more information, visit the website of the Fashion and Textile Museum, London.
Exhibition dates: 21 October 2016 – 26 March 2017
In eastern Indonesia and Timor-Leste people wear hand-woven, decorative ikat cloths as a mark of prestige and to flaunt their taste for fashion at festive events. Ikat is a form of art in which the yarn is tied and dyed – the Indonesian term ‘ikat’ means ‘to tie’ – before weaving. Woven into the patterns are myths, rituals, recent historical events, imported motifs as well as new fashion trends. Ever since they began producing ikat, weavers have incorporated foreign influences. Relying on old pieces from the museum’s exceptional collections as well as new cloths, including contemporary interpretations by Ito Joyoatmojo and Susi Kramer, the exhibition Striking Patterns: Global Traces in Local Ikat Fashion illuminates the development of the tradition, illustrating how these highly skilled weavers have already long been part of the process of globalization.
Become enthralled by beautiful shoulder cloths, hip wraps and sarongs! This exhibition unfolds a sea of flowers. In particular, the Indian eight-pointed flower features in almost endless variations, accompanied by a rain of European roses. Animals populate the cloths, just as tourists do. We also find Catholic motifs in the shape of crucifixes and angels, while synthetic yarns and bright
colours lend some of the exhibits a radiant touch of modern fashion.
This exhibition is accompanied by a catalogue, published in German and English.
For more information, visit the website of the Museum der Kulturen, Basel, Switzerland.
Exhibition dates: open until 18 September 2016
This installation at the Metropolitan Museum, New York, drawn entirely from the permanent collection of the Met and ranging from the fourth century BC to today, explores multifaceted depictions of nature in Korean art. The display shows how select motifs, especially plants and animals, have been illustrated on ceramics, painting, sculpture, lacquer and textiles, and what they mean. Some types of images and symbols are nearly universal across East Asia; others are specific to Korea. One section of the exhibit demonstrates a Korean penchant for abstraction and for amplifying the qualities of natural materials or distilling form and colour.
For more information, visit the website of the Metropolitan Museum of Art, New York, USA.