Textile films

 

The next OATG event – A visit to the Kimono: Kyoto to Catwalk exhibition at the V&A and talk by the curator Anna Jackson – was supposed to take place next week and has obviously had to be cancelled due to the current situation.

©Victoria and Albert Museum, London

However all is not lost! The V&A have produced a series of 5 short films through which Anna guides viewers through the exhibition. Each episode is beautifully filmed and the pace is just right. It’s a wonderful opportunity to learn more about these fascinating textiles and their history. As the V&A point out kimono are sometimes “perceived as traditional, timeless and unchanging” but this exhibition “counters this conception, presenting the garment as a dynamic and constantly evolving icon of fashion.” I highly recommend watching these films in the correct order to gain a better understanding of this evolution.

The Japan Society in New York was due to hold an exhibition entitled Boro Textiles: Sustainable Aesthetics this Spring, the main focus of which was over 50 pieces from the collection of the late Chuzaboro Tanaka. These pieces were previously shown at the Amuse Museum in Tokyo and more background can be found here.

©Amuse Museum, Tokyo

Once again they have turned to the medium of film to ensure that the results of all of the hard work that went into putting this exhibition together can be shared widely. A 5 part video tour narrated by Yukie Kamiya and Assistant Curator Tiffany Lambert guides us through the exhibition. I loved the way the pieces were hung and the section in the first video explaining how and why this method was chosen.

 

Finally, moving away from Japanese textiles, OATG member Dr Chris Buckley has been busy putting together a series of short films  focussing on looms and textiles. Many of you will be aware that Chris is an expert on loom technology. The first of this series looks at a particular Indian saree and the loom technology with which it was produced. We look forward to seeing the rest of the series….

 

Hope you enjoy watching these and may your isolation keep you safe.

 

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Mud glorious mud!

Shortly after posting my most recent blog I was contacted by designer and anthropologist Charlotte Linton with an update on her research into textile production on the Japanese island of Amami Ōshima. Along with several other OATG members I attended an excellent presentation and workshop by Charlotte at Wolfson College in Oxford last year.

 

A weaver re-aligning the threads. © Charlotte Linton.

Charlotte spent one year in Amami Ōshima, during which she explored “how traditional craft industries navigate the paradox between preservation and innovation”. The main cloth produced there is tsumugi for kimono. This is dyed using a process known as dorozome, which involves mud (as a mordant) and the boiled wood of the local hawthorn tree. The production of these cloths is very labour-intensive as it involves at least 28 separate processes. In her new paper Charlotte discusses the future of these textiles from her experiences working in Kanai Kougei – a traditional family business there. She looks at the implications the conferring of Mukei Bunkazai (Intangible Cultural Property) status would bring to these textiles, and the fact that it may mean stagnation rather than innovation. This is examined in the context of the current interest in sustainable fashion. “Making It For Our Country”: An Ethnography of Mud-Dyeing on Amami Ōshima Island appeared in the journal Textile: Cloth and Culture and is available here. I highly recommend taking the time to read this. The OATG are hoping to persuade Charlotte to come and talk to us about her findings in the future. Watch this space for details!

Below I am reproducing some of a blog I wrote on this subject last summer, simply so that readers can have all of the information in one place:

An excellent article by Martin Fackler on the economic issues facing the kimono producers of Amami Oshima appeared in The New York Times in 2015. He describes how 20,000 people were once employed in this profession, but that number has now shrank to 500. His article ends with the following words from Yukihito Kanai:

“We need to become more like artisans in Europe or artists in New York,” said the younger Mr. Kanai, 35, who said he is one of the few “young successors” in the island’s kimono industry. “Even traditions have to evolve.”

An example of a tsumugi textile from Amami Ōshima. ©David Richardson

The production of a kimono on the island of Amami Oshima is so meticulous that a single mistake could squander the efforts of every artisan in the process. The BBC series Handmade in Japan tracked the year-long transformation of the island’s famous mud-dyed silk into an exquisite garment. Although the full-length programmes are no longer available online, short video clips still are. These cover the various people involved in making a kimono – the starcher, the designer, the binder, the mud-dyer, the weaver, the inspector and the tailor. They can be viewed on the BBC website under the title Mud, Sweat and Fears

 

Karanja Ngana immersing her threads in mud on Sumba. ©David Richardson.

For more information on mud dyeing (more correctly mud-mordanting as it is the tannin which produces the dye) see the work of OATG members David and Sue Richardson on their Asian Textile Studies website. David and Sue have now also documented the process of mud-dyeing used by the last major practitioner of this craft on the Indonesian island of Sumba.

 

A new 6 part documentary series on the V&A called Secrets of the Museum began on BBC2 last night. The series looks at the work of the curators and conservators as they handle a wide variety of different objects, ranging from Queen Victoria’s coronet to a Dior gown. The star of last night’s episode for me was Pumpie the Victorian elephant. It was fascinating to see just how much work went into his conservation, right down to dyeing lots of samples with which to repair his trunk. Looking forward to future episodes….

Details
Secrets of the Museum
6 February BBC 2 at 2100

 

Demonstration of how to fold a kimono collar. © Staphany Cheng.

Also on the subject of conservation is this interesting blog by Staphany Cheng, Andrew W. Mellon Fellow, Textiles, Conservation Center, Los Angeles County Museum of Art., in which she shares her experience of participating in the Workshops on the Conservation of Japanese Textiles, held in Taiwan. Much of the emphasis seems to have been on kimono. I had no idea there were three particular ways to fold these garments!

 

Dragon medallion, China, 16th century, silk and metallic-thread tapestry (kesi), 15 x 15 in., Metropolitan Museum of Art, New York.

 

The Seattle Asian Art Museum finally reopens this weekend after a major project to renovate and expand it.  The next event in their Saturday University series is a talk entitled The Dragon and the Pearl: Explorations of a Eurasian Motif by Joel Walker of the University of Washington.

“The art and literature of medieval Eurasia abound with stories of precious jewels guarded by monstrous serpents or dragons. This presentation will investigate iterations of this motif in the Syrian Christian tradition, including a famous stele from the Tang-dynasty capital of Xi’an in northern China and a silver reliquary fragment from Roman Syria. Taken together, these artworks reveal the powerful symbolism of pearls as markers of spiritual excellence.” Seattle Asian Art Museum website.

Details
15 February 2020,10:00 – 11:30
Emma Baillargeon Stimson Auditorium, Asian Art Museum, Volunteer Park, 1400 East Prospect Street, Seattle

 

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Worldwide textile events in February

 

Last month’s AGM heralded big changes for the OATG. Our chair Aimée Payton stood down and Helen Wolfe from the British Museum was elected to the position. Also standing down after many years of service was our webmaster Pamela Cross. Pamela developed the original OATG website from scratch and was responsible for the huge task of ensuring all of the back copies of Asian Textiles were available on it. Over the past few months she has been working with Aimée and Felicitas from our Events team to develop a new website, which was unveiled at the meeting. Please do click here to have a look at it. As you can see our Events page is starting to fill up with a great selection of exhibitions and talks. In fact our first event – a Show and Tell of Manuscript Textiles and an Introduction to the Buddhism exhibition at the British Library – is already fully booked!

 

Woollen tunic from an 8th century tomb in Niger
Institut de Recherches en Sciences Humaines, Université Abdou Moumouni de Niamey, Niger

Just opened at The Met Fifth Avenue is Sahel: Art and Empires on the Shores of the Sahara which focusses on the area today encompassed by Senegal, Mali, Mauritania, and Niger. The history of this region will be illuminated through more than two hundred items. The majority of these will be sculptures, but there are also about 30 textiles including some very rare ancient indigo examples that were preserved in the Tellem Caves in Mali (information from Elena Phipps). Do scroll down the page to the images of the exhibition objects where you are able to click on each one to bring up the full details of the item.

Details
30 January – 10 May 2020
The Met Fifth Avenue, 1000 Fifth Avenue, New York

 

If you plan your visit judiciously you could also attend the first of a new Turkish Centennial lecture series on 7 February. The subject will be Impressions of Ottoman Visual Culture and Art in Europe, 1453-1699. The speaker is Professor Nurhan Atasoy from the Turkish Cultural Foundation. According to the Met website her talk will explore “the rich cross-cultural exchanges between the Ottomans and their European neighbours. Discover the factors that led to the flowering of vibrant and sophisticated artistic production throughout the vast Ottoman Empire in the centuries following the conquest of Constantinople in 1453, and learn how Europe became hungry for visual and artistic representations of their eastern neighbours.” Professor Atasoy has written and contributed to over 100 books on Ottoman and Islamic art.

Details
7 February 2020, 17:00 – 18:00
Bonnie J. Sacerdote Lecture Hall, Uris Center for Education
The Met Fifth Avenue, 1000 Fifth Avenue, New York

 

Bars by Annie Mae Young (c 1965). © Estate of Annie Mae Young

Coming soon to the Turner Contemporary in Margate is an exhibition entitled We Will Walk – Art and Resistance in the American South. It has been curated by Hannah Collins and Paul Goodwin and is the first exhibition of its kind in the UK and reveals a little-known history shaped by the Civil Rights period in the 1950s and 60s. It will bring together sculptural assemblages, paintings and quilts by more than 20 African American artists from Alabama and surrounding states.” – Turner Contemporary website.

Writing for artnet news, Caroline Elbaor elaborates further “A series of quilts sourced from the isolated Alabama enclave of Boykin will also make their UK debut, following a critically lauded presentation at the Whitney Museum of American Art in 2002. Boykin, formerly known as Gee’s Bend, is largely populated by descendents (sic) of people enslaved on the Pettway plantation. The distinctive quilts, typically patched together from a variety of materials, including blue jeans or cornmeal sacks, have taken on a hallowed significance as symbols of resistance and survival.”

Mark Brown’s article for The Guardian on these distinctive quilts is also well worth a read.

Details
7 February – 3 May 2020
Turner Contemporary, Rendezvous, Margate, Kent, CT9 1HG

There will also be a preview on Thursday 6 February when the exhibition will be opened by Bonnie Greer MBE

 

©Chris Buckley

On 11 February OATG member Chris Buckley will be giving a talk to the Hajji Baba Club of New York on Tibetan Rugs: Ancient Problems, Innovative Solutions. Chris will explain how Tibetan rug making traditions evolved as well as examining some unique knotting methods. Having run a carpet weaving workshop in Lhasa for several years he is extremely knowledgeable on this subject. He will give the same talk to members of the International Hajji Baba Society in Washington on 9 February – see below.

9 February 2020
International Hajji Baba Society
Basement of St. Paul’s Lutheran Church, 4900 Connecticut Avenue, NW

For further details email Jeff Krauss

11 February 2020
Hajji Baba Club
The Coffee House Club, Sixth Floor, 20 West 44th St, Manhattan, NY

Contact the Hajji Baba Club for further details.

The next event in the programme of the Oriental Rug and Textile Society is a talk by Markus Voigt, HALI contributing editor, on the subject of Carpets from the Tarim Basin and Tibet: and possible connections thereof. “At a casual glance Tibetan rugs might be mistaken for those from Xinjiang / Uyguristan (Eastern Turkistan). The talk will examine how two neighbouring but very disparate cultures came to have commercial crossover in rugs prior to Chinese conquest of Tibet.” – ORTS website.

Details
19 February 2020 at 19:00
The University Women’s Club, 2 Audley Square, London, W1K 1D8

For further details go to the ORTS website

 

Mantle border, Peru, Nazca culture, early Intermediate Period (2nd–8th century). Cotsen Textile Traces Study Collection T-0093. Photo by Bruce M. White.

This month sees the opening of a new exhibition at the Textile Museum in Washington DC called Delight in Discovery: The Global Collections of Lloyd Cotsen. Over 4000 pieces from the Cotsen Collection were donated to the Textile Museum in 2018 and this new exhibition brings together some of the global treasures he collected over a lifetime. You can read more about Lloyd Cotsen and his collecting in this blog from last year.

Details
22 February – 5 July 2020
The Textile Museum, 701 21st Street, NW, Washington, DC 20052

 

Sarong from Lasem, Java; possibly made for export to Jambi, Sumatra; cotton, batik 19th century. © Tropenmuseum

Over in San Francisco Itie van Hout will be giving a talk on the Indonesian Textiles at the Tropenmuseum. Itie was the former Curator of Textiles at the Tropenmuseum, which houses nearly 12,000 textiles from across Indonesia, collected over a period of 160 years. The majority of these were taken to the Netherlands when Indonesia was a Dutch colony known as the Netherlands East Indies. She has written extensively on Indonesian textiles. For further details visit the website of the Textile Arts Council.

Details
22 February 2020, 10:00am
Koret Auditorium, de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco CA 94118

 

© Chayawat Manasiri

Indonesian textiles are also the subject of another exhibition which has recently undergone a complete change in Bangkok. A Royal Treasure: The Javanese Batik Collection of King Chulalongkorn of Siam opened in November 2018. However this month all of the textiles are being replaced with different examples from the substantial Royal collection. This will also happen again in September, giving visitors the opportunity to see a far greater selection of these batik textiles. “Among the highlights of the latest acquisitions are a few pieces that have never been displayed before, namely, the Mikado pattern from Yogyakarta which reflects the Japanese influence in the various Japanese fans portrayed through the batik printing technique, as well as the blangkon headdress painted with gold known as batik prada, assumed to come from Cirebon, West Java. It was used only on special occasions by male members of the royal family. Only one piece has been found in the entire royal collection.” Sawasdee magazine. For more images and information please click here.

Details
1 November 2018 – 31 May 2021
Queen Sirikit Museum of Textiles, Ratsadakhorn-bhibhathana Building, The Grand Palace, Phra Nakhon, Bangkok, 10200 Thailand

 

Jacket with couched gold thread. ©Michael Backman

The National Museum has recently opened a small textile gallery and is jJust a short distance away from the Grand Palace so you could easily combine a visit to the two collections. Michael Backman has written a short blog about this gallery with some close-ups of a few of the textiles. He says that “Included are pha lai yang textiles – printed cotton fabrics that show thep phanom deity figures, worn as a lower garment by members of the royal family. There is a shawl known as a pha sphak that is of silk woven with gold thread and embellished with fluorescent beetle wings.”

Details
The National Museum Bangkok, Na Phrthat Rd., Phra Borommaharachawang subdistrict, Phra Nakorn, Bangkok

 

Rabari embroidery from Gujarat, a child’s hat from Sindh and a belt from Albania. ©Sally Hutson

Back in the UK a temporary textile exhibition has been curated at the Milton Keynes Museum. Called A Sense of Place and Time, this is an exhibition of textile art set within the history of textiles. Ethnic textiles are on show alongside contemporary examples by Art2Stitch. There will be a changing section on communication through textiles featuring examples from other cultures.

Details
23 November 2019 – 26 April 2020
The New Gallery, Milton Keynes Museum, McConnell Drive, Wolverton, Milton Keynes, MK12 5EL

Please note this museum is staffed by volunteers and has limited opening times.

Kimono for a young woman (furisode), 1905–20, probably Kyoto, Japan. © Khalili Collection, K106

Many members have been looking forward to the V&A’s new blockbuster exhibition Kimono: Kyoto to Catwalk which finally opens in London on 29 February. It is being curated by Anna Jackson, Keeper of the Asian Department, who also wrote the introduction to Thomas Murray’s book (see my December blog). In an interview with Jess Cartner-Morley for The Guardian she says her aim in this exhibition is to “overturn the idea of the kimono as static, atrophied object and show it as a dynamic and constantly evolving icon of fashion”. She also discusses the history of the kimono, and cultural appropriation. This is well worth a read to whet your appetite for the exhibition.

In another interview for LOVE magazine Anna Jackson talks about the difficulty of acquiring some of the pieces, their fragility, and the challenges in displaying them correctly.

The exhibition will be in three sections. “It begins by unpicking the social significance and heritage of the kimono in 17th century Japan, moving to consider the kimono and its position across a more international agenda, finishing with the progressive transformation of its comtemporary (sic) identity.” Scarlett Baker, LOVE magazine.

Details
29 February – 21 June 2020
Gallery 39 and North Court, Victoria and Albert Museum, Cromwell Road, London

The OATG have planned a visit to this exhibition, which will include a talk by Anna Jackson, for 26 May. Booking for the limited number of places available will open for members in mid-April via Eventbrite.

 

 

While at the V&A you should also take a look at the posters in this small exhibition entitled Manners and Modernity: Ukiyo-e and etiquette on the Seibu Railway. These posters convey how to be a well-behaved commuter through humorous messages.

They will be on display in Room 45 of the Toshiba Gallery until 22 March 2020.

 

Conserving Pumpie the elephant

Those who cannot get to the V&A will be interested to know that a new 6 part documentary filmed behind the scenes begins next week on BBC 2. The series is called Secrets of the Museum and looks at the work of the curators and conservators as they handle a wide variety of different objects, ranging from Queen Victoria’s coronet to a stuffed toy elephant! Henry Wong has written a fascinating piece about this series for design week, including an interview with Alastair Pegg (the director of programmes at Blast! Films) who concludes that “It reveals what’s behind the closed doors — there’s an industriousness that visitors don’t see. That’s the pleasure of this series.”

Details
Secrets of the Museum
6 February BBC 2 at 2100

 

Nesyamun’s ornate coffin has been on display in Leeds since the 1820s. © Leeds Museums and Galleries.

Finally, I was fascinated to read of this work by a team from Leeds Museums and Galleries and researchers from various disciplines to recreate the voice of an Egyptian priest called Nesyamun who lived around 1100 BC. The mummified remains of Nesyamun were scanned at the Leeds General Infirmary and a 3D model of his throat was reproduced using a 3D printer. A full and very interesting account of the project is given here in layman’s terms, but if you want to read the scientific paper then click here.

 

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A veritable cornucopia of worldwide textile events!

Later next month a new exhibition entitled Unbound: Visionary Women Collecting Textiles opens at Two Temple Place in London. This exhibition “celebrates seven pioneering women who saw beyond the purely functional, to reveal the extraordinary artistic, social and cultural importance of textiles.” Two Temple Place website. 

This is a very collaborative project, curated by June Hill and Lotte Crawford and involving no less than seven museums and art galleries from different areas of the country. It’s interesting that they are looking at the role of women as collectors, not as makers of textiles.

Embroidered japangi or cloak from Albania

The female collectors discussed include Edith Durham, who first visited the Balkans in 1900. As well as documenting the craft traditions of the area she also became involved with local politics, helping in hospitals and with refugees and campaigning. This blog about her recalls how she came into conflict with the Foreign office who marked her card thus: Durham, Miss M.E.: Inadvisability of corresponding with……

Louisa at the Khyber Pass

Louisa Pesel was the first President of the Embroiderers Guild and in addition to her own stunning designs for Winchester Cathedral she collected textiles from many places including Morocco, Turkestan, Syria and China. Many of these were donated to the University of Leeds. An excellent source of information about her is this blog by Colin Neville.

The other collectors the exhibition features are Olive Matthews, Enid Marx, Muriel Rose, Jennifer Harris and Nima Poovaya-Smith.

“The exhibition looks at how these collections continue to influence us today and asks why textiles still have to fight for their place amongst the more established visual arts” – a question which I often ask myself too.

In many ways the focus of this exhibition reminds me of one held at the Pitt Rivers Museum earlier this year called Intrepid Women. See my earlier blog on this subject.

Details
25 January – 19 April 2020
Two Temple Place, London WC2R 3BD
Admission free

 

 

Also opening late next month at The Met Fifth Avenue is Sahel: Art and Empires on the Shores of the Sahara which focusses on the area today encompassed by Senegal, Mali, Mauritania, and Niger. The history of this region will be illuminated through more than two hundred items. The majority of these will be sculptures, but some textiles are also included. Click here for more details.

Details
30 January – 10 May 2020
The Met Fifth Avenue, 1000 Fifth Avenue, New York

 

The next talk in the programme of the Oriental Rug and Textile Society is by Zara Fleming on the subject of Bhutanese Textiles: Ritualistic and Everyday textiles of Bhutan. Zara will explain how textiles are woven into everyday life and are used as clothing, currency and gifts. They are also used to signify status and are a vital component of Bhutanese festivals, dances and Buddhist rituals.

Details
22 January 2020 at 19:00
The University Women’s Club, 2 Audley Square, London, W1K 1D8

For further details go to the ORTS website

 

Ngatu (decorated bark cloth) with spitfire plane motif c1940s. © Kitmin Lee

Koloa: Women, Art, and Technology is an exhibition which opened recently in Hong Kong. It is presented by Para Site in conjunction with Tunakaimanu Fielakepa who is the “foremost knowledge-holder of ‘koloa‘ or customary women’s arts in Tonga”. This exhibition was previously on show in Tonga earlier in 2019. It “features a rich array of Tongan art practices, focused upon the main categories constituting koloa: ngatu or bark cloth making and fine weaving such as ta’ovala garments and ceremonial mats, as well as kafa or woven rope. The presentation includes prized, heirloom pieces as well as newly produced examples specially commissioned for the exhibition.” Para Site website. Additional works by three women artists – Tanya Edwards, Nikau Hindin and Vaimaila Urale – are also included to showcase aesthetic lineages in the Pacific.

A mixed design Tongan kupesi which was made before the 1930s. Courtesy of Lady Tunakaimanu Fielakepa

Details
7 December 2019 – 23 February 2020.
G/F & 22/F, Wing Wah Ind. Building, 677 King’s Road, Quarry Bay, Hong Kong.

 

Three-layered lined kimono

There are only a couple of weeks left to see the exhibition in Heidelberg called Good Wishes in Silk: Children’s Kimono from the Nakano Collection. Kazuko Nakano has compiled a collection of almost a thousand objects that provide insights into the colourful and symbolic art of kimono design from the Edo period (1603-1868) to the present day.

A selection of around 80 children’s kimonos is now presented in Germany for the first time. Some of these examples are rather sophisticated and are clearly intended to be worn on special occasions, while others are more simple everyday wear. “They are genuine works of art, with a great variety of decorative motifs, and can be perceived as a kind of embroidered wish list with which the parents equip their children for their future lives.”

Details
27 October 2019 – 12 January 2020
Kurpfälzisches Museum Heidelberg, Hauptstrasse 97, 69117 Heidelberg

 

Kaparamip with red cotton fabric border © Textiles of Japan: The Thomas Murray Collection at The Minneapolis Institute of Art

The January programme from the Textile Museum Associates of Southern California (TMASC) is a talk by Thomas Murray – a well-respected researcher, collector, dealer and author of several books, the latest being Textiles of Japan: The Thomas Murray Collection.

This talk, entitled Traditional Textiles of Japan, will explore Japan’s rich tradition of textiles, from firemen’s ceremonial robes and austere rural workwear to colourful, delicately-patterned cotton kimono. “The traditional clothing and fabrics featured in this lecture were made and used in the islands of the Japanese archipelago between the late 18th and the mid-20th century. The Thomas Murray collection includes daily dress, workwear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernisation would leave behind traditional art forms such as the handmade textiles used by country people, farmers, and fishermen. The talk will present subtly patterned cotton fabrics, often indigo-dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fibre, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly coloured cotton kimono of Okinawa to the far south.” – Thomas Murray.

Details
Saturday 25 January 2020 10:00am
Luther Hall, St Bede’s Episcopal Church, 3590 Grand View Blvd., Los Angeles

For further information and to reserve a place please email info@tmasc.org

 

 

A very engaging review of Murray’s book appeared in the Nov-Dec 2019 issue of Arts of Asia, along with several stunning illustrations. This gave a huge amount of background into how the book came into being and really conveyed a sense of the passion for Japanese culture behind it. Those who don’t have access to Arts of Asia should take a look at The fabrics that reveal the ‘other’ Japan written for BBC Future by Andrea Marechal Watson. The images contained in her article should certainly whet your appetite to take a further look at the book from which they are drawn. For further information about the Ainu see my blog from January 2019.

 

Outer kimono for a young woman (uchikake), 1800 – 30, probably Kyoto, Japan. © Image Courtesy of the Joshibi University of Art and Design Art Museum, 2204-36

I don’t usually blog about events far in advance, but the exhibition Kimono: Kyoto to Catwalk at the V&A in London which opens in February is sure to be very popular – in fact the members’ preview day has already sold out. It is being curated by Anna Jackson, Keeper of the Asian Department, who also wrote the introduction to Thomas Murray’s book.

Details
Opens 29 February 2020
Victoria and Albert Museum, Cromwell Road, London

 

Parr (1893–1969); cotton or polyester cotton blend; screen printed. © Dorset Fine Arts

The current exhibition at the Textile Museum of Canada is entitled Printed Textiles from Kinngait Studios and celebrates these textiles which show the traditional way of life. Curated by Roxanne Shaughnessy the exhibition also includes a small selection of clothing and footwear in addition to the examples of printed cloth.

Kate Taylor has written an interesting article on this exhibition for The Globe and Mail. In it she explains that as “the Canadian government forced a people living on the land into permanent settlements, the Inuit began to need cash. The art projects…… were initially introduced by government agents. The idea was that the skills used to carve stone, incise bone and sew clothing could be adapted to produce handicrafts for southern markets. But carving and printmaking were just two possibilities: This show offers a wide selection of rarely seen textiles, startlingly modernist and highly colourful designs created in the 1950s and 60s.”

A full colour catalogue will be available in 2020.

Details
7 December 2019 – 30 August 2020
Textile Museum of Canada, 55 Centre Avenue, Toronto, Ontario, M5G 2H5.

 

John Ang will give a talk on The Influence of Foreign Fashion Trends on Malay Dress to the Textile Enthusiasts Group, which is linked to the Friends of the Museums (Singapore). He will discuss the origins and hybrid nature of Malay clothing. John stresses that “Malay dress is not static but always changing. Rather than seeing particular forms of clothing as Malay dress, he will demonstrate that what really constitutes Malay dress is the manner in which it amalgamated and adapted different fashion styles”.

Details
9 January 2020 at 10:00am
Activity Room, Indian Heritage Centre, 5 Campbell Lane, Singapore

Contact the Textile Enthusiasts Group for further details and to register.

 

Kain panjang with Broken Dagger motif. © Go Tik Swan

Saint Louis Art Museum has a new exhibition, curated by Philip Hu, showcasing a selection of batik textiles from the island of Java dating from the mid-19th to the late 20th century. They include They include pieces “made for royal and aristocratic clientele, ceremonial use, and everyday fabrics worn by men and women.”

The video below gives you some idea of just how much painstaking work is required to complete a piece of batik.

 

Batik of Java: A Centuries Old Tradition; Courtesy of Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture

Details
13 December 2019 – 7 June 2020
Gallery 100, Saint Louis Art Museum, One Fine Arts Drive, Forest Park, St. Louis, Missouri
Admission free

 

Detail of a Qarajeh rug. © Tschebull Antique Carpets.

Next month Raoul “Mike” Tschebull will give a talk at the Hajji Baba Club, New York, on his new book Qarajeh to Quba: Rugs and Flatweaves from East Azarbayjan and the Transcaucasus. “Qarajeh…… is a small, isolated community at the end of a gravel road in eastern Azarbayjan, in northwest Iran. Although some limited weaving still goes on there, this famous weaving village is best known for its striking 19th century kennereh on wool foundations and its beautifully coloured cotton-foundation export rugs and carpets which were woven beginning in about 1900.” Tschebull Antique Carpets website.

Front cover of the book.

The book is published by Hali and showcases 70 pile carpets and flatweaves from his own collection, the majority of which have never previously been published. The images are by the leading textile photographer Don Tuttle.

Details
Tuesday 21 January 2020
The Coffee House Club, Sixth Floor, 20 West 44th St, Manhattan, NY

Contact the Hajji Baba Club for further details.

Imperial dragon insignia roundel with a five-clawed dragon. © David Rosier

A reminder that a series of Arts Society study days will take place at the Ashmolean Museum in Oxford from January to March. These are open to the public as well as members of the Arts Society and are likely to be very popular, hence the advance notice. Subjects include The Visual Art of Power and Rank at the Chinese Imperial Court (David Rosier) and Japanese History, Art and Culture (Suzanne Perrin). Click here for full details.

Finally I hope to see many of you at the Oxford Asian Textile Group AGM on Saturday 18 January at the Ashmolean Museum Education Centre. As usual the official business will be followed by the ever-popular Show and Tell session. Full details will be sent out to members via Eventbrite in January but in the meantime please make a note of the date!

 

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Events: Upcoming textile events

Several new talks and exhibitions coming soon….

Portrait of John Frederick Lewis. The cloth he is wearing features in the exhibition along with this portrait.

A new exhibition Inspired by the east: how the Islamic world influenced western art opened yesterday at the British Museum. It has been organised in conjunction with  the Islamic Arts Museum Malaysia, with the whole exhibition moving there in June 2020.

“The show takes a deeper look at the art movement of ‘Orientalism’ – specifically the way in which North Africa and the Middle East were represented as lands of beauty and intrigue, especially in European and North American art. Often blurring the lines between fantasy and reality, Orientalist art reached its heyday in the mid-1800s, as Europeans and North Americans were looking overseas to fundamentally learn more about other cultures, but its popularity had faded by the 1940s with the decline of the British Empire.” British Museum website.

Julia Tugwell, co-curator Middle East, has written an excellent blog on the subject here.

Location: Room 35, British Museum, Great Russell Street, London, WC1B 3DG. 10 October 2019 – 26 January 2020.

 

Dr Fiona Kerlogue will give a lecture to the Oriental Rug and Textile Society (ORTS) in London on 16 October on the subject of Malay Gold Thread Embroidery from Jambi on Sumatra. Focussing on a collection at the Horniman Museum in London Dr Kerlogue will “explore the historical evidence for the influence of trade connections and the colonial presence on the materials and style of gold thread embroidery in Malay Sumatra, and explain the contexts in which the embroidered pieces were used.” ORTS website.

Location: St James Piccadilly Conference Room, 197 Piccadilly, London W1J 9LL 18:00

 

Andrea Aranow will be lecturing on Japanese Textiles in Philadelphia on 20 October. She will be looking at how patterned kimono cloth is produced from a variety of fibres including cotton silk and bast fibres. With over 200 examples from her collection available to view this should be a very enlightening session. Full details can be found here.

Location: Rikumo, 1216 Walnut St., Philadelphia, PA 19107 14:00-15:30

On Saturday 26 October Dr Elena Phipps will give a presentation to the Textile Museum Associates of Southern California (TMA/SC) entitled Sacred Surfaces: Carpets, Coverings and Mesas in the Colonial Andes. 

“Textiles formed the surfaces of Colonial life in the Andes, and especially those associated with ritual and faith relating to the sacred realms of Christian as well as indigenous religious contexts. Carpets—woven of knotted pile or flatwoven tapestry– were not in themselves a form used in the region prior to the Spanish arrival. But these were introduced very early on in the 16th century by the Spanish who brought with them examples produced and influenced by Hispano-mooresque and Middle Eastern traditions. Andean weavers adapted to the form and techniques of their production, creating remarkable examples that manifest the complex interchange of the period.” TMA/SC Newsletter

Location: Luther Hall, Lower Level St. Bede’s Episcopal Church, 3590 Grand View Blvd. Los Angeles. 26 October 09:30 refreshments, 10:00 programme. Open to all with no reservations required.

Back in the UK Stefano Ionescu will deliver the annual May Beattie lecture at the Ashmolean Museum, Oxford on 30 October. The title of the lecture is Anatolian Rugs in Transylvanian Churches: In the Footsteps of May Hamilton Beattie, and it is co-sponsored by Hali.

Location: Headley Lecture Theatre, Ashmolean Museum, Beaumont Street, Oxford OX1 2PH 17;00-18:00 followed by a reception. Please note – this talk is free but booking by 23 October is essential.

An exciting new exhibition has opened recently at the Pushkin Museum in Moscow. Entitled East Jazz it presents “more than 30 unique Central Asian robes and fabrics from the collection of Alexander Klyachin and more than two dozen canvases of post-war abstract painting, collected by Swiss collector Jean Claude Gandyur. Having expanded and supplemented the exposition with works from the collections of the Pushkin Museum to them. A.S. Pushkin and the Paris Pompidou Center – Museum of Modern Art – Center for Industrial Design, exhibition curators will talk about the interaction of eastern and western cultures.”

Location: The Pushkin State Museum of Fine Arts, Ulitsa Volkhonka, 12, Moscow, Russia, 119019. 01 October – 15 November 2019

Looking ahead, next year the V&A will have a major exhibition on Kimono: Kyoto to Catwalk tickets for which have now gone on sale. “This exhibition will present the kimono as a dynamic and constantly evolving icon of fashion, revealing the sartorial, aesthetic and social significance of the garment from the 1660s to the present day, both in Japan and the rest of the world.” (V&A website). Full details can be found here.

Location: Victoria and Albert Museum, Cromwell Road, London SW7 2RL. Opens 29 February 2020.

 

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Exhibition: Designing Spitalfields Silks

Exhibition dates: 14 September – 20 October 2019

The remit of this group is, strictly speaking, Asian textiles so I realise I am stretching things here blogging about an early 18th century designer of Huguenot descent living in Spitalfields, London, but some of his designs are clearly influenced by other areas – just look at this gorgeous depiction of a pineapple!

James Leman was born in 1688 and most of his designs were produced in the first quarter of the 18th century. The V&A has a wonderful album containing 97 different designs, many of them with very vibrant colour schemes. The album was in a poor condition and had clearly been rebound too tightly, causing damage to 77 of the drawings. In 2002 the album was disassembled. In 2016 this was chosen as the subject of a multi-disciplinary research project, the intention being to digitally reproduce its contents.

Later the V&A were able to acquire an example of silk which 300 years ago had been woven from one of the designs in this album. This has given them an amazing opportunity to see how the designs on paper were translated into an actual piece of fabric.

The paper design on the left and the fabric on the right.

Lots of further analysis was done on the dyes used in this textile. Among those identified were indigo, weld, cochineal, annatto and safflower. As Lucia Burgio points out in her blog “The results of the dye analysis paint a nice picture of the trade links that London, or at least the dyers which provided coloured silk yarns to the weavers of Spitalfields (where James Leman lived and worked), had with the rest of the world: weld was likely cultivated in Europe, indigo could have originated from both Asia and South America, cochineal was definitely from South America and safflower was originally from the near East. Annatto was originally from South America, but its cultivation had already spread to Southern Europe well before Leman was active.”

The colours used in the paper designs were also analysed and it was found that large quantities of arsenic glass were used to produce the vibrant orange colours.

For more information go to the V&A website or follow the links in this blog to a variety of V&A articles.

Location: NAL Library Landing, Victoria and Albert Museum, London.

 

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Event: Exploration and Experimentation – Nineteenth-Century Photography of India 


Event date: Thursday 14 September, 6pm

SADACC (South Asian Decorative Arts & Crafts Collection) in Norwich, UK, invites you to an evening talk by Divia Patel, Curator, Asia Department, V&A.

Photography was introduced to India in the 1840s by European enthusiasts keen to experiment with this new technology abroad. During the following decades the development of the medium in the region was driven by war, commerce, political ambition and the pursuit of artistic excellence. In 1852 Dr John McCosh took the first photographs of Burma and just over a decade later Samuel Bourne captured the summit of the Manuring pass in the Himalayas. Using the V&A archives, this illustrated lecture will explore these and other fascinating stories behind some of the most important photographs of the region.

Divia Patel is Senior Curator for the Asian Department of the Victoria and Albert Museum (V&A), London. Divia is well known for her research on photography and film in India, and also for working with textiles and fashion, including her work for the recent Fabric of India exhibition at the V&A.

This is a free event and refreshments will be provided.

Please RSVP by Friday 8 September to info@sadacc.co.uk, or phone 01603 663890.

Exhibition: Lockwood Kipling – Arts and Crafts in the Punjab and London

va-john-lockwood-kipling

Exhibition dates: 14 January – 2 April 2017

Explore the life, work and lasting impact of John Lockwood Kipling (1837–1911), an artist, teacher, curator and influential figure in the Arts and Crafts movement. Lockwood Kipling was a social campaigner for the preservation of the Indian crafts, a craftsman whose terracotta panels can still be seen on the exterior of the V&A and an illustrator of books by his son, the renowned writer Rudyard Kipling.  This exhibition uncovers the history of the V&A’s collections through the life of Lockwood Kipling who played a significant role in shaping the foundation collection.  Highlights include paintings of the Indian section of the Great Exhibition, designs and illustrations for books, and furniture designed for royal residences Bagshot Park and Osborne.

For more information, visit the website of the V&A Museum, London.

Exhibition: The Tales we Tell – Indian Warli Painting

V&A - Indian Warli Painting

Exhibition dates: open until 6 November 2016

This exhibition presents a rare insight into Warli, a tribal art form from Western India. Drawing on a store of tribal memory, myths and everyday life, it has evolved from restricted ritual drawings into an applied art in the process of transition. Focusing on the innovative style of Jivya Soma Mashe, who opened up the traditions of Warli to a new iconography, and his follower Ramesh Hengadi, who has developed his own distinctive style in response to changes in community life, and a shift in local markets and global economies.

Also featuring a film by artist, Johnny Magee, reflecting on Mashe’s practice and daily life. An installation created through a pictorial exchange between pupils at Redlands Primary School, Tower Hamlets, and a village school in Dahanu, Thane. The children use the accessible narrative language of Warli to tell each other stories about their respective lives.

The Tales we Tell: Indian Warli Painting is part of the V&A India Festival.

For more information, visit the website of the Victoria and Albert Museum, London.

Exhibition: Bejewelled Treasures – The Al Thani Collection

 

V&A - Bejewelled Treasures

Exhibition dates: 21 November 2015 – 10 April 2016

This exhibition showcases over one hundred exceptional jewels, jewelled artefacts and jades from the Al Thani Collection.

The pieces range in date from the early seventeenth century to the present day, and were made in the Indian subcontinent or inspired by India. They include spectacular precious stones, jades made for Mughal emperors and a gold tiger-head finial from the throne of the South Indian ruler Tipu Sultan.

Objects from the collections of the Nizams of Hyderabad show the influence of Western techniques and gem cutting on the work of Indian jewellers. Famous jewels from leading European houses such as Cartier reveal the more significant impact of India on Art Deco jewellery in the early twentieth century.

These bejewelled treasures highlight the exceptional skills of goldsmiths within the Indian subcontinent. The most recent pieces by jewellers such as JAR and Bhagat also demonstrate that cross-cultural exchanges continue to inspire contemporary jewellery design in India and Europe.

For more information, visit the website of the V&A Museum, London.