Exhibition: Sanquhar Gloves – A Living Scottish Tradition

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Exhibition dates: this is an online exhibition, available to view indefinitely

The Center for Knit and Crochet (CKC), based in Wisconsin, USA, have produced a great online exhibition exploring the Scottish tradition of Sanquhar gloves.

Sanquhar gloves are a distinctive fashion accessory from the small Scottish town of the same name. Sanquhar, Scotland is located about 60 miles southwest of Edinburgh and 50 miles southeast of Glasgow. The gloves historically associated with this community are hand-knitted in fine wool yarns in two colours that emphasise the delicacy and precision of the small all-over patterns preferred by the knitters of Sanquhar.

Structure of the exhibition:

  • We begin with a definition of Sanquhar gloves, including their patterns, construction and materials, showing both historical and contemporary examples.
  • Next we explore the attraction of this form of knitting and discuss resources.
  • Finally we admire contemporary adaptations of Sanquhar patterns in gloves, mittens and other garments.
  • The exhibition concludes with a bibliography and reference materials.

To view the exhibition, visit the website of the Center for Knit and Crochet.

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Event: Pasold Research Fund Conference – Colour in Cloth

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Event date: 10–11 April 2017

CALL FOR PAPERS

From initial design to production and dissemination, colour is central to the manufacture and use of cloth and clothing.  This international conference will explore the various and multifarious relationships between colour and textiles, from dyeing and distribution, to chromatics and conservation.  Through a combination of papers and workshops, it will demonstrate new and continuing research through historical, theoretical and practical investigation, drawing on interdisciplinary expertise that includes history, archaeology, conservation, sustainable futures, design and material culture.

The conference will be held over two days and in two locations: the University of Glasgow and the University of Edinburgh, Edinburgh College of Art.  These two cities represent the diverse heritage of textile manufacture and design in Scotland, from the industrial scale Turkey red dyed and printed cottons, to the artisanal tapestry workshop of the Dovecot and design education. The conference will celebrate the differences of these two cities, as well as drawing on what unites them and the wider world through the history and current practice in colour and textiles.  Day One will be held in Glasgow and will consist of papers that deal with the history and theory of colour and textile design, production and use, in addition to contemporary practice within the field.  On Day Two we will hold complementary and exploratory hands-on workshops and site visits in Edinburgh, exploring the history, theory and study of textiles through practical and innovative means.

The organisers particularly welcome proposals that combine a paper and complementary workshop idea, but also encourage individual papers (20 mins) or workshop proposals (expected to last 11.5 hours) that examine textiles and colour in theory and practice.  Working under the wider umbrella themes of the production, consumption and conservation of colour in cloth, suggested themes for paper and workshop proposals include, but are not limited to:

  • Scotland and the world
  • Science and technology
  • Colour and perception
  • Colour, fashion, trend
  • Colourless or the absence of colour
  • Learning with colour and textiles

Limited student bursaries will be available.
Titles and abstracts (200 words) for papers and/or workshops, should be sent to Sally Tuckett Sally.Tuckett@glasgow.ac.uk and Lindy Richardson l.richardson@ed.ac.uk  by Monday 16th January 2017. 

For more information, visit the website of the Pasold Research Fund.