An exhibition co-curated by OATG member Walter Bruno Brix has just opened at one of my favourite museums – the Rauchenstrauch-Joest museum in Köln, Germany.
“A Soul in Everything – Encounters with Ainu from Northern Japan can be seen from November 5, 2021 to February 20, 2022. It presents the cultures of the Ainu groups who “Only after the middle of the 20th century did a strong return to its traditions and a revitalization movement emerge, which led to its recognition as an indigenous group in 2008 and its legal implementation by the Japanese government in 2019. The Ainu are considered to be the indigenous people of Northern Japan who originally lived as hunter-gatherer communities mainly on the islands of Hokkaido and Sakhalin. From the middle of the 19th century they were colonized, relocated and exploited by Japan.” – RJM website.
This exhibition was hailed as a ‘must see’ by Thomas Murray, whose book Textiles of Japan has a major section on the Ainu.
Closer to home the Pitt Rivers museum in Oxford also has a display focusing on the Ainu. A short film by Eiko Soga entitled Autumn Salmon is playing daily on the first floor balcony until the end of November. “In 2016, Eiko lived with an Ainu woman called Ms. Katsue Kaizawa and studied the making of Ainu kimono, embroidery and salmon-skin shoes. In Ainu culture, salmon traditionally served key economic, religious and spiritual roles. Today, it still plays an important role within Ainu communities but primarily to sustain their traditional values.” – PRM website.
A pair of salmon-skin shoes which date to around 1900 can be seen in a case next to the film installation. These waterproof boots were known as chepkeri and were made from up to six dried and stretched salmon skins stitched together.
On Thursday 11 November a major new exhibition, Peru a journey in time, opens at the British Museum and will run until 20 February 2022. This exhibition has been organised in conjunction with the Museo de Arte de Lima, Peru.
The Chancay tunic shown above is one of the highlights of the exhibition. “The woven symbols on this tunic are painted in cream and brown tones and represent the diverse environments across the Andes. They have been arranged in bands, one showing feathers representing birds from the Amazon rainforest, and the other concentric circles possibly representing Andean lagoons or cochas. A running scroll design at the bottom depicts the moving waves of the Pacific Ocean”. – BM website.
An online introduction to this new exhibition, featuring curators Jago Cooper and Cecilia Pardo-Grau, will take place this Thursday at 17:30 GMT. This is a free event, but to do need to book to secure your place. I’m not sure how many textiles are featured in the exhibition, but will hopefully get a better idea then.
Saturday 13 November sees the next of the Rug and Textile Appreciation mornings hosted by the Textile Museum. Dr Lauren Mackay will talk about Woven Treasures From the East in the Royal Tudor Court.
“For the Tudors, the Islamic world of the 16th century was an endless source of fascination and delight, swathed in fine silks, bursting with spices and draped in luxurious and vibrant tapestries and carpets. Henry VIII’s chief minister, Cardinal Wolsey, began the Tudor love affair with Orientalism, and soon English society coveted Ottoman and Persian culture: Its art, dress, textiles and carpets became highly sought–after symbols of wealth and power.” – Textile Museum.
This virtual programme, which is co-sponsored by the Textile Museum Associates of Southern California, begins at 12:00 EST, which is 17:00 GMT. There is no charge, but you do need to register for it.
This Sunday, 14 November, the Zay Initiative will hold an online symposium on the subject of Arab Costume Collections: Sustaining Legacies. This 2-hour event will be hosted by Ben Evans of Hali and there will be two panels; the first looking at The importance of Arab Dress and Culture and the second examining The role and relevance of heritage for contemporary brands. Speakers include Reem Tariq El Mutwalli, Richard Wilding, Shahira Mehrez and Marriam Mossalli.
This free webinar begins at 13:00 GMT and registration is essential.
On Tuesday 16 November OATG member Lesley Pullen will give a hybrid lecture at the Royal Asiatic Society. The subject of her talk is Patterned Splendour: Textiles depicted on Javanese sculpture 8th -15th century.
This free lecture begins at 18:30 GMT and the venue is 14 Stephenson Way, London NW1 2HD. If you wish to attend, either in person or via Zoom, please register by emailing Matty Bradley.
Lesley’s book on this subject was published earlier this year. “The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.” Patterned Splendour has a large number of detailed illustrations, which should provide an invaluable resource for the reader. Some of these illustrations, with detailed notes, can be seen on the excellent Art of the Ancestors website here.
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The exhibition From Combat to Carpets, the Art of Afghan War Rugs at the Cotsen Gallery, Santa Fe International Folk Art Museum ends on Sunday. It is a travelling exhibition of forty examples, supplemented here by rugs from the museum’s own collection.
“This unique subset of handwoven rugs can teach us about the innovative nature of rug design and production, as well as the long history of foreign involvement in Afghanistan. Rug producers, provoked by decades of traders and invaders in the country, adapted traditional motifs and compositions, translating them into depictions of world maps, tourist sites, weapons, and military figures. Such war rugs have proven popular among occupying military personnel, journalists, foreign aid workers, international collectors, and contemporary art curators. Over the years, rug makers have continued to update popular imagery and themes to reflect current events, changing technologies, and the tastes of potential buyers.” – Museum website.
Through the wonders of modern technology you can visit this exhibition virtually and can also read more on this intriguing subject in this article by the exhibition’s co-curator Annmarie Sawkins.
The International Quilt Museum at the University of Nebraska, Lincoln, is currently showing quilts in an exhibition entitled Diverse Traditions: South Asian Quilts. This exhibition will run until 7 October 2021.
“South Asia is rich in quiltmaking traditions. Women have made quilts in this region for centuries and have used them in a multitude of ways: as bed covers, seating mats, tent panels, and dowry items. Varying techniques, color palettes, and formats can be found among different ethnic and regional groups, and certain styles can help identify where a quilt likely was made. In this group of Indian and Pakistani quilts from the International Quilt Museum’s Education Collection, we look at how the techniques of appliqué, piecing, and quilting are used among diverse South Asian communities.” – Museum website.
Make sure you click on ‘Works in the Exhibition’ and then on the images to see the quilts in their full glory.
On Saturday 11 September 2021 the Pitt Rivers Museum in Oxford will host a day of events showcasing Palestinian embroidery and textiles. “Sessions include behind the scenes viewing of selected textiles, screenings of embroidery demonstrations with embroidery kits to take away, including a chart designed by American-born Palestinian artist, Wafa Ghnaim, and drop-in sessions to hear about the Palestinian History Tapestry and view pieces from the tapestry.” – Pitt Rivers Museum. In addition to the in-person events at the museum, there will also be online events for those outside of Oxford.
These events are free, but you do need to book both an event slot and a museum entry slot for the live events. For bookings and further details please click here.
Also taking place on 11 September is World Textile Day Scotland. Great traders who always have a wonderful selection of textiles for sale! For full details click here.
Textile lovers in the London area will be delighted to hear that the next Pop-Up in Pimlico takes place on Wednesday 15 September. This will feature textiles and jewellery from John Gillow, Martin Conlan (aka Slow Loris) and Barbie Campbell Cole, as well as a range of fine contemporary Indian clothing from Antonia Graham. The location is St James the Less Church Hall, Moreton Street, London SW1V 2PF, close to Pimlico tube station and set back from Westminster Bridge Road. Entry is free and this will run from 11:00-18:00.
15 September also sees the opening of a new exhibition at the Textile Museum of Canada in Toronto. And other monuments will run until 14 November 2021, and will be available both in-person and online. This is “an exhibition tracing the movement of the ‘Oriental rug’ and other orientalia in relation to colonial trade, imperial bordering, and power. The exhibition includes an interactive workbook, archival documents, Tatreez (Palestinian cross stitch) by textile artist Samar Hejazi, and an intervention of the British Museum by multidisciplinary artist Roya DelSol. Placed alongside West Asian and Middle Eastern rugs, carpet bags, and other pieces from the Textile Museum of Canada’s permanent collection, And other monumentsinvites a reading of textiles as maps or guides which are capable of tracing broader relationships to who moves, what moves, and how transnational, globalized mobilities of goods have always relied on ‘immobilizations’ of people.” – museum website.
“Contemporary Mexican textiles are among the finest in the Americas. Five centuries have passed since the Spanish Conquest, yet Mexico is still home to more than fifty Indigenous peoples. The arts of spinning, dyeing and weaving are practised in hundreds of rural communities, where distinctive clothing styles endure. Cloth is elaborately patterned and textured on the backstrap loom. After 1521, colonisation brought new materials, treadle-loom weaving, beadwork, and an increased emphasis on embroidery.” – ORTS website.
The talk will be live at the University Women’s Club in Mayfair, London and also streamed via Zoom. If you plan to go to the event or wish to attend via Zoom, please email Dimity Spiller to book a place.
On Thursday 23 September at 18:30 BST the OATG will be hosting a Show and Tell session – please note this is for OATG members only. One of the advantages of Zoom is that we can involve some of our many overseas members in this ever-popular event. Members should shortly receive an invitation with full details of this event. This is your chance to get involved, and we are really looking forward to seeing and hearing about a wide range of different textiles. The event will be ably hosted by Gavin Strachan, the editor of our Journal.
The Textile Society of America has several Affinity Groups who meet online to discuss topics of interest. You don’t have to be a TSA member to attend one of these meetings. The Historic and Ancient Textiles group “brings together people engaged in research on heritage textiles, including those recovered archaeologically, held in the collection of a community, university or museum.” – TSA
The next meeting will be on Saturday 25 September at 12:00 EDT, which is 17:00 BST. The presenters will be Amanda Phillips, whose subject is Ottoman textiles, and Christine Martens, who will discuss Uighur Felt making. Saturday 25 September is a busy day for textile lovers. For more information and to join this online event please email Lee Talbot.
Also taking place on 25 September is the opening of a new exhibition at the Penn Museum, Philadelphia, entitled The Stories We Wear. “The clothing, accessories, and decorations we put on our bodies tell stories about who we are. They shape how others see us and how we see ourselves. What we wear can prepare us for important events or transform us into someone new. It may follow tradition or a recent trend. And it can show that we belong or help us stand out. Now and in the ancient past, close to home and far away, the stories we wear connect us. Showcasing 2,500 years of style and adornment through approximately 250 remarkable objects, The Stories We Wear reveals how clothing and accessories offer powerful expressions of identity—examining the purpose and meaning behind what we wear.” – Penn Museum.
On the same day the Textile Museum Associates of Southern California will host a talk by Dr Anne Tiballi of the Penn Museum entitled Threads and Themes of The Stories We Wear. Dr Tiballi was a consultant for the exhibition and in this talk she will “dig deep into several of the exhibitions ‘outfits’, making connections between the technological skill, creativity, and cultural significance of the peoples who made and wore them. ….. the items she will discuss include a Pre-Columbian Andean warp-patterned tunic, headband, and bag; a Qing Dynasty Chinese court costume; and early 20th century coconut fibre armour from Kiribati, a Mongolian silk deel and boots, and a Hopi wedding dress.” – TMASC
This free talk begins at 10:00 PDT, which is 18:00 BST. Please click here to register.
Now for something rather unexpected from the Musée Mohammed VI d’Art Moderne et Contemporain in Rabat, Morocco. As the name of the museum suggests, the permanent exhibition focuses on modern and contemporary art. However, the temporary exhibitions cover a wide range of subjects. At the moment it highlights the French painter Eugène Delacroix, particularly his travels in Morocco in 1832. An interesting article about his life and travels appeared in Siente Marruecos Magazine. Delacroix collected many objects, including textiles, which he used in his paintings on his return to France. The exhibition cleverly shows some of his sketches, the types of items that appear in them (textiles, ceramics, leather goods) and the finished paintings.
The exhibition opened in July and runs until 9 October 2021.
Maryhill Museum in Goldendale, WA, is currently holding a special exhibition entitled A Particular Beauty: Romanian Folk Clothing. This will run until 15 November 2021. “When she was Romania’s crown princess (1893–1914), Marie of Edinburgh (later Queen Marie of Romania) began wearing peasant-inspired clothing from the country’s eastern provinces — a fashion trend long promoted by Elisabeth of Wied, Queen of Romania, and her court. A Particular Beauty draws from Maryhill’s collection of more than 450 items of Romanian clothing and textiles. The display will include about 20 fully dressed mannequins, and numerous individual garments such as coats, vests, shirts and blouses.The exhibition will showcase a remarkable variety of Romanian embroidery techniques, mediums, and styles that have evolved through the influences of adjacent ethnic populations, resident invaders, other outsiders, and – in recent decades – urbanization.” – museum website.
There are some really fabulous textiles in this short video. If you cannot see it, please click on the blue title at the top of this blog and view this through our WordPress site.
Finally, next month sees the publication by Prestel of a book every collector of Indonesian textiles is sure to want on their bookshelves. “Gathered over the course of four decades, the Thomas Murray collection of Indonesian textiles is one of the most important in the world…….Geographically arranged, this volume pays particular attention to textiles from the Batak and the Lampung region of Sumatra, the Dayak of Borneo, and the Toraja of Sulawesi, as well as rare textiles from Sumba, Timor and other islands. Readers will learn about the intricate traditions of dyeing, weaving, and beading techniques that have been practiced for centuries.” – Prestel. There are contributions from many leading scholars, including no less than three OATG members. UK members even get the chance to buy this book first, as due to the weight it has to be shipped by sea to the US.
OATG members who were unable to attend the recent talk by Nick Fielding – or indeed those who would like to see it again – will be pleased to hear that a recording of this has now been added to our website. Simply go to Events Programme – Online Events – and then enter the password for 2020. This is shown on the inside back cover of our Asian Textiles journal, or contact any committee member for details. A digital copy of the December Lockdown Newsletter has also been added under the Journals section of the website, and again you will need the password to access this.
A reminder of two talks taking place this Saturday 9th January. The first is organised by the Textile Museum, Washington and features Sylvia Fraser-Lu on Burman Textiles. For full details see my blog of 23rd December. Click here to register.
The second event is hosted by the Textile Museum Associates of Southern California. Craig Diamond will speak on two types of textiles from Mindanao in the Philippines. See my blog of 18th August for a video of Craig talking about these warp ikat cloths known as T’nalak and woven by the Tboli people from banana fibre. Click here to register for this free event.
On Saturday 23rd January Ann Marie Moeller will discuss Small Japanese Treasures from the Lloyd Cotsen Collection at the Textile Museum. Click here for full details and how to register for this free talk.
On Monday 25th January the Fowler Museum in Los Angeles will be hosting a short online talk by Elena Phipps on the subject of a Peruvian cloth woven with four selvedges. This is part of their Lunch & Learn series, but it will be at 8pm in the UK.
Don’t forget we have our own AGM on Saturday 30th January. The formal part of the meeting will be followed by a short Show and Tell of textiles from members’ collections. This is the first time we will have held this event online, so we are seizing this opportunity to invite our overseas members to present one of their textiles. We look forward to “virtually” meeting you all.
Finally I enjoyed many of the images in this online exhibition about headwear. Curated by Stacey W. Miller, The Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality has wonderful examples of headwear from across the globe. This exhibition should have currently been touring several museums in the US. As that has not been possible it has instead been made available online. Several of the images are accompanied by short videos, providing more information about how and when the hats were worn.
Several new online talks are scheduled for December. Here is my selection.
On 9 December Selvedge will host three specialists from different areas of the globe talking about the craft of resist dyeing. The speakers are Yoshiko Wada, renowned textile artist and President of the World Shibori Network, Abduljabbar Khatri from the Kutch region of India who specialises in bandhani, in which thousands of tiny knots are hand-tied onto stencilled designs and Sang Made Erass Taman, a leading batik artist who was born on Bali but now lives on Java. Booking is essential – click here for more details.
Don’t forget that our next online lecture will be by journalist and author Nick Fielding, a long-standing member of the OATG. The subject of Nick’s talk is Travellers in the Great Steppe – Nomads and their Textiles.Nick is a very engaging speaker with a wealth of knowledge in this area and this should be a fascinating talk.
This talk is scheduled for 10 December. As usual, it is free for OATG members, but registration is essential. Non-members may attend for a donation of £3 payable via PayPal. Please note there are very few tickets remaining so if you haven’t got yours – act now!
On 12 December the Textile Museum Associates of Southern California, in conjunction with rug and textile groups from Seattle, Colorado, San Francisco and Chicago present a free online talk entitled The Beauty of Boteh: A Textile Journey Across Village & Tribal Rugs by Dr Hadi Maktabi, a researcher, author and dealer from Beirut.
“What is the source of the boteh, or paisley, design, and how has it spread throughout the oriental rug world, transforming into both elegant and sophisticated swirling configurations, and more tribal geometric forms? It can be seen in a large variety of rugs and trappings, from high end urban Kermans to rustic Farahans all the way to nomadic Q’ashqais—and that’s just within Qajar Persia. Hadi Makabi’s program will discuss how this famous motif travelled from Kashmir shawls onto Persian textiles and ended up ubiquitously on rugs in the 19th century, by way of costumes and urban decorative pieces. This high-end association influenced rural and ethnic societies irrepressibly. What is wondrous is that the motif is still relevant today and has a seemingly endless variety of reinterpretation.” TMA/SC.
This talk takes place at 10am Pacific time (6pm in the UK) on Saturday 12 December. To register please contact the organiser Cheri Hunter.
Moving from rugs to textiles Fatima Abbadi will discuss Embroidery in the Age of Corona: Documentation and Practice from Iraq, Jordan and the Netherlands for the Islamic Art and Material Culture Collaborative (IAMCC), Toronto, Canada, on Saturday 19 December at 11am EST (4pm in the UK).
“In this conversation, Fatima will share her passion for Jordanian and Palestinian embroidery traditions and her ongoing project to teach embroidery in the Netherlands. She will also talk about the work of Suzan Sukari, a contemporary embroiderer from a Christian community in the northern Iraqi city of Qaraqosh. Despite the upheavals of war in her region, Suzan continues to produce special festive garments (charuga), that combine age-old designs and motifs with newly developed iconography representing scenes from everyday life. Fatima will also discuss her recent publication, Al-Salt: A Photo Documentary Project, and how she has employed photography to document, promote and preserve her Jordanian culture and heritage.” ROM
Our journal, Asian Textiles, is produced three times each year. In addition to this our editor, Gavin Strachan, is currently putting together a third Lockdown Newsletter, which should go out just before Christmas. If you would like to contribute something to this please email it to him as soon as possible. Perhaps you have an interesting story about a particular textile, a review of a book, a query about something in your collection that you would like to share? If so, Gavin would love to hear from you.
Lloyd Cotsen died in 2017 but his legacy lives on in his textiles. This talk by Lyssa Stapleton is part of the Textile Museum Associates of Southern California (TMA/SC) regular programme of events. Lyssa is the Curator of The Cotsen Collection, Los Angeles and Consulting Curator for the Cotsen Textile Traces Collection at The Textile Museum in Washington, D.C.
“For more than 70 years Lloyd Cotsen collected experiences, objects, and knowledge that mirrored and exemplified his profound interest in the world around him. As the CEO of Neutrogena Corporation, he began to assemble several world-class collections including folk art, textiles, Japanese bamboo baskets, and children’s books. His nearly comprehensive textile study collection, known as Textile Traces, has recently been donated to the George Washington University Museum and The Textile Museum. An exploration of this collection reveals how his extraordinary appreciation for human creativity led him to become an inquisitive and acquisitive collector, and illustrate how his life experiences contributed to his deep commitment to children’s literature, the history of weaving technology, to the support of declining artistic traditions and living artists and to the stewardship of the objects he acquired.” TMA/SC newsletter.
In 2018 the George Washington University and The Textile Museum was gifted over 4000 textiles along with an endowment to support further study. A study centre with state of the art equipment also forms part of this bequest. You can read more on this, as well as viewing a great selection of images of textiles from the collection here.
Luther Hall, Lower Level St. Bede’s Episcopal Church
3590 Grand View Blvd. Los Angeles, CA 90066-1904
Refreshments will be available from 10;00 and the programme will begin at 10:30. This is free for members of the TMA/SC, guests are welcome for an admission charge of $10.
There are a wide range of textile-related events happening over the next couple of weeks; here are just a few of them.
At 10:00am on 1 June Shiv Sikri will give a presentation entitled Hidden in Plain Sight: Irregularities and Variations in Oriental Rug Designs to the Textile Museum Associates of Southern California. Their invitation state that ” Irregularities and variations in oriental rugs have been ‘explained away’ in an ad hoc, case by case basis here in the west, far from the places they were woven and without any explanations from those that wove them. These explanations include notions of individual variations, mistakes, or indeed change of weavers. However, many such irregularities can be seen to be quite specific and articulate. This raises the possibility, one that should be given appropriate weight, that these are traditional practices and may signify something more than individual improvisations. By comparing many examples, we hope to persuade old timers and new enthusiasts to look at oriental weaving traditions anew, one that is coherent over several millennia and across a broad geography, and one that consciously incorporates specific variations.”
St. Bede’s Episcopal Church
3590 Grand View Blvd. Los Angeles
As their website is currently undergoing renovation you will need to visit their Facebook page for further details.
A silk screen featuring Su embroidery
The Bowers Museum at Santa Ana is the location for what should be a fascinating talk on Haute Couture Techniques and Fashion Embroidery with Maxwell Barr. Topics covered will include Haute Couture construction techniques, Goldwork hand embroidery embellishment – particularly the history and art of Su embroidery – and the work of Royal Court embroiderers up to the present. Su embroidery comes from Suzhou in Jiansu province and is one of the four main types of Chinese embroidery. Very fine silk threads are used, with the strands being split several times to make the threads even thinner. Read more about the history and development of this embroidery here.
Maxwell is an authority on period costume and this article gives an insight into his painstaking on recreating some of them.
Location: Bowers Museum, 2002 North Main Street, Santa Ana, CA 92706
A beautifully produced video with English subtitles showing the mud-dyeing process.
Please note that for reasons I have yet to understand the video may not work if you are reading the email version of this blog. However if you click the blue title link and read the blog online, it will then work.
Finally in Oxford Charlotte Linton will be running a mud dyeing event at Wolfson College on Thursday 13th June. Specialists from the Kanai Kougei dyeing workshop on the island of Amami Oshima will be involved in a presentation on traditional Amami textiles. There will also be an opportunity for a small number of people to participate in a workshop to dye a furoshiki wrapping cloth using mud dyeing materials and a technique known as dorozome. Although the number able to participate will be necessarily restricted, tall lecture attendees are welcome to watch the process.
Please note that this particular event is ONLY OPEN to members of Oxford University. For more information contact the organiser firstname.lastname@example.org
Although this event is restricted to members of the University, there will be a second event a few days later at the Horniman Museum in London which will be open to the public. This will be on Saturday 15th June, but no details are yet available – I will post more as soon as the information becomes available.
In Southeast Asia, textiles are often made by women for the purpose of donation to the local monastery; the textiles are then displayed in monastery buildings or on their grounds. The donations bring the women merit, which is important for Buddhist practice. These displays also give the women a chance to show off their weaving skills and have their work appreciated by others. This talk by Rebecca Hall will concentrate on Buddhist textiles in mainland Southeast Asia, with specific attention paid to the countries of Thailand, Laos, and Cambodia, and is held in conjunction with the just opened exhibition, Ceremonies and Celebrations which she curated. The focus will be on Buddhist banners, their form, and meaning, but will also include other kinds of textiles made and donated at monasteries. The motifs and scenes woven into the textiles are related to Buddhist beliefs and popular stories and help provide insight into the beliefs of laity across the region.
This event is run by the Textile Museum Associates of Southern California, but it is also open to non-members – museum admission fee applies.
Location: USC-Pacific Asia Museum, 46 N. Los Robles Ave. Pasadena, CA 91101. Time 13:00
Throughout history, textiles have always been one of the most valued components of international trade. Therefore, both individuals and states have sought to profit from this trade in both illegal and immoral ways. The problem of counterfeit products is not new, but was already an issue centuries ago, when British traders flooded the Venetian market with their products labelled “Made in Venice.” When cochineal was the most valuable product out of the New World, many pirates and traders sought to acquire cochineal and break the Spanish monopoly. The photo above shows strands from Persian rugs from Iran which had heroin woven into them.
This survey of illicit trade will discuss the abuses of the textile trade for both commercial and political objectives. Dr. Louise Shelley will reveal a largely unknown story of crime and often state-sponsored criminal trade. Dr Shelley is a University Professor at George Mason University, and Director of the Terrorism, Transnational Crime and Corruption Center (TraCCC), Washington, D.C. and a board member of the DC Hajji Baba Society.
This event is part of the regular programme of interesting talks hosted by the Textile Museum Associates of Southern California, Inc and will be held at
Luther Hall, Lower Level St. Bede’s Episcopal Church
3590 Grand View Blvd. Los Angeles, CA 90066-1904
This is just south of the 10 freeway, and west of the 405, near the intersection of Centinela and Palms and there is free parking. This event is free for members and $10 for non-members.