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This week members of the OATG were scheduled to visit the Mediterranean Threads exhibition at the Ashmolean Museum in Oxford. For obvious reasons this was not possible. However a virtual tour has now been made available online.
Linen and silk bed valance fragment with cockerel. Northern Sporades, 18th century. EA1960.153. ©Ashmolean Museum.
Mediterranean Threads – Greek Embroideries 1700-1900 AD gives us a flavour of the hugely diverse textiles being created across the Greek islands and mainland using a variety of techniques. As houses often consisted of just one room, bed curtains were essential to provide some privacy. These provided an ideal way to decorate the home and showcase the skill of the occupants. The exhibition also looks at possible links between the Greek embroidery and that of the Egyptians, and trade links with Venice and other areas. I was struck by the similarity between a textile from Naxos and the embroidery I have previously seen in Fez, Morocco. Do make sure you click to see the images in full screen to fully appreciate them.
Douwe Klaas Wielenga (1880-1942) of the Dutch Reformed Church.
From a current exhibition to one that ended decades ago. Leven en Dood op Sumba (Life and Death on Sumba) was an exhibition held at the Museum of Ethnology in Rotterdam in 1965/66. The majority of the exhibits were collected by the missionary Douwe Klaas Wielenga between 1904 and 1921 and have been held by the museum ever since. A 32 page introduction to the exhibition was written by the late Monni Adams.
This is a great opportunity to see a collection of textiles with a well-documented provenance. Please note – I copied this video a couple of years ago and omitted to note where it came from. I have searched unsuccessfully to find the source, so uploaded the video myself. If anyone can tell me the original source I will obviously link to that instead.
19th century Ainu robe made from elm bark fibre and cotton. ©Thomas Murray
I’ve written previously about Textiles of Japan: The Thomas Murray Collection – a weighty tome in every sense. An interesting article about this book and its author by Andrea Marechal Watson can be found here. Ainu robes are very striking and were made using a variety of materials including nettles, hemp, salmon skin, cotton and elm bark.
A wonderful set of photos of contemporary Ainu people by Laura Liverani was produced for an exhibition which took place in Sydney last year. I was particularly drawn to the image of Kazunobu Kawanano, an elder photographed outside of his home wearing a traditional robe.
Another exciting development is the opening of the new museum in Hokkaido prefecture celebrating Ainu culture – thanks to Tom Murray for sharing this information. This video was taken last week when local people were invited in small groups to see the museum before it opens to the public – date to be confirmed.
This photo of the exhibition gives some idea of the size of the pieces.
The Historical and Ethnographical Museum in Switzerland has now reopened its doors and has an exhibition entitled Manzandaran Kilims: Unknown Flat Fabrics from Northern Persia. A few examples of these strikingly modern textiles can be seen in this article in Selvedge. These kilims were created in around 1900 and have a real freshness and vibrancy.
And finally the Californian Lutheran University will be hosting a webinar tomorrow evening (19 June 2020) by Dr Sam Bowker who will be discussing the Tentmakers of Cairo. The good news for those of you in the wrong time zone is that the lecture is being recorded and will be available to view online this weekend. Go to the university website for more details.