New Year, new textile events!

On Wednesday 17th January 2024 the Oriental Rug and Textile Society (ORTS) will hold their first in person lecture of the year in London. The speaker is Avalon Fotheringham of the V&A, and her subject is Connecting Threads: New Investigations into Madras Handkerchief Exchanges between South India and the Caribbean.

“Connecting Threads is an AHRC+NEH funded humanities project dedicated to exploring how Indian cotton weavers and their customers across the Global South impacted wider fashion histories. The project is now entering the second phase of its pilot case study, which focused on the South Indian ‘Madras Handkerchief’ and the impacts of its consumption in the Caribbean. This lecture will summarise the project’s findings, including new discoveries which shed light on the possible origins of Madras and the importance of the Caribbean market to global trade and fashion.” – ORTS website

The talk begins at 18:30 GMT and is free for members. Guests are welcome upon payment of a small fee, but do need to contact Dimity Spiller in advance.

Linen Day, Roseau, Dominica – A Market Scene, by Agostino Brunias, c.1780. Yale Centre for British Art.

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Also taking place on Wednesday 17th January 2024 is the first online lecture in a series hosted by the Washington-based Textile Museum. These lectures will all be given by authors who have contributed to the most recent issue of the Textile Museum Journal. The speaker is Nikolaos Vryzidis, who specialises in the medieval and early modern Mediterranean. He will be discussing a fourteenth century Asian silk in a monastic Greek manuscript. Dr Vryzidis will demonstrate how the “study of this rare and intricately patterned textile can contribute to our knowledge of the importation and dissemination of Asian silk damasks and damask-like fabrics in late medieval Europe.” – Textile Museum website

This online talk begins at noon EST, 09:00 PST, which is 17:00 GMT and you can register for it here.

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On Thursday 18th January 2024 the Katonah Museum in New York State will hold an online talk linked to their current exhibition on Syrian textiles (which closes on 28th January). In Syrian Textiles Up Close leading experts Deniz Beyazit and Julia Carlson will “discuss how the fine garments designed and created by skilled artisans in the late nineteenth and early twentieth centuries reveal social and cultural traditions.” – Katonah Museum website

This free talk takes place at 14:30 PT, 17:30 ET, 22:30 GMT.

Man’s abaya (cloak), from Aleppo or Damascus, late 19th-early 20th century

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The London Antique Rug and Textile Art Fair (LARTA) runs from Tuesday 23rd to Sunday 28th January 2024 in Battersea Park. According to their website this is “the UK’s leading annual fair dedicated to the appreciation of antique rug and textile art. Our specialist event brings together quality decorative pieces and interesting collectors’ items presented by some of the UK and Europe’s most dynamic and knowledgeable dealers.

Our aim is to promote this vibrant art form to a wide audience, and offer a tempting array of textiles and weavings for sale. The scope of our interest is broad, and includes weavings from the Far East, Central Asia, Persia, India, Turkey, the Caucasus as well as from Europe and Africa, and from all periods up to the early 20th century. Customers typically include collectors, interior decorators and designers, private buyers and international dealers.” – LARTA website

Information on the exhibitors can be found on their website.

Image from a past LARTA Fair. © The Decorative Antiques & Textiles Fair / John Englefield

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Wednesday 24th January 2024 sees the second of the Textile Museum talks by authors featured in its journal. The speakers are Anna Jolly of the Abegg-Stiftung and Corinne Mühlemann from the University of Bern. They will be discussing two velvet Iranian letter pouches, which are currently held in the Danish National archives. They believe that the letters which these pouches once held can help to date the textiles to pre-1637.

“By placing the two letter pouches in the context of diplomatic exchange between the Safavid court and a European court, this case study highlights the role luxury textiles played in 17th-century Iranian diplomacy.” – Textile museum website 

This online talk begins at noon EST, 09:00 PST, which is 17:00 GMT and you can register for it here.

© Designmuseum Danmark, Copenhagen. Photo by Pernille Klemp.

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On Saturday 27th January 2024 the Textile Museum Associates of Southern California will host and online talk by Professor Walter Denny entitled How We Look at Turkish Carpets: James F. Ballard and a New Way of Collecting. In this talk Professor Denny “will focus on carpets from the Ottoman Empire acquired by early 20^th century American collector James Ballard.  Ballard’s collection, today divided between the Metropolitan Museum of Art and the Saint Louis Art Museum, has influenced a century of American carpet collecting and changed the way we look at carpets made in Anatolian workshops, villages, and nomadic encampments.” – TMA/SC

This Zoom talk takes place at 10:00 PT, 13:00 ET, which is 18:00 GMT and you can register for it here.

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The final talk in the Textile Museum journal series takes place on Wednesday 31st January. This time the speaker is Yu-Ning Chen and her subject is Mosurin Wool Textiles in Imperial Japan.

“Chen discusses military-related patterns on mosurin fabric, representations of mosurin in print media, including Japanese prewar textbooks, and descriptions of both the consumer culture surrounding this fabric and the female factory labor involved in its production in modern Japanese literature.” – Textile museum website

This online talk begins at noon EST, 09:00 PST, which is 17:00 GMT and you can register for it here.

Photo courtesy of Mukogawa Women’s University.

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Next some OATG news. Our AGM will take place on Saturday 17th February 2024 at 14:00 in the usual venue of the Ashmolean Museum Learning Centre. The formal proceedings will be followed by a Show and Tell, which is always a lively event. The Eventbrite invitations will be sent out in due course.

Image from a previous Show and Tell

Those who attended last year’s Show and Tell may remember Peter Umney-Gray and his scissor bags.

Short (24.2cm) and long (44.8cm) scissors with appropriate Shahsavan bags (29cm and 47cm), showing how short bags could possibly have been used for short sheep scissors.

Peter’s book Scissor Bags & Sheep Scissors in the Nomadic Tradition has now been published. With 292 pages and 299 illustrations this should surely satisfy any readers’ curiosity about this subject! It is available for £55 plus postage from Argali Publishing.

“Scissor bags, and the end-pivot sheep scissors they contained, have not until now been given the attention they deserve. The utilitarian purpose and ephemeral nature of these mainly woven objects by nomadic pastoralists have meant that not many of them survive….. The results of field research among the Shahsavan of Northwest Iran, the Sarıkeçeli Türkmen of the Toros Mountains, Türkiye, and the Uygurs of Xinjiang help to shed light on this tradition….” – Peter Umney-Gray

Inscribed end-pivot sheep scissors, Iran, lying on a scissor bag.

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OATG members who were unable to attend recent events will be glad to know that the recordings of the talks given by Sheila Fruman (Pull of the Thread: Textile Travels of a Generation) and Patricia Cheesman (Unravelling Tai Textiles from Laos) are available to view via the password-protected section of our website. Click here, then on the Members Resources link and enter the password.

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New talks and exhibitions this summer

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The OATG have recently had a couple of in person events, with a visit to the British Museum and a talk by Rachel Silberstein. Members who are unable to travel to Oxford will be delighted to hear our next event, which will take place in early September, will be an online lecture by Dr Dorothy Armstrong.

In the meantime the next edition of our Asian Textiles journal will be published shortly and members may also enjoy looking at the recordings of some of our previous talks. Simply go to our website and click on the Events section and then on the Members Resources page. You will need to enter the current password, which can be found on the inside back page of the current Journal. I was travelling in April and missed the talk on Frontiersmen of the Crossroad: The Fusion Style of Chinese Shan Dressing by Ake Rittinaphakorn, so am looking forward to watching the recording of it.

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The current exhibition at the Design Museum in London is The Offbeat Sari, curated by Priya Khanchandani. This major exhibition celebrates the contemporary Indian sari, bringing together dozens of the finest and most innovative saris.

“Worn as an everyday garment by some and considered by others to be formal or uncomfortable, the sari has multiple definitions. Conventionally an unstitched drape wrapped around the body, which can be draped in a variety of ways, its unfixed form has enabled it to morph and absorb changing cultural influences.

In recent years, the sari has been reinvented. Designers are experimenting with hybrid forms such as sari gowns and dresses, pre-draped saris and innovative materials such as steel. Young people in cities who used to associate the sari with dressing up can now be found wearing saris and sneakers on their commutes to work. Individuals are wearing the sari as an expression of resistance to social norms and activists are embodying it as an object of protest.” – Design Museum website

The short video below gives an insight into the exhibition, and more information on some of the highlights can be found here.

There is also a book, edited by Priya Khanchandani, to go with the exhibition.

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David Richardson and I will be giving a free online talk on Saturday 29 July 2023 as part of the Textile Museum’s Rug and Textile Appreciation sessions. Our subject will be Changing Women’s Fashions on the Indonesian Island of Sumba. Most textile lovers are aware of the Sumbanese men’s hip wrappers known as hinggi, but many know little about the women’s tubeskirts, known as lau. These are made using a wide variety of techniques, which we will discuss in this talk.

Woman from East Sumba holding a lau hiamba – a tubeskirt made using the ikat technique

The talk is free, and begins at 11:00 EDT/08:00 PDT, which is 16:00 BST, and you can register for it here.

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The New TRIBAL ANTIQUE & DECORATIVE TEXTILES FAIR will take place on Sunday July 30th at St Mary Abbots Centre, Vicarage Gate, W8 4HN, near Kensington Church Street, London. This is an upcoming new antique textile fair, following the demise of the Hilton Olympia Tribal Art Fair. All of the best dealers, from that event and more, will be exhibiting on July 30th. The organisers hope that this will become a destination event and will happen in June and November in subsequent years.

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On Thursday 3 August Assistant Curator Eliza Spindel will be conducting a free tour of the current exhibition on Palestinian embroidery at Kettles Yard in Cambridge, UK. The tour is timed to begin at noon and there is no need to book ahead.

Material Power: Palestinian Embroidery Kettle’s Yard, Cambridge

You can learn more about some of the dresses in the exhibition in this blog. Did you know that the vine leaf motif indicates a dress is from the Hebron area, due to the large number of grapes grown on the Hebron hills?

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I wrote in my previous blog about the new exhibition at the Brunei Gallery in London on the Japanese Aesthetics of Recycling – The Karun Thakar Collection. On Thursday 10 August at 18:00 Karun will be giving a talk and guided tour of the exhibition. Admission is free, and attendance highly recommended!

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Quite a few members of the OATG are also members of the Textile Museum Associates of Southern California. The TMA/SC are celebrating 38 years of presenting textile programmes next month, and will hold a special event on Saturday 19 August. This will be a symposium and banquet lunch, and they have two great speakers lined up. The first is OATG member and Textile Museum curator Lee Talbot, who will speak about Indian Textiles: 1,000 Years of Art and Design. The second speaker is Professor Walter Denny and his subject will be How We Look at Turkish Carpets: James F. Ballard and a New Way of Collecting. For further details of this event click here.

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Female anthropologists, textiles and carpets from India, Indonesia and Persia, an exciting textile fair and curating opportunity…..

On Saturday 10 September experts from the World Textile Day team will descend on The Guild Hall in Chipping Norton, Oxfordshire, for a one day pop up textile bazaar. They will bring with them a range of amazing textiles for sale from around the globe. They will also be happy to look at any textiles or pieces of costume you bring in to help identify what it is and where it comes from – they may even offer to buy it!

Experts confirmed are:

• Martin Conlan of Slow Loris Textiles – an absolute authority on the minority textiles of southwestern China with stunning indigos, embroideries and fabulous costume pieces.
• Susan Briscoe well-known author, teacher and expert in Japanese textiles.
• Tanya Byrne of The Running Stitches with beautiful kantha work scarves, throws and quilts from northern India.
• John and Joan Fisher with a stunning collection of applique and quilting from Egypt.
• Diane and Jim Gaffney of Textile Traders with their 40 years of experience in south east Asian textiles – particularly in the batik and ikat of Indonesia and the indigo and natural dyes of Northern Thailand.
• Magie Relph and Bob Irwin of The African Fabric Shop with an amazing array of West African wax print plus textiles from the traditions of all the corners of the Continent.

Entry is free and the event runs from 10 am to 4 pm. More details here.

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On Saturday 17 September batik expert Sabine Bolk will give a talk at the Asian Civilisations Museum in Singapore on Developments in Batik history in the 19^th century, imitations, and other influences from abroad. This is in conjunction with the current exhibition Batik Kita: Dressing in Port Cities.

Detail from a batik Belanda (Dutch batik) inspired by images seen in European fairy tales and magazines. “Slamet Pake” is urban slang of “Selamat Pakai”, meaning “enjoy wearing”. Kain panjang (detail). Central Java, Pekalongan, 1920s. Batik tulis. Cotton, synthetic dyes. ACM, T-0811.

Please note this is an in person event and is not available online.

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Also taking place on 17 September is an online talk as part of the Textile Museum’s Rug and Textile Appreciation sessions. The subject this time is Carpet Masters of Persia, and the speaker is Hadi Maktabi, the author of The Persian Carpet: The Forgotten Years, 1722-1872.

He will present “a detailed overview of the urban workshop tradition in Persia from the Timurid era to the 20th-century revival. This virtual lecture will cover all major weaving centres and explore the distinct characteristics of workshop structure and organization in each”.  – TM website

Detail of a wool carpet made in Isfahan by the workshop of Agha Ahmad Ajami circa 1900, depicting an ancient Persian queen called Pourandokht.

This free talk begins at 11:00 EDT, which is 16:00 BST and you can register for it here.

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Now to a hybrid talk, which will take place in person in Oxford, as well as on Zoom. On Wednesday 21 September anthropologist and author Frances Larson will talk about her book Undreamed Shores: The Hidden Heroines of British Anthropology.

“In the opening two decades of the twentieth century, at a time when women were barely recognized at the University of Oxford, five women trained at the Pitt Rivers Museum and became Britain’s first professional female anthropologists. Between them, they did pioneering research in Rapa Nui (Easter Island), Siberia, Egypt, the Solomon Islands, Papua New Guinea, and the pueblos of southwest America. Through their work they challenged the myths that constrained their lives. Yet when they returned to England, they found loss, madness and regret waiting for them.” – PRM website

Maria Czaplicka, author of Aboriginal Siberia: a study in social anthropology. © Pitt Rivers

The talk begins at 18:00 BST and you can register for either the in-person event or an online ticket here.

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Also taking place on 21 September, but this time in Canberra, Australia, is a talk by Toolika Gupta, the Director of the Indian Institute of Craft and Design. Her subject is Sherwani: The influence of British rule on elite Indian menswear.

She will explore “the history of Indian menswear fashion by looking at the changing trends— clothing preferences, popular garments, and style—during the British rule. She traces Indian menswear from the 17th century to the early decades of the 21st century narrating how the flowing jamas and angrakhas of the earlier era changed to the achkan which was followed by a more tailored sherwani during the late nineteenth and the early twentieth centuries.”

Painting of last Nizam of Hyderabad accompanied by men some of whom are sporting sherwanis. Source: Wikipedia

This talk takes place by Zoom at 18:00 local time, which is 09:00 BST and 13:30 in Jaipur. More information and a link to registration can be found here.

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On Saturday 24 September the San Diego Museum of Art will host an online talk by Sylvia Houghteling, Assistant Professor of the History of Art at Bryn Mawr College. Her first book, The Art of Cloth in Mughal India, was published earlier this year. The subject of this particular talk is Cultures of Cloth in Mughal South Asia.

“In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout South Asia in the lands ruled by the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. This lecture tells stories of how textiles crafted and collected across South Asia participated in political negotiations, fostered social conversations, and conveyed personal feeling across the breadth of the Mughal Empire.” – museum website

Persian courtier (detail), ca. 1615. Opaque watercolor, ink, and gold on paper. Edwin Binney 3rd Collection, 1990.457.

You can find out more about this lecture, for which there is a small charge, and register for it here. It begins at 10:00 PDT, which is 18:00 BST.

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Some rug and textile groups have really come into their own during the pandemic. One of these is the New England Rug Society (NERS), who have an excellent programme of online talks, and a newsletter called View from the Fringe.

On Saturday 24 September Walter Denny, author of How to Read Islamic Carpets, will give a webinar entitled What the Hell Is That? – Encountering Unknown Carpets in Private and Museum Collections and the Marketplace.

“One of the pleasures—and frustrations—of studying and enjoying carpets is encountering the unexpected or the unknown. Yesterday’s close encounters with alien carpets have often morphed into today’s basic knowledge. In this illustrated lecture, Walter Denny will discuss his experiences with “wild cards” that have continued to appear, with disconcerting frequency, during his fifty-six years of studying, photographing, and analyzing carpets in private collections, museum collections, and the marketplace.” – NERS newsletter

Kilim fragment © Walter Denny

The webinar begins at 13:00 ET, which is 18:00 BST and you can register for it here.

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I was contacted recently by Jill Winder, Associate Curator (Decorative Arts & Artefacts) at the University of Leeds – the home of the International Textile Collection. They are looking to recruit a Project Collections Officer to catalogue a significant collection of Indonesian textiles.

Double ikat from Bali. Coleman Collection

This collection was previously loaned to them by a member of the OATG. Closing date for applications is 23 September 2022 and you can find out more about it here.

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A plethora of new talks and exhibitions!

It was a pleasure to see so many members take part in our recent AGM, and even more so that several of our overseas members were able to present textiles from their collections at the Show and Tell.

February certainly looks like being a busy month with lots of online talks and exhibitions. I’m listing them here in date order, as sadly several of them take place on the same date.

On 20 February there are no less than three online talks that I am aware of! The first of these is hosted by the Textile Museum, with Lawrence Kearney looking at American Coverlets for Rug Lovers. “In this virtual talk, carpet and textile dealer Lawrence Kearney will explore the varied art form of American wool coverlets from 1780 to 1830.

Woollen coverlets from the early 19th century are one of the great American art forms. They are often beautiful, plentiful and affordable. They were made, primarily, by itinerant weavers who travelled throughout New England and the Midwest from c. 1810 through the 1840s. After introducing the four main types of coverlets — over-shot, double-weave, winter-and-summer, and Jacquard-loomed (“figured and fancy”) — Kearney will explore the pleasures these 200-year-old woollen textiles can hold for rug lovers.” Textile Museum website.

Space for this session is limited so you are encouraged to register early.

A woman in Houaphan Province, Laos, models the hand-reeled silk, naturally dyed shaman cloth she wove on her handbuilt loom. ©Above The Fray.

Next is a Zoom Panel presented by WARP (Weave A Real Peace). This will take place at 1300 EST, which is 1800 in the UK. The panel will consist of Gunjan Jain, who “made a conscious switch from working for fast fashion industries to slow, sustainable fashion and set up Vriksh, a design studio that collaborates with handloom weavers in Odisha and other states in India.  Uddipana Goswami …. a feminist peace researcher turned peace entrepreneur who promotes eco-conscious traditional/indigenous crafts from India’s conflict-ravaged Northeast periphery, and Maren Beck, [who with] her husband Joshua founded Above the Fray: Traditional Hill Tribe Art in 2007 in order to document, support, and introduce to the world the incredible traditional textiles arts and cultures of Laos and Vietnam.” Maren and Joshua are the co-authors of Silk Weavers of Hill Tribe Laos. This talk is free, but registration is essential!

If rugs are more your thing then the talk hosted by the New England Rug Society might be for you. This also takes place at 1300 EST on 20 February, when Alberto Levi will speak on Rugs of the Golden Triangle. “While in Tibet in the early ’90s, hunting, in his words, “for the next Seljuk animal carpet,” Alberto Levi “stumbled across an entirely different kind of animal.” In time, what seemed to be a casual encounter yielded a distinct group of carpets, which Alberto labels “Tibetan Golden Triangle.” Far from being Tibetan, this elusive family of rugs, most of them fragmentary, appears to originate from a triangular region defined at its extremes by eastern Anatolia, the southern Caucasus, and Northwest Persia. How and why these rugs ended up in Tibet is yet another part of the mystery that Alberto will investigate in his talk. ” NERS Newsletter. NERS members will automatically receive a link. Non-members wishing to attend should email committee member Jean Hoffman to receive theirs.

Temple hanging, artist unknown, Gujarat 20th century

On Monday 22 February the Fowler Museum will host one of its regular Lunch and Learn sessions. Joanna Barrkman, the Fowler’s Senior Curator of Southeast Asia and Pacific Arts, will explore embroidered Jain temple and shrine hangings that offer insights into the religious beliefs and imagery of the Jain faith. This short talk will take place at 1430 PST which is 2230 GMT. Click here to register for this free event.

In addition to all of the above there is also the series of four talks hosted by the Textile Museum Journal that I covered in my previous blog. These are:- Elena Phipps on Brilliance, Colour and the Manipulation of Light in Andean textile Traditions (17th) , Raquel Santos and colleagues on Interdisciplinary Perspectives on Asian Textiles in Portuguese Collections (24th) and Walter Denny on Colour, Expectations and Authenticity in Oriental Carpets (26th). The talk by Dominique Cardon on Dyers’ Notebooks in Eighteenth Century England and France, which was scheduled for 10 February has been cancelled. However the good news is that one of Dr Cardon’s co-researchers, Dr Anita Quye, will now take her place for this talk on 10 March instead.

Buddhist robe (kesa), flowers in baskets. Japan, Edo period (1615-1868). Silk and gold brocade. ©Alan Kennedy

Don’t forget that the following day, Saturday 27 February, the Textile Museum Associates of Southern California will host an online talk by Alan Kennedy entitled Kesa: ‘Patchwork’ Buddhist Monks’ Robes in Japan, From Austere to Luxurious. This will take place at 10am Pacific time which is 1800 in the UK. “Kesa is the Japanese word for the traditional patchwork garment worn by Buddhist monks and nuns. These garments are among the earliest documented articles of clothing in Japan, based on inventory records dating to the 8th century. The history of kesa in Japan is of significance for both sacred and secular reasons. They served as a vehicle for both the transmission of Buddhism and of luxury textiles to Japan from the Asian mainland. Kesa that have been preserved in Japan are made of a wide variety of materials, ranging from monochrome bast fibre to sumptuous imported gold brocades. ….. This talk will survey kesa from its earliest history to modern times.” TMA/SC. Registration for this talk is available here.

Ensemble from Southern Moravia in Slovakia (KSUM 1995.17.574 a-e)

A new exhibition opened this week at Kent State University Museum, which will run until 19 December 2021. Entitled Stitched: Regional Dress Across Europe this exhibition showcases common features shared by regional costume across Europe. “In its original context in villages, regional dress carefully marked social and cultural differences. Religious affiliation, gender, age, and marital status were all instantly recognisable at a glance by members of the community. A person’s outfit signalled which village or region they came from. Focusing on these signs of difference obscures the common vocabulary that rural residents across Europe used to shape their clothing. By organising the pieces on display according to shared features, this exhibition highlights the commonalities across the continent rather than their differences. The pieces on view span Western and Eastern Europe including examples from Norway, the Netherlands, Slovakia, Romania and Albania. The development of elaborate regional dress was not a result of the isolation of their wearers but a signal of their integration into broader European society.” KSU website.

Quilt depicting scenes of domestic life and biblical scenes. Created by Minnie Melissa Burdick in 1876. ©Shelburne Museum

The Shelburne Museum in Vermont was the first to exhibit quilts as works of art. Most of the pieces in their collection were produced in New England in the nineteenth century. They recently launched a new online exhibition entitled Pattern and Purpose: American Quilts, which features high-quality images of a selection of their quilts, along with detailed background information on each one. There is also an excellent video in which Katie Wood Kirchhoff previews the exhibition and explains more about the history of the collection and about certain specific quilts. The catalogue of quilt patterns produced by the Ladies Art Company certainly made me smile.

Women’s festive headdress called a shamshur. End of the 19th century Sami, Arkhangel. ©REM

The Russian Museum of Ethnography has a new mini-exhibition which will run until 28 February. The subject is Glass Decor in the Traditional Costume of the Peoples of the Baltic and Barents Regions. The exhibition showcases textiles which are adorned using different types of glass decorations and were made in the second half of the eighteenth to the early nineteenth century. The quality of the images is very good, and there is a toggle at the top of the page to change the language to English.

Early 20th century. Leather, satin, silk, wool and metal thread embroidery, weaving tassels. Artisan Saadagul Mademinova, Southern Kyrgyzstan

The ethnographic collection of the Gapar Aitiev Kyrgyz National Museum of Fine Arts is highlighted in this article in Voices on Central Asia. In it Mira Djangaraсheva, the ex-director of the museum, Aigul Mambetkazieva, the chief conservator, and Chinara Daniyarova, a conservator, tell the story of the museum and describe some of its exhibits. The collection currently consists of over 18,000 items, including embroidered wall panels, felts, a fantastic pair of embroidered leather riding trousers and much, much more. Do take a look!

OATG member Sarah Fee, Senior Curator, Global Fashion and Textiles at the Royal Ontario Museum has informed us of the decision to extend the deadline for the IARTS Textiles of India grant until 15 May 2021. This biennial grant of $15,000 CAD “can be used anywhere in the world by anyone in the world toward a project that enhances knowledge about Indian textiles, dress, or costume”. The scope really is very broad, and can include research, fieldwork and creative work. Please click here for full details of how to apply.

Removing the bindings from the warp threads on Savu. ©David Richardson

Don’t forget the February issue of Asian Textiles will be out later this month. Our next online talk will be on 20 March when Genevieve Duggan will speak on People without history in eastern Indonesia, powerful or powerless? This will focus on the island of Savu, where Genevieve has conducted research over several decades. More details in my next blog!

T M Journal Interview Series, Chintz and Japanese Kesa.

This Wednesday, 27 January, OATG member Sarah Fee of the Royal Ontario Museum will discuss  the exciting revivals and innovations taking place today in India’s unique art of painting cottons using the kalam pen and natural dyes with Renuka Reddy of Bengaluru. The event, entitled Chintz Today: Breathing New Life into Traditional Textile Design, will take place at 1600 EDT which is 2100 in the UK. Further details and registration can be found here.

Hand painted mordant and resist dyed cloth by Renuka Reddy

Many of you will be familiar with the Textile Museum Journal which is published annually. It is peer-reviewed and always features a range of articles from a variety of scholars and textile experts. The most recent edition, published in autumn 2020, was guest edited by Dr Mary Dusenbury and is on the subject of colour.

A series of online interviews has been organised with some of the contributors to this edition. These interviews will take place during February and will “discuss the importance of recent advances in dye analysis, the value of collaborative, interdisciplinary research, and the multiple roles that a study of color can play in understanding a textile and shedding light on its historical and cultural context.” – Textile Museum Journal email.

There will be a total of 4 interviews, each taking place at 12pm eastern time, which is 1700 in the UK. You can register for each one individually.

The first interview will be on Wednesday 10th February and features dye specialist Dr Dominique Cardon. Dr. Cardon will discuss her research on three dyers who made significant contributions to colour and dyeing technology.

“Together with collaborators Iris Brémaud, Anita Quye and Jenny Balfour Paul, Dr. Cardon conducted a comprehensive study of notebooks compiled by three different dyers between 1722 and 1747 in London and Languedoc, France. In this interview, she will reflect on the similarity of their palettes, the virtuosity of the dyers as colorists, their shared technical language, and the scientific accuracy of the colors in their portfolios.” – Textile Museum website. For more information on the work of Dr Cardon see my earlier blog.

Man’s ponchito (detail), 19th century. The Fowler Museum 2011.36.11. Gift of Connirae and Steve Andreas. Photo by Don Cole.

The second interview will take place one week later, on Wednesday 17 February. Dr Elena Phipps will discuss “the Andean predilection for textiles that reflect light” with Dr Mary Dusenbury. Dr Phipps has written prolifically on textiles of the Andes and a selection of her work can be found here.

Vine-scroll design carpet (detail), Iran, 17th century. Museu Nacional de Arte Antiga 10Tp.

The subject of the interview the following week (on Wednesday 24 February) is Oriental carpets found in Portuguese collections. Dr Dusenbury will be joined by Raquel Santos, Blythe McCarthy, Maria João Ferreira and Ana Claro, co-authors of three of the papers in the Journal.

Anhalt Carpet (detail), Iran, 1500-1550. The Metropolitan Museum of Art 46.128. Gift of Samuel H. Kress Foundation, 1946.

Please note that the final interview is NOT the following Wednesday, but will take place on Friday 26 February. This will be with Dr Walter Denny who “will explore the controversies and difficulties surrounding any study of color in pile carpets by art historians, conservators and photographers….. and….how scholarly expectations of color in the various historical eras and geographic groups of carpets are shaped by what has survived of old traditions.”

Buddhist Priest’s Vestment (Kesa) with Phoenix, Japan, Edo period (1615–1868), Date 19th century, Japan, Silk and metallic thread tapestry, Overall: 44 x 80 in. (111.8 x 203.2 cm). Metropolitan Museum of Art, New York.

The following day, Saturday 27 February, the Textile Museum Associates of Southern California will host an online talk by Alan Kennedy entitled Kesa: ‘Patchwork’ Buddhist Monks’ Robes in Japan, From Austere to Luxurious. This will take place at 10am Pacific time which is 1800 in the UK. “Kesa is the Japanese word for the traditional patchwork garment worn by Buddhist monks and nuns. These garments are among the earliest documented articles of clothing in Japan, based on inventory records dating to the 8th century. The history of kesa in Japan is of significance for both sacred and secular reasons. They served as a vehicle for both the transmission of Buddhism and of luxury textiles to Japan from the Asian mainland. Kesa that have been preserved in Japan are made of a wide variety of materials, ranging from monochrome bast fibre to sumptuous imported gold brocades. ….. This talk will survey kesa from its earliest history to modern times.” TMA/SC. Registration for this talk is available here.