More textile related events, some of which are filling up fast!

Please note that the best way to view this blog is by clicking on the title, which takes you to our WordPress site. The video links do not always open if you read this as an email.

A new exhibition dedicated to Mediterranean Embroideries opened this week at the Fitzwilliam Museum in Cambridge.

“This display showcases a range of textiles from across the Mediterranean world and explores the embroidery practices that connect them. Mostly created by women, these lively and decorative textiles provided a means of self-expression for women and girls of all ages. Generation after generation of makers handed down their needle skills, creating pieces that reflected personal tastes, social standing and community affiliation.

In the main, the embroideries were made for use in the home, as cushions, towel ends, bed tents, or as clothing.

Common features included ships, vases, fantastical beings, humans, birds and even words, while other motifs denoted regional differences. Some patterns travelled, appearing on other objects, such as ceramics, from opposite ends of the Mediterranean.” – museum website

Next Wednesday lunchtime, 26 April at 12:30 BST, there will be a hybrid event when historian Elizabeth Key Fowden will talk about collectors of Mediterranean textiles in the new Fitzwilliam display Mediterranean Embroideries and discuss the short film made for the display Running threads, dancing bodies, featuring the life of a contemporary Greek collector and maker, Andreas Peris Papageorgiou.

This six-minute film tells the story of his collection. Peris is unusual in that he is both a maker and a collector, an artist who has spent his life collecting the last remnants of a once vibrant tradition and at the same time keeping them in use, outside the museum, by having his own dance troupe wear his collection for performances.

There is a small charge of £5, and booking is essential. Please ensure you book through the correct link – in person attendance or online attendance.

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The next OATG event takes place on Thursday 27 April 2023. This will be an online presentation by independent scholar Thweep Rittinaphakorn, better known to his friends as Ake. His subject will be Frontiersmen of the Crossroad: The Fusion Style of Shan Chinese Dressing.

“Chinese Shan costumes, particularly those of females, are a crossbred fusion between the tradition of Tai apparel and Chinese style adornment and adaptation. The most outstanding items among the repertoire are the female festive skirts. They provide a stunning sight to those who have seen them. They have profuse, eclectic, and gaudy decoration, incorporating different material and embellishment techniques, unlike any other kind.

Relying on photographic evidence taken at the turn of the century, old books & early traveling memoirs, plus current dressing practice and physical material evidence drawn from private collections, this talk will first provide an initial backdrop of Chinese Shan culture, then dive deep to discuss their dressing style, accoutrements, plus embellishing technique and the materials used.”

Ake is an independent scholar whose work focuses mainly on textiles and arts history of mainland Southeast Asia. He curates The Siam Society’s textile collection and is a regular speaker to the Siam Society, Thai Textiles Society, and The Bangkok National Museum Volunteer group.

Please note that this programme begins at the earlier than usual time of 1630 BST, as our speaker is in a different time zone. Full details and registration for this event can be found here. It is of course free for OATG members, but there is a small charge for non-members.

Example of a festive tube skirt used by Chinese Shan ladies from Dehong area, Yunnan with sumptuous decorations of silk satin panels, miniature applique trimming, and embroidery panels.

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The annual May Beattie lecture will take place on Friday 5 May 2024 at 17:00 BST at the Ashmolean Museum in Oxford and will be followed by a reception. Dr Jessica Hallett from the Gulbenkian Museum in Lisbon will be the speaker and her subject is Knotting Threads Across the Warps of Time: Safavid Carpets in Europe 1600-1900. This annual lecture is free to attend, but you do need to confirm your attendance. For more details click here.

‘Portuguese’ Carpet, Iran, early 17th century, MAK, Austrian Museum of Applied Arts, Vienna, © May Beattie Archive, Ashmolean Museum, Oxford

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An exciting new exhibition at the Seattle Art Museum. Ikat: A Compelling World of Cloth runs until 29 May 2023 and showcases over one hundred examples of textiles from across the globe using the ikat technique. These include hangings and coats from Uzbekistan, kimono from Japan, ponchos from Bolivia and several textiles from across Indonesia. In this interview curator Pam McCluskey gives a glimpse into this exhibition.

On Saturday 6 May 2023 the Textile Museum Associates of Southern California will host an online programme by collector David Paly, whose textiles form the basis of this exhibition.

“Deceptively simple or fantastically intricate, ikat technique has been used for many centuries to create extravagant costumes and cloths of deep cultural meaning. The distinctively blurred, feathered or jagged patterns of ikat tie-dyed textiles are found across much of the world—from Japan in the east to Central and South America in the west, with vast areas of Southeast Asia, India, Central Asia and the Middle East in between. The traditional patterns still hold cultural relevance today in significant parts of the long-established ikat-weaving areas. Textile artists and fashion designers in many and varied countries have taken ikat in new directions, respecting traditional forms and palettes while creatively diverging from them. 

Dr. David Paly has assembled a comprehensive group of textiles representing all of the cultural traditions that used the ikat technique, and which has morphed into a collection of over 500 pieces. More than 140 of them are currently on display at the Seattle Art Museum in “IKAT: A World of Compelling Cloth.”  In this talk, he will walk us through highlights of his collection from the many places they were made.

This free online talk, entitled Global Ikat: Roots and Routes of a Textile Technique, begins at 10:00 PT, 13:00 ET, and 18:00 BST and you can register for it here.

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Also taking place on 6 May is the next World Textile Day event, this time at Kings Sutton in Oxfordshire. These are always lively events, which include a textile market and talk. The speaker this time is Susan Briscoe, whose topic will be Sashiko Patterns: The Imperial Connection. Dealers include Martin Conlan of Slow Loris, the African Fabric Shop, Textile Traders, Khayamiya and Fabazaar. Click here for more details.

Examples of the sort of textiles available there

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Finally, London Craft Week runs from 8-14 May 2023. There is an extensive programme of events and exhibitions to gladden the heart of anyone who appreciates craftsmanship. There are 213 events listed in the programme and, to be honest, I think the only way to approach this is to scroll through the whole list – you never know what might intrigue you! Highlights for me included Sarawak Basketry, Iban pua’ kumbu, Crafts of Qatar, Malaysia’s Heritage Crafts and Textiles and Baskets of Taiwan (which includes reproductions of Taiwanese textiles woven by OATG member Tsai Yushan). Settle down with a cup of tea and decide which events appeal to you – but don’t leave it too late as some of these are booking up fast!

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I’m heading off to Indonesia soon to co-lead another textile tour so might not have time to write lengthy blogs. However I will still be sharing information about forthcoming events on the OATG Facebook page, so why not follow us there or on our new Instagram page?

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A selection of textile events happening now and coming soon

There are several new exhibitions opening soon. The first of these is Gathering at the Textile Museum of Canada in Ontario. This exhibition features community stories and “explores themes related to migration and diaspora, the search for comfort in the domestic and familial, reclamation of ancestral traditions through contemporary artistic responses, and the relationship between textiles and the environment. The Museum is pleased to showcase new acquisitions in this initial installation, including a 19th century Ainu attush robe from Hokkaido, Japan, and eight beaded works by Vancouver-based, Anishnabekwe artist Bev Koski.”

An opening celebration will take place on 2 April from 1400 to 1700 and you can book for it here.

Left – Jacket, Zaanstreek, Netherlands, 1775-1780, cotton, linen, metal; plain woven, block printed, painted, hand-sewn. Gift of Dr. Howard Gorman, T92.0318. Right – Francisco Carillo, Untitled, 1940-1990, Huichol, Nayarit, Mexico, wood, beeswax, wool. Gift of Penny Bateman, TS03.23.124. ©Textile Museum of Canada.

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Next Friday, 31 March, sees the opening of a new exhibition at the Museum of the Palestinian People in Washington DC. The exhibition is entitled Tatreez Inheritance: Preserving Palestinian Cultural Heritage in 75 Years of Exile. This exhibition, which marks the curatorial debut of Wafa Ghnaim, “examines the presence of Palestinian embroidery in the United States through a diasporic lens, asserting and affirming the power of material culture and art history in preserving a nation’s identity. Over the past 75 years, the dispossession, displacement and dispersion of the Palestinian people across the globe has circulated precious textiles and dresses throughout Europe and North America.”

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The exhibition currently showing at the St Louis Art Museum is Fabricating Empire: Folk Textiles and the Making of Early 20th century Austrian Design, which runs until 28 May. It “examines the relationship between the development of Central European folk costume and Austrian modern design, especially the textile department of the Wiener Werkstätte, or Vienna Workshops……. The exhibition considers new scholarship that suggests the imperial government was at the center of promoting and appropriating folk art across the empire as it attempted to create an all-embracing identity for its diverse subjects and fragmented territories.” – Museum website

Czech; Girl’s Ensemble (Kroj Severokyjovsky), c.1945; embroidered cotton and miscellaneous fabric with beads, sequins, and lace trim, Saint Louis Art Museum, Collection of Marvin E. Moehle 2022.189a-h

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The Hajji Baba Club are once again inviting applications for their annual Research Fellowship, which this year is worth $7500. Candidates should be involved in primary research in the field of carpet studies. This is an exciting opportunity and the deadline for submissions is 28 April 2023. Click here for full details of how to apply and what the criteria are.

Niched PrayerRug,Western China, 19th century,Wool pile, 681 x 117 cm (268 x 46 in.), Private Collection

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Next Saturday, 1 April 2023, is a very busy day for textile events. In the UK the first World Textile Day event of the year takes place at East Horsley in Surrey and as usual features some excellent dealers and speakers. The OATG’s very own Gavin Strachan (editor of Asian Textiles) will be giving a talk on Textiles of the Balkans, and showing examples from his own collection. Some of you will be aware of Gavin’s passion for the textiles of this area from our Show and Tell sessions. Dealers at this event include the inimitable John Gillow, Martin Conlan of Slow Loris and Diane and Jim Gaffney of Textile Traders.

For full details of this event please check out the WTD website – be sure to get there early for the choice of the best textiles!

Women near Prizren. Autochrome Auguste Léon, May 1913. Musée Albert-Kahn.  The background kilim is probably Pirot, Serbia 19th century, from the collection of Gavin Strachan.

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Next to some online events – two of which take place on Saturday 1 April. The first of these is a talk by Deniz Coşkun as part of the Rug and Textile Appreciation mornings at the Textile Museum in DC. His subject will be The Legacy of Anatolian Wool.

“Sheep have been raised in Anatolia since 9000 BCE, and the nomadic people caring for them became masters of wool. Until the 1970s, pastoral nomadism was the preferred lifestyle of a significant number of the Anatolian population, and wool remains one of the primary products of the area……. In this virtual talk, Deniz Coşkun will examine properties and qualities of wool through different techniques such as shearing, bowing, combing, spinning and weaving. Coşkun will focus on pile carpets from throughout Anatolia, woven by nomadic groups who mastered the properties of wool in a clever and aesthetic way.” – Museum website.

Click here for more details, and to register for this talk which begins at 11am EDT (8am PDT, 1600 BST).

© Deniz Coşkun

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The next online event that day is a virtual visit to the weavers of Cusco, organised by Andean Textile Arts and Centro de Textiles Tradicionales del Cusco (CTTC). They are “teaming up to bring the weavers and their work to you through a special online presentation by Nilda Callañaupa Alvarez, founder and director of the CTTC. Nilda will introduce us to each of the communities through their distinct textile techniques and designs. She’ll also talk about recent revitalization projects and show us some amazing pieces produced through community collaboration.”

Click here to register and to find out more. Please note that the first sixty people who register will also receive an invitation to a special online shopping event featuring Cusco textiles, immediately after the talk. 

© Andean Textile Arts

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The University of Pennsylvania is hosting this talk on Tuesday 4 April, which intrigued me. It is entitled Cultural Heritage and War: What Can Be Done? and the speaker is Dr Brian I Daniels, Director of the Penn Cultural Heritage Center.

“Intentional destruction of cultural heritage is designed to erase people from history and has become an all too familiar feature of contemporary violence. Recent cases appear frequently in the news: the 2001 demolition of the Bamiyan Buddhas in Afghanistan; the 2012 destruction of Sufi shrines in Timbuktu, Mali; the obliteration of historic sites across Syria and Iraq; and cultural targeting by Russia in Ukraine. It often seems like nothing can be done. But there are ways that cultural workers and the international community can step in to help. Join us as we explore how.” – University website.

This event takes place at noon ET, which is 1700 BST, and you can register for it here.

One of the badly damaged Buddha statues at Bamiyan

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The final talk I want to highlight in today’s blog is hosted by the World Shibori Network Foundation and features Jorie Johnson as the speaker. It is part of their Conversations with Cloth series looking at Treasured Felts and takes place on Thursday 6 April 2023. In this particular episode Jorie will discuss Red Felts and Shibori-dyed Felt rugs in Japan: Tea Ceremony and Festive Occasions.

“Primarily a Japanese import, red “Himosen” can be dated by standing screen (byobu) and hanging-scroll (kakijiku) images of cherry blossom viewing and outdoor Kabuki and dance performances, as found in collections in Japan and abroad. Could these be the origin of the term “red carpet treatment”? Brightly dyed shibori felts, referred to as mokosen also punctuate the autumn and winter seasons. Jorie will discuss the interesting 1804 Nagasaki felt workshop, once on the premises of the Mizu Shrine, documenting Chinese artisan felt rug making and dyeing techniques described in a lovely hand-written diary re-published by Kansai University.” – WSNF website

This online talk takes place at 1500 PST , 1800 EDT and 2300 BST. Participants will also receive a code to access a complimentary recording of the event, which will be available to them for three days. Click here for full details and registration.

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Evenki, Malay, Indian, Indonesian and Afghan textile-related events

A new display has recently been created at the Pitt Rivers Museum in Oxford. The subject is Wandering in Other Worlds: Evenki Cosmology and Shamanic Traditions. Through the use of virtual reality headsets, visitors are able to learn more about this “diverse cultural group living across Northern and Central Asia. They are primarily reindeer-herding and hunting people, although in the steppes, Evenki took up horse herding, while in the Arctic, fishing became an important occupation.

Photograph of an Evenki shaman with diur (drum), taken by Maria Czaplicka, 1914-1915

“In 2019, artist Anya Gleizer, researcher Pablo Fernandez Velasco and anthropologist Jaanika Vider journeyed to Evenkia in the Siberian Arctic, retracing the route of an expedition led by anthropologist Maria Czaplicka in 1914–15. Using a VR headset and digital versions of the Museum’s collections, the team hoped to learn more about the objects Czaplicka had brought to Oxford a century before. Swiping through photographs on an iPad and visiting Oxford via the VR headset, locals in Chirinda and Tura shared their stories with them.” Pitt Rivers website

I’m glad to learn this display will be in place until September 2023, as it gives me the chance to read Undreamed Shores – The hidden heroines of British anthropology by Frances Larson, which features the life and work of Maria Czaplicka among others. See this earlier blog for more details.

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OATG members will be delighted to learn that three more talks have been added to the password-protected Members Resources section of our website. This can be found under Events. New members (from the UK and further afield) are always welcome to join this small but growing group of textile enthusiasts. Click here to find out more.

Recordings of these three lectures are now available for OATG members in the Member’s Resources section of our website.

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Thanks go to Sandra Sardjono for alerting me to this webinar, taking place on Thursday 6 October, which has an interesting line-up of speakers. The topic is Safeguarding Textile Heritage and it begins at 19:30 Indian Standard Time, which is 15:00 BST. Click here for more details and to register.

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Lovers of Indonesian textiles who are able to visit Switzerland next month are in for a treat. Collector Georges Breguet, who has written recently for our Asian Textiles journal, is exhibiting some of his cloths from the island of Sumba at Vésenaz near Geneva.

The exhibition will open on Saturday 8 October and close on Sunday 23 October – just a short run so don’t delay.

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Also taking place on 8 October is World Textile Day – South of England. The venue is Brockenhurst Hall in Hampshire and as usual there will be an exciting selection of textiles for sale from a variety of different traders.

John and Joan Fisher of Khayamiya with some of their Egyptian wall hangings.

Entrance is free, but there is a small charge should you wish to attend any of the talks – highly recommended. Click here for further details.

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Saturday 8 October is proving to be a very busy day! The New England Rug Society will host a Zoom talk by Luca Emilio Brancati on the subject of Afghan War Rugs 1979-2022. He will examine how these rugs have developed from the Russian period until now. Dr Brancati is the co-author of this book on the subject, and in 1988 organised the first exhibition of Afghan war rugs .

“The Afghan carpets from Luca Emilio Brancati ‘s Turin collection have the particularity of portraying in their decorations the instruments of war common in Afghanistan after the 1979 Soviet invasion. These rare and extraordinary “textile documents” testify to the vitality of the culture of carpet in Afghanistan and the ability of the local nomadic and village manufacturing, capable of capturing new suggestions for carpet decoration from the environment in which it lives.

The Turin collection on the carpets of the Russo-Afghan war was the first of its kind to be exhibited for the first time thirty years ago in Milan and is the only one consisting of carpets exclusively made before the withdrawal of the Soviet army from Afghanistan.”

Photo ©La Repubblica. From an exhibition held at the Palazzo Lascaris in Turin.

The talk begins at 13:00 ET, which is 18:00 BST, and you can register for it here.

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On Sunday 9 October John Ang will be giving a Zoom talk for the International Hajji Baba Society on Splendors of Malay World Textiles – the subject of his current exhibition in Kuala Lumpur. The exhibition has seven hundred textiles, divided into twelve major categories, plus textiles from other countries, which relate to these Malay examples.

John with a display of some of his textiles

This article from Malay Mail gives a further insight into John and his collection. The talk takes place at 17:00 EDT, which is 22:00 BST and you can register for it here.

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This Sunday is also the date of the annual Textile Society London Antique and Vintage Textile Fair.

“The Textile Society London Antique Textile Fair offers an outstanding range of vintage fashion, antique textiles and costume sourced from around the world. Textiles from the 18th century up to the swinging 1960s and 70s, furnishings including pre-1950s rugs, and unique fashion accessories can be found here. Visitors can explore the fair for secondhand books, ephemera and advice on textile conservation.

Whether a textile designer or student looking for design inspiration, a collector looking for a unique addition, or just a visitor wanting to browse beautiful materials and objects, this fair cannot be missed.” Textile Society website.

A selection of textiles that will be available from Slow Loris. ©Martin Conlan

The location is Chelsea Old Town Hall on the Kings Road SW3 5EZ. The Fair is open to the general public from noon, but early entry from 10:00 is available to Trade, Early Bird ticket holders and Textile Society members. Click here for more details.

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Textile events and articles featuring Indonesia, the Philippines, Kazakhstan and Ukraine

The next OATG talk takes place this Thursday, 29 September 2022, so you don’t have long left to register for it!

The speaker is Fiona Kerlogue, who was a lecturer at the University of Jambi in Sumatra and later Deputy Keeper of Anthropology at the Horniman Museum. She is now a Research Associate at SOAS, has published widely on the arts of Southeast Asia . This is sure to be a fascinating talk by an acknowledged expert in her field. Her subject for this particular talk is Translating textiles: The Indonesian collections of Josef Šrogl.

Náprstek Museum collection

“Museum collections in Europe contain large numbers of textiles brought back from various parts of Asia by travellers and European overseas residents, who collected them in a variety of circumstances, not often recorded in the museum documentation. Family correspondence held in the Náprstek Museum, [National Museum], Prague, from one such collector, Josef Srogl, who was collecting in the Dutch East Indies between 1895 and 1922, was passed to the museum at the same time as much of his collection, providing insights into the journey through which the textiles passed. Many of the perspectives of the collector, information about the available sources, insights into his criteria for selection and his thoughts about the intended uses for the textiles are revealed.” This Zoom talk will take place on Thursday 29 September at 18:30 BST.

It is free for OATG members, but there is a small charge for non-members. You can find more details and register for it here.

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The next World Textile Day event is this Saturday 1 October at Saltford near Bristol. Entry to the exhibition and sale is free, but there is a small charge for attendance at the talks – two on sashiko and one on textile trappings.

These events are always very busy, so you are advised to get there early! Full details of the location and facilities, plus a list of vendors can be found here.

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I really enjoyed reading this beautifully illustrated article by Gino Gonzales from the autumn edition of Arts of Asia. The author, Gino Gonzales, “traces the nuanced evolution of the country’s dress and explores how this reflects the psyche of its people”. The full version of The Philippine Dress: 500 years of Straddling Polarities is now available to read here.

Una Mestiza de Manila Vestida de Gala, after Damian Domingo, circa 1820s–1830s, gouache on pith paper, 22.6 x 15.6 cm. Ayala Museum Collection. Arts of Asia

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Many of our members have really missed getting together in person. Next Thursday, 6 October, we have our chance with the long-awaited talk by Maria Wronska-Friend (originally scheduled for April 2020). Maria is currently based in Australia, and we are delighted to be welcoming her to Oxford for this in-person talk. Her subject is Kimono and Sarong: Four centuries of Japanese and Indonesian textile connections.

“The exchange of textiles between Japan and Indonesia was initiated probably in the 17th century by the Dutch traders who, until 1868, had a monopoly in the trade with Japan. As the trade goods used to be dispatched from the ports of Java, at times textiles destined for Indonesian markets were sent to Japan where they became highly treasured goods, incorporated into local dress or used in the tea ceremony. At the same time, at least from the beginning of the 19th century, residents of Java highly treasured Japanese katagami fabrics brought to Batavia as a return cargo from Nagasaki.”

Hand-drawn batik on silk made in 2018 in Yogyakarta, Central Java, for the Japanese market. Private collection

The location for this talk, which begins at 18:30 BST, is the Pauling Centre on Banbury Road, Oxford. It is free for OATG members, but there is a small charge for non-members. You can find more details and register for it here.

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Lovers of Indonesian textiles who are able to visit Switzerland next month are in for a treat. Collector Georges Breguet, who has written recently for our Asian Textiles journal, is exhibiting some of his cloths from the island of Sumba at Vésenaz near Geneva.

The exhibition will open on Saturday 8 October and close on Sunday 23 October – just a short run so don’t delay.

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Also taking place on 8 October is World Textile Day – South of England. The venue is Brockenhurst Hall in Hampshire and as usual there will be an exciting selection of textiles for sale from a variety of different traders.

John and Joan Fisher of Khayamiya with some of their Egyptian wall hangings.

Entrance is free, but there is a small charge should you wish to attend any of the talks – highly recommended. Click here for further details.

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Finally, another article which I recently read and enjoyed. In this issue of Voices On Central Asia the author, Snezhanna Atanova interviews Ukrainian archaeologist Tatiana Krupa, about What Can Golden Horde Fabrics Tell Us About Histories Of Kazakhstan And Ukraine?

Silk textile with Byzantine embroidery from excavations of the 12th-century Polovtsian burial mound Vesela Grave (Kharkiv region, Ukraine) © Tatiana Krupa

Upcoming fairs and talks

Tribal Art London – London’s leading Ethnographic Fair – opened today. Over twenty exhibitors are taking part, including OATG members Cordelia Donohoe and Joss Graham. The venue is the Mall Galleries near St James’s Park and tickets are free.

A vibrant nineteenth century Tashkent Paliak suzani

It was supposed to run until 18 September, but will now close at 17:00 on 17 September due to the funeral of Queen Elizabeth II. Click here for more details.

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A reminder of a hybrid talk, which will take place in person in Oxford, as well as on Zoom. On Wednesday 21 September anthropologist and author Frances Larson will talk about her book Undreamed Shores: The Hidden Heroines of British Anthropology.

“In the opening two decades of the twentieth century, at a time when women were barely recognized at the University of Oxford, five women trained at the Pitt Rivers Museum and became Britain’s first professional female anthropologists. Between them, they did pioneering research in Rapa Nui (Easter Island), Siberia, Egypt, the Solomon Islands, Papua New Guinea, and the pueblos of southwest America. Through their work they challenged the myths that constrained their lives. Yet when they returned to England, they found loss, madness and regret waiting for them.” – PRM website

The talk begins at 18:00 BST and you can register for either the in-person event or an online ticket here.

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The speaker for our next OATG talk is Fiona Kerlogue and her subject is Translating textiles: The Indonesian collections of Josef Šrogl.

“Museum collections in Europe contain large numbers of textiles brought back from various parts of Asia by travellers and European overseas residents, who collected them in a variety of circumstances, not often recorded in the museum documentation. Family correspondence held in the Náprstek Museum, [National Museum], Prague, from one such collector, Josef Srogl, who was collecting in the Dutch East Indies between 1895 and 1922, was passed to the museum at the same time as much of his collection, providing insights into the journey through which the textiles passed. Many of the perspectives of the collector, information about the available sources, insights into his criteria for selection and his thoughts about the intended uses for the textiles are revealed.”

Náprstek Museum collection

This Zoom talk will take place on Thursday 29 September at 18:30 BST. It is free for OATG members and there is a small charge for non-members. You can find more details and register for it here.

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The next World Textile Day event is on Saturday 1 October at Saltford near Bristol. Entry to the exhibition and sale is free, but there is a small charge for attendance at the talks – two on sashiko and one on textile trappings.

These events are always very busy, so you are advised to get there early! Full details of the location and facilities, plus a list of vendors can be found here.

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On Thursday 6 October we have the long-awaited talk by Maria Wronska-Friend, which was originally scheduled for April 2020. Maria is currently based in Australia, and we are delighted to be welcoming her to Oxford for this in-person talk. Her subject is Kimono and Sarong: Four centuries of Japanese and Indonesian textile connections.

“The exchange of textiles between Japan and Indonesia was initiated probably in the 17th century by the Dutch traders who, until 1868, had a monopoly in the trade with Japan. As the trade goods used to be dispatched from the ports of Java, at times textiles destined for Indonesian markets were sent to Japan where they became highly treasured goods, incorporated into local dress or used in the tea ceremony. At the same time, at least from the beginning of the 19th century, residents of Java highly treasured Japanese katagami fabrics brought to Batavia as a return cargo from Nagasaki.”

Hand-drawn batik on silk made in 2018 in Yogyakarta, Central Java, for the Japanese market. Private collection

The location for this talk, which begins at 18:30 BST, is the Pauling Centre on Banbury Road, Oxford. It is free for OATG members and there is a small charge for non-members. You can find more details and register for it here.

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Female anthropologists, textiles and carpets from India, Indonesia and Persia, an exciting textile fair and curating opportunity…..

On Saturday 10 September experts from the World Textile Day team will descend on The Guild Hall in Chipping Norton, Oxfordshire, for a one day pop up textile bazaar. They will bring with them a range of amazing textiles for sale from around the globe. They will also be happy to look at any textiles or pieces of costume you bring in to help identify what it is and where it comes from – they may even offer to buy it!

Experts confirmed are:

  • Martin Conlan of Slow Loris Textiles – an absolute authority on the minority textiles of southwestern China with stunning indigos, embroideries and fabulous costume pieces.
  • Susan Briscoe well-known author, teacher and expert in Japanese textiles.
  • Tanya Byrne of The Running Stitches with beautiful kantha work scarves, throws and quilts from northern India.
  • John and Joan Fisher with a stunning collection of applique and quilting from Egypt.
  • Diane and Jim Gaffney of Textile Traders with their 40 years of experience in south east Asian textiles – particularly in the batik and ikat of Indonesia and the indigo and natural dyes of Northern Thailand.
  • Magie Relph and Bob Irwin of The African Fabric Shop with an amazing array of West African wax print plus textiles from the traditions of all the corners of the Continent.

Entry is free and the event runs from 10 am to 4 pm. More details here.

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On Saturday 17 September batik expert Sabine Bolk will give a talk at the Asian Civilisations Museum in Singapore on Developments in Batik history in the 19th century, imitations, and other influences from abroad. This is in conjunction with the current exhibition Batik Kita: Dressing in Port Cities.

Detail from a batik Belanda (Dutch batik) inspired by images seen in European fairy tales and magazines. “Slamet Pake” is urban slang of “Selamat Pakai”, meaning “enjoy wearing”. Kain panjang (detail). Central Java, Pekalongan, 1920s. Batik tulis. Cotton, synthetic dyes. ACM, T-0811.

Please note this is an in person event and is not available online.

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Also taking place on 17 September is an online talk as part of the Textile Museum’s Rug and Textile Appreciation sessions. The subject this time is Carpet Masters of Persia, and the speaker is Hadi Maktabi, the author of The Persian Carpet: The Forgotten Years, 1722-1872.

He will present “a detailed overview of the urban workshop tradition in Persia from the Timurid era to the 20th-century revival. This virtual lecture will cover all major weaving centres and explore the distinct characteristics of workshop structure and organization in each”.  – TM website

Detail of a wool carpet made in Isfahan by the workshop of Agha Ahmad Ajami circa 1900, depicting an ancient Persian queen called Pourandokht.

This free talk begins at 11:00 EDT, which is 16:00 BST and you can register for it here.

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Now to a hybrid talk, which will take place in person in Oxford, as well as on Zoom. On Wednesday 21 September anthropologist and author Frances Larson will talk about her book Undreamed Shores: The Hidden Heroines of British Anthropology.

“In the opening two decades of the twentieth century, at a time when women were barely recognized at the University of Oxford, five women trained at the Pitt Rivers Museum and became Britain’s first professional female anthropologists. Between them, they did pioneering research in Rapa Nui (Easter Island), Siberia, Egypt, the Solomon Islands, Papua New Guinea, and the pueblos of southwest America. Through their work they challenged the myths that constrained their lives. Yet when they returned to England, they found loss, madness and regret waiting for them.” – PRM website

Maria Czaplicka, author of Aboriginal Siberia: a study in social anthropology. © Pitt Rivers

The talk begins at 18:00 BST and you can register for either the in-person event or an online ticket here.

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Also taking place on 21 September, but this time in Canberra, Australia, is a talk by Toolika Gupta, the Director of the Indian Institute of Craft and Design. Her subject is Sherwani: The influence of British rule on elite Indian menswear.

She will explore “the history of Indian menswear fashion by looking at the changing trends— clothing preferences, popular garments, and style—during the British rule. She traces Indian menswear from the 17th century to the early decades of the 21st century narrating how the flowing jamas and angrakhas of the earlier era changed to the achkan which was followed by a more tailored sherwani during the late nineteenth and the early twentieth centuries.”

Painting of last Nizam of Hyderabad accompanied by men some of whom are sporting sherwanis. Source: Wikipedia

This talk takes place by Zoom at 18:00 local time, which is 09:00 BST and 13:30 in Jaipur. More information and a link to registration can be found here.

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On Saturday 24 September the San Diego Museum of Art will host an online talk by Sylvia Houghteling, Assistant Professor of the History of Art at Bryn Mawr College. Her first book, The Art of Cloth in Mughal India, was published earlier this year. The subject of this particular talk is Cultures of Cloth in Mughal South Asia.

“In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout South Asia in the lands ruled by the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. This lecture tells stories of how textiles crafted and collected across South Asia participated in political negotiations, fostered social conversations, and conveyed personal feeling across the breadth of the Mughal Empire.” – museum website

Persian courtier (detail), ca. 1615. Opaque watercolor, ink, and gold on paper. Edwin Binney 3rd Collection, 1990.457.

You can find out more about this lecture, for which there is a small charge, and register for it here. It begins at 10:00 PDT, which is 18:00 BST.

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Some rug and textile groups have really come into their own during the pandemic. One of these is the New England Rug Society (NERS), who have an excellent programme of online talks, and a newsletter called View from the Fringe.

On Saturday 24 September Walter Denny, author of How to Read Islamic Carpets, will give a webinar entitled What the Hell Is That? – Encountering Unknown Carpets in Private and Museum Collections and the Marketplace.

“One of the pleasures—and frustrations—of studying and enjoying carpets is encountering the unexpected or the unknown. Yesterday’s close encounters with alien carpets have often morphed into today’s basic knowledge. In this illustrated lecture, Walter Denny will discuss his experiences with “wild cards” that have continued to appear, with disconcerting frequency, during his fifty-six years of studying, photographing, and analyzing carpets in private collections, museum collections, and the marketplace.” – NERS newsletter

Kilim fragment © Walter Denny

The webinar begins at 13:00 ET, which is 18:00 BST and you can register for it here.

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I was contacted recently by Jill Winder, Associate Curator (Decorative Arts & Artefacts) at the University of Leeds – the home of the International Textile Collection. They are looking to recruit a Project Collections Officer to catalogue a significant collection of Indonesian textiles.

Double ikat from Bali. Coleman Collection

This collection was previously loaned to them by a member of the OATG. Closing date for applications is 23 September 2022 and you can find out more about it here.

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Selected textile talks and exhibitions

Some OATG members have certainly had a busy summer! Speakers in this video of an event hosted by the Asian Art Museum, San Francisco, include our founder Ruth Barnes (now at Yale University Art Gallery) and Sandra Sardjono of Tracing Patterns Foundation. They talk about textiles from Indonesia and the Philippines, but the themes they cover are relevant to many more areas.

“Colonialism, changing customs, war, and contemporary collecting practices have all impacted the use and meaning of textiles in Southeast Asia. In this online Re-History Series discussion, a panel of experts explores themes of loss, destruction, and conservation during colonial periods as well as the present day. They will discuss efforts to center the makers’ voices and recover from losses through research, conservation, and collaboration.” – Museum website

Sandra, along with her husband Chris Buckley, has been working on some exciting projects within the Tracing Patterns Foundation and I hope to share more on that work in the near future.

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Our Membership Secretary, David Richardson, is another OATG member who has been busy researching and writing – this time for an article which has just been published in Textiles Asia. The beautifully illustrated article discusses a collection of heirloom textiles from the Indonesian island of Solor, thus linking nicely to one of the subjects talked about by Ruth Barnes in the video above.

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A new exhibition opened last week at the Deutsches Textilmuseum (DTM) in Krefeld. Peru – ein Katzensprung (stone’s throw) celebrates the museum’s important collection of pre-Columbian textiles and runs until 23 April 2023. This is the first major exhibition of Peruvian textiles at the museum since 1959. An impressive 292 textiles are on display – the vast majority of which are from the DTM collection.

In the past pre-Columbian textiles were not bought for the collection from a cultural-historical point of view, but instead because of their motifs and the variety of techniques used. This is discussed in an interesting illustrated paper by Katalin Nagy for the Pre-Columbian Textiles Conference held in 2019. Click here to read The pre-Columbian textile collection of the German Textile Museum Krefeld.

Shirt, uncu, from the Huari Culture (8 – 10 century AD). Dyed camelid hair weft on cotton warp, tapestry weave. © Deutsches Textilmuseum

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This Thursday, 1 September, sees the opening of an exhibition at the California Museum, Sacramento, entitled Between 2 Worlds: Untold Stories of Refugees From Laos. This is a travelling exhibition that was developed by the Center for Lao Studies.

It ” presents crucial stages of the Lao refugee experience, inviting visitors to contemplate ideas of ‘home’ as seen through the eyes of people for whom the notion is precarious, and for those who have lived or are still living between two worlds.” – Museum website

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On Saturday, 3 September 2022, the World Textile Day team will be in Llanidloes, Wales. As usual there will be an eclectic mix of textiles on sale from an interesting group of dealers. This is in addition to the regular programme of talks. Entry to the event is free, with a small charge being made for the optional talks.

Full details can be found here.

Photo from a previous WTD Wales event.

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I seem to be reading more and more about textiles from the Philippines at the moment. This online event hosted by the Ayala Museum in Manila caught my attention. Intertwined Conversations: Transoceanic Journey of Luxury Goods is a conversation between Elena Phipps and Sandra Castro, moderated by Florina Capistrano-Baker. Elena will discuss how luxury goods such as silk, piña and chintz arrived in the Americas via the Manila Galleon trade and the impact these textiles had. Sandra will look at how traditional Philippine materials were used to make souvenirs in the form of Western material culture.

The timing of this event doesn’t work for our UK members (unless you are a real night owl and want to watch it at 2am), but hopefully does for some of our international members – 9 September at 21:00 EST, 18:00 PST, which is 10 September 09:00 in Manila.

For more details and registration click here.

By coincidence the new edition of Arts of Asia focuses on the Philippines, with articles including The Philippine Dress: 500 years of Straddling Polarities and Unfolding a Collection of Indigenous Philippine Textiles.

Cover of Arts of Asia

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The Textile Museum Associates of Southern California hold their next programme in early September. The subject of the webinar is Kimono: Kyoto to Catwalk, and the speaker is Anna Jackson, Keeper of Asian Art at the V&A in London.

“The kimono is an iconic garment. A symbol of Japanese national culture and sensibility, it is generally perceived as a traditional, timeless costume. This talk counters that conception, revealing that the kimono has always been a highly dynamic, fashionable garment. It will explore the social and sartorial significance of the kimono in historical and contemporary contexts both in Japan and in the rest of the world, where its impact on dress styles has been felt since the seventeenth century.” TMA/SC

There will be two Zoom sessions, to accommodate participants from different time zones. The talk will be the same in each case, so please only sign up for one! The first is intended for the Western Hemisphere to India and takes place on Saturday 10 September at 10:00 PDT, 13:00 EDT, 18:00 BST. The registration link can be found here.

The talk will be held again on Sunday 11 September and this is intended for those in the East – 09:00 BST, 15:00 Bangkok, 17:00 Tokyo and 18:00 Sydney. The registration link to this talk can be found here.

Left: Outer kimono for a courtesan (uchikake), 1860- 70 (©Victoria and Albert Museum) 
Right: Kimono ensemble by Hiroko Takahashi, 2009 (©Hiroko Takahashi)

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Russian and Palestinian embroidery, Korean textiles, Central Asian patchwork, Soviet Kazakh women and World Textile Day North.

PLEASE NOTE Subscribers who usually read this blog via their email may need to click on the blue title to access it through our WordPress site instead to enable them to watch any videos.

The Russian History Museum recently held a free online lecture, which I found out about too late to include in my previous blog. Please note that when this happens I do provide links on our Facebook page, so I would encourage all members to check that out too.

Pictures in Thread: Late Imperial Russia and Needlework was presented by Dr Andrea Rusnock. Luckily the event was recorded so you can now watch it at your leisure.

“Needlework played a key role in nineteenth century Russian culture and art across all social classes, from the peasantry to the urban elite. Women plied their needles to create and embellish household articles, personal items, and interior décor. In addition to the actual objects themselves there was a plethora of publications relating to needlework produced at the end of the Imperial period.” – Museum website

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Also on the subject of embroidery – I posted about this on Facebook last week and it was so popular I thought I ought to share it here too. This 68 page book is available as a free download in English or Arabic from the GWU & Textile Museum website. Simply click on this link, then on the PDF.

Front cover of the book

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This Saturday, 20 August 2022, sees the opening of an exciting new exhibition at the Textile Museum in Washington DC. Korean Fashion: From Royal Court to Runway examines 125 years of Korean costume and fashion and lasts until 22 December.

“After centuries of relative isolation, Korea opened its borders to international trade and diplomacy in 1876, but for years the country remained little known outside of Asia. Korea’s participation in the Chicago World’s Fair in 1893 changed that. Visitors to the Korean pavilion were dazzled by the colorful displays of traditional clothing (hanbok), such as embroidered silk jackets and robes made for the Joseon royal court.” – museum website

Bridal robe, Korea, 19th century. © The Field Museum, Image No. A113982c, Cat. No. 33159. Gift of J. F. G. Umlauff, H. Higenbotham. Photo by John Weinstein.

This exhibition will include some of the actual textiles that were shown in Chicago in 1893. It also includes the work of modern designers, giving a fascinating overview of Korean culture.

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Next Wednesday, 24 August 2022, the Nebraska based International Quilt Museum will host a free Webinar, which should be of interest to our members. The museum curator, Marin Hanson, will be in discussion with Christine Martens “about her extensive travels in Central Asia and about the collecting of patchwork and quilted objects she has done on the museum’s behalf. Quilted robes, patchwork hangings, and talismanic children’s garments will all be featured in the discussion.” – museum website.

Tushtuk (decorative curtain). Probably made in Kyrgyzstan or Tajikistan in the mid-20th century. Acquisition made possible by the Robert & Ardis James Fund at the University of Nebraska Foundation, 2011.040.0008. © International Quilt Museum

I’ve known Chris for over a decade, through our shared love of the textiles of Central Asia. She is also an expert on feltmaking and leads tours to visit craftspeople so I’m sure this will be an excellent talk.

It takes place at 14:00 Eastern, which is 19:00 BST and you can register for it here.

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While on the subject of Central Asia, I recently read this article by Askar Alimzhanov in Voices of Central Asia. The Lives and Work of Soviet Kazakh Women in Photos contains many interesting images of Kazakh women. However I think the author in his opening paragraph fails to appreciate that having your photograph taken was treated as a serious business in many communities, and it was not uncommon to see people with solemn expressions.

Dina Nurpeisova, People’s Artist of the USSR, Almaty, 1941. Central State Archive of Film, Photo Documents, and Sound Recording of the Ministry of Culture and Sports of the Republic of Kazakhstan.

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The World Textile Day team is in for a busy few weeks, with their first event on Saturday 27 August 2022 at Frodsham in Cheshire. Entrance to these events is free, but there is a small charge (payable on the door) for attending the talks, which this time look at the West African bead trade, Japanese sashiko and textiles across borders.

For more details please visit the World Textile Day website.

Royal Needlework, Tribal Weavings and the return of World Textile Days

There are lots of exciting events happening in April – including many in-person rather than on Zoom. I’m therefore splitting them across two blogs.

A new exhibition opens at the Fashion and Textile Museum, London, this Friday 1 April 2022. It is entitled 150 Years of the Royal School of Needlework: Crown to Catwalk, and examines one of the UK’s oldest applied arts organisations.

“In 1872, the Royal School of Needlework (RSN) was founded on two key principles – the first, the preservation of hand embroidery as an art form and the second, the support of women’s independence through work” The exhibition “will explore this historic organisation’s contribution to the world of embroidery. The exhibition will present collaborations with the great names of the Arts and Crafts movement, commissions produced for the British royal family, contemporary works created for top, international designers and pieces by the RSN’s talented students.” – FTM website.

This exhibition runs until 4 September and you can book tickets here. An illustrated talk by the curators, discussing some of the key pieces will take place online on 1 April at 13:00 BST. Tickets cost £7.50 and can be booked by emailing the museum.

Excited to see that the World Textile Day team will be starting their events again this week. Their first venue is at East Horsley near Leatherhead, Surrey on Saturday 2 April 2022. Doors open at 10am and I would strongly advise you to get there early. The market place event is free, however there is a charge of £5 for entry to the talk, which is at 11am. The speaker this time will be Ian Rutherford and the topic Palestinian Dress & Costume. For more information on participating dealers and the venue please click here.

The Cotswold Art and Antique Dealers’ Association are holding a special week of exhibitions from 2-9 April 2022, under the title Cotswolds Curated.

Nine dealers will be participating, including OATG members Chris and Angela Legge. Their exhibition is entitled Tribal Weavings: Bags, Rugs and Carpets from Iran and Central Asia. They will be showing original artefacts, woven by tribal and village women for use in their homes, tents and on migration, and as symbols of identity and status on important occasions such as weddings.

A rare Ersari Engsi dating to the first half of the nineteenth century.

Their Oxford gallery will be open from 2 April through to 9 April, 9.30 am – 5 pm on weekdays and 11 am – 4 pm on the Sunday.

The Pitt Rivers Museum in Oxford is running one-day weaving workshops led by Susan Foulkes, the author of several books on band and braid weaving, on Friday 8 April and Saturday 9 April.

Participants will learn how to make a tubular filled cord using a weaving disc and a backstrap loom. These types of cords were previously used in Indonesia as lamp wicks, but their use has since died out. For more information and booking instructions please click here.

The inimitable John Gillow at a previous Mundford textile day.

Saturday 9 April sees the World Textile Day team in the East of England at Mundford, near Thetford. Entry to the exhibition and market place is free, and there is a small charge for the talks. The main talk – From Java to West Africa: Travelling Textiles – is at 11am, followed by two short talks in the afternoon. Full details here.

Selected textile exhibitions and events

Several years ago I was lucky enough to spend some time with Kikuo Morimoto at his Wisdom of the Forest project in Cambodia.

Kikuo Morimoto

“In 1975 the Khmer Rouge took over Cambodia and, in events often overlooked by a good portion of today’s world, proceeded to almost completely wipe out Cambodian culture, including textiles.  Twill-woven weft ikat was an important part of that culture with textiles playing a major role in both every day and ritual life.  With many of the weavers killed and the basics to create the fibers and dyes needed for weaving deliberately destroyed, there was a need for assistance to bring back the traditional means of producing ikat textiles.  Kikuo Morimoto from Japan began the arduous task of finding the few women surviving who knew how to tie the designs and dye the colors using natural dyes.” – Jenny Spancake

Mr Morimoto wrote a memoir detailing his endeavours, which was published in 2008 under the title Bayon Moon. Sadly he passed away in 2017, but his work continues through the IKTT organisation and proceeds from this second expanded e-book edition of his memoir will help continue the work he started and to which he dedicated so much of his life.

It is available through iTunes and your local Amazon website – for example here in the UK and here in the USA.

One of the rooms in Paul Hughes Fine Arts with an amazing Huari Cushma from camelid fibre dating to around 800AD at the centre

Paul Hughes Fine Arts in Somerset currently has a fascinating exhibition entitled Continuities (ending 24 October 2021). Here you can see pre-Columbian textiles on show next to contemporary works in various mediums – textiles, painting, sculpture.

“All Art was Once Contemporary – Continuities is intended to illustrate how works from different periods and cultures are visually interwoven despite their diverse chronological and geographical background, whether it is an affinity in aesthetics or intentionality imbued within the living artist’s creations.” – PHFA website

There are some fabulous textiles illustrated in the online catalogue, but they will have to wait until I win the lottery.

Lubaina Himid’s Lost Threads at the British Textile Biennial 2021 at Gawthorpe Hall, uses 1,300ft of fabric to reflect on the history of cotton
© James Speakman/Mercury Press

As part of the British Textile Biennial 2021 there is a major new installation by Turner-prize winning artist Lubaina Himid at Gawthorpe Hall in Lancashire. The placing of this in the Great Barn is just perfect.

Detail of one of the textiles on show.

“Cascading through the structure of Gawthorpe Hall’s Great Barn, 400 metres of Dutch Wax fabric reflect the movement of oceans and rivers that have been used to transport cotton across the planet and over centuries. Waterways historically carried raw cotton, spun yarn, and woven textiles from continent to continent, as well as enslaved people from Africa to pick raw cotton in the southern states of America or workers who migrated from South Asia to operate looms here in East Lancashire.” – British Textile Biennial website.

The irrepressible John Gillow with his stand at a previous World Textile Day event

Saturday 16 October is the East of England World Textile Day in Norfolk. The venue is at Mundford near Thetford. Traders confirmed so far are Textile Traders, the African Fabric Shop, Susan Briscoe Designs and OATG member and author of several textile tomes John Gillow. The event starts at 10:00 – get there early to browse through a great range of ethnic textiles!

Cutting the binding threads on Savu. © David Richardson

On Saturday 16 October Geneviève Duggan will give a Zoom lecture about the ikat textiles of Savu in Eastern Indonesia for the Textile Arts Council in San Francisco. Geneviève gave a presentation to OATG members in March of this year, which was a great success.  Sadly not long after that Savu was hit by cyclone Seroja and is still recovering from its effects.

Geneviève has been studying the textiles and material culture of this island for decades, spending long periods living with the weavers in their villages. I’ve met her there several times and her love for the place and its people is clear.

This talk will take place at 10:00 PDT, which is 18:00 BST. Click here to register.

Young girl in a Dani village. © Tracing Patterns Foundation

The OATG event for October will be an online talk by OATG members Chris Buckley and Sandra Sardjono of the Tracing Patterns Foundation. The subject will be Fiber Arts from Papua.

“The Dani people of the Baliem Valley in Papua possess no looms, but fiber forms an essential part of their lives, so much so that the explorer Karl Heider called theirs a ‘culture of string’. “ – Tracing Patterns Foundation.

Plaited orchid fibre. © Tracing Patterns Foundation

Tracing Patterns Foundation is currently cataloguing and conserving a huge number of Dani items, collected by the late Dr O W Hampton in the 1980s. Chris and Sandra will discuss how techniques such as plaiting and knotless netting were used to produce a wide variety of objects. “Large head-nets were important items of dress for women, as well as practical carrying containers. Some of the most interesting and unusual artifacts are stone tools and sacred objects, bound with fibres, feathers from birds of paradise, and other materials. “

This talk will take place at 18:30 BST on Thursday 21 October 2021. Members should have already received their invitations and hopefully registered. Registration is now also open for non-members for a small (£3) donation.This should be a fascinating talk so do join us!

On Friday 22 October Silk Road a newly renovated gallery is due to open at the Pacific Asia Museum in Pasadena. It will feature a new exhibition entitled Crossroads: Exploring the Silk Road.

“Presented as a journey through Dunhuang, an ancient oasis connecting peoples and cultures, along the southern Silk Road route, this gallery engages an intergenerational audience through play and discovery. The sights and sounds of the ancient city come to life through stories and music, dress up, tactile objects, an interactive discovery map, and highlights from the museum’s collection. “ – USC Pacific Asia Museum.

Three generations of Qashqa’i women. Photo courtesy of Vedat Karadag.

On Saturday 23 October the Textile Museum will host another of its regular series of Rug and Textile Appreciation mornings. The speaker will be Vedat Karadag and the subject is Traveling the Textile Lands of Greater Anatolia, Persia, Central Asia and Beyond. For the past four decades Vedat has been involved with textiles, both as a dealer and leading cultural and textile-oriented trips. In this virtual talk Vedat will share some of the highlights of his textile travels. More information can be found here. Click on this link to register for this event which begins at 11:00 EDT, which is 16:00 BST.

The most recent edition of our Asian Textiles journal contained an article by Georges Breguet and Gaspard de Marval on Alfred Steinmann and the Ship Motif. This provided an excellent overview of the work of Steinmann, as well as a review of the current exhibition on the subject at the Ethnographic Museum of the University of Zurich.

On Sunday 24 October the Washington-based International Hajji Baba Society will host a programme on Steinmann’s research into the use of the ship motif in Indonesia.

“For many centuries, the people of southern Sumatra saw themselves as living on a ship floating between the sea and the heavens. This idea was woven into fascinating textiles featuring elaborate depictions of ships carrying humans and animal-like beings. These ship cloths were used in ceremonial and ritual contexts. 

Alfred Steinmann, one of the former directors of the Ethnographic Museum of the University of Zurich, was one of the first scientists to study these textiles in depth and to try to interpret them. In several writings that appeared from 1937 to the 1960s, he examined the ship’s motif from a cultural and historical perspective, from the Bronze Age to the present day. He interpreted the elaborately patterned ship cloths as depictions of the passage of dead souls into a land of ancestors. Although later researchers added other layers of interpretation to Steinmann’s, to this day his contribution remains essential for understanding these textiles. “ – IHBS website.

This programme will involve not only a PowerPoint presentation by Paola von Wyss-Giacosa and Andreas Isler, but also a virtual guided tour of the Zurich exhibition – a real treat! Please note that spaces for this virtual event are limited and are filling fast so register now. A catalogue to accompany the exhibition is also now available (German text).

Lydie Bonfils/Arab Image Foundation

Finally, I recently enjoyed reading this article entitled Women Behind the Lens: The Middle East’s First Female Photographers by Tom Verde in AramcoWorld. It shows how women were involved in photography in the Middle East since the middle of the nineteenth century. Some worked behind the scenes, often in the family business, but others took a more prominent role, especially in the field of portraiture as women often felt more at ease sitting for another female.